MezzoProgram TV na Środa 14.08.2024
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Giulio Cesare in Egitto 'Dramma per musica' in three acts by Georg Frideric Haendel (1685 - 1759) Libretto by Niccoló Francesco Haym First performance London, King's Theatre, Haymarket, 20 February 1724 Ensemble Artaserse, Philippe Jaroussky (conductor) Damiano Michieletto (Stage director) Thomas Wilhelm (Choreography), Paolo Fantin (sets), Agostino Cavalca (costumes), Cécile Kretschmar (hairdressing, make-up, masks), Alessandro Carletti (lighting) Gaëlle Arquez (Giulio Cesare) Sabine Devieilhe (Cleopatra) Franco Fagioli (Sesto) Lucile Richardot (Cornelia) Carlo Vistoli (Tolomeo) Francesco Salvadori (Achilla) Paul-Antoine Bénos-Djian (Nireno) Adrien Fournaison (Curio) Paris, Théâtre des Champs-Elysées, 20 May 2022
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| 9:54 | |
| 10:00 |
Lucas Debargue (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano Sonata No. 8 in A minor, KV 310 Frédéric Chopin 1810 - 1849 Ballade no. 2 op. 38 Prélude op. 45 Polonaise-Fantaisie op. 61 Charles-Valentin Alkan (1813 - 1888) Concerto for solo piano op. 39 No. 8 Paris, Philharmonie, April 3, 2023
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| 11:45 |
Orchestre de la Suisse Romande, Jonathan Nott (Conductor) Pierre-Laurent Aimard (piano) Dieter Ammann (b. 1962) Core Béla Bartók (1881 - 1945) Piano Concerto no 1 Sz.83 Ludwig van Beethoven (1770 - 1827) Symphony no 6 in F major op. 68 'Pastoral' Recorded at the Victoria Hall, Geneva, 28 November 2018
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| 13:11 | |
| 13:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:56 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:46 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 15:13 |
Bavarian Radio Symphony Orchestra, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members of the London Symphony Orchestra, Members of the New York Philharmonic, Members of the Orchestre de Paris, Leonard Bernstein (direction) Bavarian Radio Chorus, Berlin Radio Chorus, Dresden Philharmonic Childrens Chorus June Anderson (soprano), Sarah Walker (alto), Klaus Konig (tenor), Jan-Hendrik Rootering (bass) Ludwig van Beethoven Symphony no. 9 in D minor, op. 125 'Choral' Directed by Humphrey Burton Recorded on December 25, 1989
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| 17:05 |
Betroffenheit Crystal Pite (choreography) Music by Owen Belton, Alessandro Juliani & Meg Roe Kidd Pivot, Electric Company Theatre Jay Gower Taylor - Stage design Tom Visser - Lighting Nancy Bryant - Costumes Linda Chow - Costumes Nicola Ryall - Costumes Bryan Arias - Dancer David Raymond - Dancer Cindy Salgado - Dancer Jermaine Spivey - Dancer Tiffany Tregarthen - Dancer Jonathon Young - Actor Heidi Wilkinson - Puppets Omanie Elias - Puppets The kind of spectacle we rarely see on the theatre or opera stage is offered up here by the innovative Crystal Pite and Jonathon Young. In German, 'Betroffenheit' denotes a state of shock and disbelief. This unusual ballet was inspired by terrible events in the life of choreographer Young, who lost his daughter, niece, and nephew in a terrible fire during a family vacation. A mix of tap, salsa, spoken-word, song, and puppet show, this stirring artistic statement is guaranteed to stir the emotions with its poignant depiction of personal hardship and of the struggle to come to terms with tragedy, beautifully realized by Kidd Pivot and the Electric Company Theatre on the stage of London's Sadler's Wells Theatre. London, Sadler's Wells Theatre, 2017 Directed by Jeff Tudor
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| 18:51 |
Serguei Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022
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| 20:30 |
Serse Opera in three acts by Georg Friedrich Handel (1685 - 1759) Libretto by Nicolo Minato and Silvio Stampiglia First performnce in London, King's Theatre, 15 April 1738 Opéra de Rouen Normandie Orchestra, David Bates (Musical direction, harpsichord) Clarac & Deloeuil > The Lab (Stage Direction, sets, costumes) Christophe Pitoiset (Set design collaboration), Lodie Kardouss (Artistic collaboration), Rick Martin (Lights), Julien Roques and Benjamin Juhel (Video), Julien Roques (Graphic design), Luc Bourrousse (Dramaturgy) Jake Arditti (Serse) Jakub Józef Orlinski (Arsamene) Cecilia Molinari (Amastre) Mari Eriksmoen (Romilda) Sophie Junker (Atalanta) Luigi de Donato (Ariodate) Elviro Riccardo (Novaro) Rouen, Théâtre des Arts, March 14, 2023
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| 23:15 |
Born in the United States, Madeleine Peyroux is a jazz singer and guitarist with an unclassifiable style and an exceptional artistic personality, carried by a voice that is both soft and husky, with blues and folk accents. After spending part of her childhood in the United States, she moved to France as a teenager where she joined her first jazz bands. An atypical artist, she performs a lot in the street while participating in festivals and creating her own albums. In 2004, she had an international success with Careless Love. Other albums have been released since, including the recent Anthem (2018), the title of which is taken from a Leonard Cohen song.
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| 0:47 |
Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner
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| 1:27 |
Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni
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| 2:08 | |
| 3:00 |
Die Tote Stadt Opera in three tableaux by Erich Wolfgang Korngold (1897 - 1957) Libretto by Paul Schott First performance in Cologne, Opera, 4 December 1920 Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Kirill Petrenko (Conductor) Stellario Fagone (Chorus Master) Simon Stone (Stage Director) Ralph Myers (Sets), Mel Page (costumes), Roland Edrich (Lighting) Jonas Kaufmann (Paul) Marlis Petersen (Marietta, Marie) Andrzej Filończyk (Frank, Fritz) Jennifer Johnston (Brigitta) Corinna Scheurle (Lucienne) Manuel Günther (Victorin, Gaston) Dean Power (Graf Albert) Recorded at the Staatsoper, Nationaltheater, Munich, 11 December 2019 TV director Myriam Hoyer
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| 5:23 | |
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.