MezzoProgram TV na Piątek 18.07.2025
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Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 6:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 7:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 7:47 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 8:12 |
Martha Argerich (Piano), Iddo Bar-Shai (Piano), Theodosia Ntokou (Piano), Geza Hosszu Legocky (Violin), Alissa Margulis (violin), Lyda Chen Argerich (Viola), Edgar Moreau (Cello), Tehila Nini Goldstein (Soprano) Y'umma Wa Y'abba (Yemenite Folksong) Yehuda Sharet (Arr. Schönberg) 1901 - 1979 Lyrics Rachel Bluwstein Ve'ulai Morde'hai Zeira (Arr. Weill) 1905 - 1968 Lyrics Alexander Penn Havu L'venim Daniel Sambursky (Arr. Weill) 1909 - 1977 Lyrics Nathan Altermann Ba'a Mnu'ha Achron (Hebraic Melody) Maria Theresia von Paradis 1759 - 1824 Sicilienne Franz Schubert 1797 - 1828 String Trio in B flat major D.471 Rondo in A Major for Piano 4 Hands, D. 951 Directed bu John Blanch Château de Chantilly, 2023
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| 9:04 | |
| 10:00 |
Chaplin Mario Schröder (choreography) Music by Charlie Chaplin, Benjamin Britten, Samuel Barber, John Adams, Richard Wagner, Charles Ives, Kurt Schwertsik Paul Zoller (staging, costumes, video) Thilo Reinhardt (dramaturgy) Leipziger Ballett Tyler Galster (Chaplin) Amelia Waller (Tramp) Urania Lobo García (Mother) Alexander Teutscher (Father) Vanessa Shield (Mildred) Isis Calil de Albuquerque (Paulette) Romy Avemarg (Oona) Oliver Preiß (Dictator) Gewandhausorchester Leipzig, Matthias Foremny (musical director) Leipzig, Leipziger Oper, Directed by Sonia Paramo
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| 11:33 |
Orchestre de l'Opéra Royal, Marie Van Rhijn (Organ and Musical direction) Filippo Mineccia, Samuel Marino (Countertenors) Antonio Vivaldi (1678-1741) In Furore Concerto for violin, organ and cello in C Major RV 554a Stabat Mater Giovanni Battista Pergolesi (1710-1736) Stabat Mater Recorded at the Château de Versailles, Chapelle Royale, 20 June 2020 TV Director, Nathan Benisty
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| 13:00 | |
| 13:30 |
A Midsummer Night's Dream Opera in three acts by Benjamin Britten (1913-1976) Libretto by Benjamin Britten and Peter Pears after William Shakespeare's play First performance at the Aldeburgh Festival, 11 June 1960 Orchestre National de Lille, Guillaume Tourniaire (Conductor) Jeune Cheur des Hauts-de-France, Pascale Diéval-Wils (Children's Chorus Master) Laurent Pelly (Stage direction) Laurent Pelly, Massimo Troncanetti (Set), Laurent Pelly, Jean-Jacques Delmotte (Costumes), Michel Le Borgne (Lighting) Nils Wanderer (Oberon) Marie-Eve Munger (Tytania) David Portillo (Lysander) Antoinette Dennefeld (Hermia) Charles Rice (Demetrius) Louise Kemény (Helena) Dominic Barberi (Bottom) Charlotte Dumartheray (Puck) Gwilym Bowen (Flute) David Ireland (Quince) Thibault de Damas (Snug) Dean Power (Snout) Kamil Ben Hsain Lachiri (Starveling) Tomislav Lavoie (Theseus) Clare Presland (Hippolyta) Lille, Opéra, 20 May 2022
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| 16:13 |
Berliner Philharmoniker, Claudio Abbado (Conductor) Eric Ericson Chamber Choir Bryn Terfel (baritone), Barbara Bonney (soprano) Johannes Brahms 1833 - 1897 Ein Deutsches Requiem Directed by Bob Coles Vienna, Musikverein, 3 April 1997
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| 17:35 |
Sun Ra Arkestra Jazz Estival Sun Ra (clavier) Recorded in 1985, Lugano, Swiss Tv director, Sandro Pedrazzetti
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| 18:21 |
Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni
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| 19:02 |
Robin Mckelle: A Tribute to Ella Fitzgerald Robin McKelle (lead) Jonathan Thomas (Piano) Eric Wheeler (Bass) Diego Ramirez (drums) Directed by Sébastien Bergé
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| 20:30 |
Trio Zadig Astor Piazzolla (1921 - 1992) Las Cuatro estaciones portenas Toulouse, Maison Nougaro, 2021 Directed by Patrick Lauze
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| 21:00 |
Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner
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| 21:40 |
Daniel Behle (tenor) Concerto Köln Antonio Tozzi (1736-1812) Pensa che in campo armato Aria from 'Rinaldo' Luigi Gatti (1740-1817) Puoi vantar le tue ritorte Aria from 'La Nitteti' Johann Christian Bach (1735-1782) Sinfonia in g minor op.6 No. 6 Antonio Sacchini (1730-1786) Mentre il cor con meste voci Aria from 'Artaserse' Josef Myslivecek (1737-1781) Ouverture from 'L'Olimpiade' Care pupille belle Aria from 'La Calliroe' Peter von Winter (1754-1825) Amor m'accese un di Aria from 'I fratelli rivali' Ignaz Holzbauer (1711-1783) March from 'Günther von Schwarzburg' Johann David August von Apell (1754-1832) Ah, se fosse intorno al trono Aria from 'La clemenza di Tito' Bayreuth, Margravial Opera House, 16 septembre 2023
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| 23:00 |
The Perfect American Opera in two acts by Philip Glass (born in 1937) Libretto by Rudy Wurlitzer, based on 'Der König von Amerika' by Peter Stephan Jungk First performance in Madrid, Teatro Real, January 22, 2013 Coro y Orquesta titular del Teatro Real (Coro Intermezzo y Orquesta Sinfónica de Madrid), Dennis Russell Davies (Musical Director) Andrés Máspero (chorus master) Phelim McDermott (Director) Dan Potra (Sets, costumes), Jon Clark (lights), Ben Wright (Choreographer), Leo Warner (Video) Christopher Purves (Walt Disney) David Pittsinger (Roy) Donald Kaasch (Dantine) Janis Kelly (Hazel George) Marie McLaughlin (Lillian Disney) Sarah Tynan (Sharon) Nazan Fikret (Diana) Rosie Lomas (Lucy Josh) Zachary James (Abraham Lincoln Employee of the mortuary) John Easterlin (Andy Warhol) Juan Noval-Moro (Chuck A Doctor) Beatriz de Gálvez (A secretary) Noelia Bunuel (A nurse) The Improbable Skills Ensemble (Actors) Madrid, Teatro Real, 2013 Directed by Janos Darvas
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Arte Flamenco, 35 years of Festival in Mont-de-Marsan In the heart of the Landes, every July, the streets and stages of Mont-de-Marsan welcome Arte Flamenco. Created in 1989 by the Department of Landes on the initiative of Henri Emmanuelli, the largest flamenco festival outside the Spanish borders celebrated its 35th anniversary in 2024. The opportunity for its director Lionel Niedzwiecki to look back on the history of this event that has remained faithful to the tradition of flamenco puro while exploring the paths of modernity, the links between this region of the South-West of France and Spain, the popular roots of flamenco and the attachment to the freedom of artistic creation illustrated by the shows presented during this edition by the choreographers Manuel Linán ('Muerta de amor') and Rafaela Carrasco ('Creaviva') as well as the pianist Dorantes ('Orobroy'). Three major artists of today's flamenco scene who evoke their links with Mont-de-Marsan and its audience of true aficionados and their vision on the evolution of an art that is constantly evolving, between attachment to roots and desire for modernity. Directed by Jérôme Dupont
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| 1:13 |
Martha Argerich (Piano), David Chen (Piano), Roman Blagojevic (Piano), Lyda Chen Argerich (Viola, Piano), Geza Hosszu-Legocky (Violin), Alissa Margulis (Violin), Edgar Moreau (Cello), Yann Dubost (Double Basse), Stathis Karapanos (Flute), Nicolas Baldeyrou (Clarinet), Emmanuel Curt (Percussions), Annie Dutoit Argerich (Narrator) Sergei Rachmaninov 1873 - 1943 Romance In A Major for 6 hands piano Camille Saint-Saëns 1835 - 1921 The Carnival of the Animals Château de Chantilly, 2023 Directed By John Blanch
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| 2:10 |
Betroffenheit Crystal Pite (choreography) Music by Owen Belton, Alessandro Juliani & Meg Roe Kidd Pivot, Electric Company Theatre Jay Gower Taylor - Stage design Tom Visser - Lighting Nancy Bryant - Costumes Linda Chow - Costumes Nicola Ryall - Costumes Bryan Arias - Dancer David Raymond - Dancer Cindy Salgado - Dancer Jermaine Spivey - Dancer Tiffany Tregarthen - Dancer Jonathon Young - Actor Heidi Wilkinson - Puppets Omanie Elias - Puppets The kind of spectacle we rarely see on the theatre or opera stage is offered up here by the innovative Crystal Pite and Jonathon Young. In German, 'Betroffenheit' denotes a state of shock and disbelief. This unusual ballet was inspired by terrible events in the life of choreographer Young, who lost his daughter, niece, and nephew in a terrible fire during a family vacation. A mix of tap, salsa, spoken-word, song, and puppet show, this stirring artistic statement is guaranteed to stir the emotions with its poignant depiction of personal hardship and of the struggle to come to terms with tragedy, beautifully realized by Kidd Pivot and the Electric Company Theatre on the stage of London's Sadler's Wells Theatre. London, Sadler's Wells Theatre, 2017 Directed by Jeff Tudor
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| 3:56 |
Martha Argerich, Iddo Bar-Shai (piano), Maxim Vengerov (violin), Mischa Maisky (cello) Les Siecles, Ion Marin (Conductor) Camille Saint-Saëns (1835 - 1921) Carnival of the animals Ludwig van Beethoven (1770 - 1827) Triple concerto in C major Op. 56 Château de Chantilly, 4 May 2021
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| 5:00 |
Gidon Kremer (violin), Evgeny Kissin (piano) Alfred Schnittke (1934 - 1998) Congratulatory Rondo for violin and piano Arielle Beck, David Chen Argerich (piano) Sergei Rachmaninov (1873 - 1943) Six duets op. 11 (extracts) Martha Argerich, David Chen Argerich, Iddo Bar-Shai (piano) Sergei Rachmaninov Romance (for 6 hands) Maxim Vengerov (violin), Martha Argerich (piano) Fritz Kreisler (1875 - 1962) Liebesleid Schön Rosmarin Martha Argerich (piano), Iddo Bar Shai (piano) Franz Schubert (1797 - 1828) Rondo for 4 hands in A major D.951 Sergei Nakariakov (flügelhorn), Martha Argerich (piano) Robert Schumann (1810 - 1856) Fantasiestücke Op. 73 Maxim Vengerov (violin), Tedi Papavrami (violin), Lyda Chen Argerich (viola), Mischa Maisky (cello), Martha Argerich (piano) Robert Schumann (1810 - 1856) Piano Quintet E flat major op. 44 Château de Chantilly, 11 June 2021 Directed by Sébastien Glas
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.