MezzoProgram TV na Wtorek 6.08.2024
6:30 |
Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 - 1992) 'Seven Haiku' for piano George Crumb (B. 1929) 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) 'Art of Metal II' for contrabass clarinet and electronics George Crumb 'Black Angels', Thirteen Images From the Dark Land for electric string quartet Bryce Dessner (B. 1976) 'Wires' for electric guitar and ensemble Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019 Directed by Anais Spiro
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7:52 |
Orchestre de l'Opéra Royal de Wallonie-Liege, Guillaume Tourniaire (conductor) Jodie Devos (soprano), Marc Laho (tenor), Lionel Lhote (baritone) Ambroise Thomas (1811 - 1896) Excerpts from 'Hamlet' Prelude Recitative and duet: 'Vains regrets!' Chanson bachique: 'Ah! pour nous mon Seigneur, quel honneur!' Entracte of Act III Hamlet monologue: 'Etre ou ne pas etre' Entracte of Act IV Scene and Air of Ophélie: 'Mais quelle est cette belle et jeune damoiselle' Jules Massenet (1842 - 1912) Excerpts from 'Werther' Prelude Air de Werther: 'Je ne sais si je veille....O Nature...' Aria from Sophie and trio: 'Frere! Voyez!...' Tune from Werther: 'Pourquoi me réveiller...' Georges Bizet (1838 - 1875) Extracts from 'The Pearl Fishermen' Duo Zurga-Nadir: 'Au fond du Temple saint...' Entracte of Act III Zurga's Story and Air: 'L'orage s'est calmé...' Adolphe Adam (1803 - 1856) Le Toréador, Trio: 'Ah! vous dirai-je, maman!...' Liege, Opéra Royal de Wallonie-Liege, April 30, 2021 Directed by Stéphane Vérité
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9:21 | |
10:00 |
Thais 'Comédie lyrique' in three acts by Jules Massenet (1842 - 1912) Libretto by Louis Gallet based on the novel by Anatole France First performance in Paris, Opéra, 16 March 1894 Monte-Carlo Philharmonic Orchestra, Jean-Yves Ossonce (conductor) Monte-Carlo Opera Chorus Jean-Louis Grinda (Stage director) Marina Rebeka (Thais) Ludovic Tézier (Athanaël) Jean-François Borras (Nicias) Philippe Kahn (Palémon) Marie Gautrot (Albine) Cassandre Berthon (Crobyle) Valentine Lemercier (Myrtale) Jennifer Courcier (La Charmeuse) Directed by Gabriel Grinda Monte-Carlo, Opera, 28 January 2021
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12:37 | |
13:30 |
Lucas Debargue (piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano Sonata No. 8 in A minor, KV 310 Frédéric Chopin 1810 - 1849 Ballade no. 2 op. 38 Prélude op. 45 Polonaise-Fantaisie op. 61 Charles-Valentin Alkan (1813 - 1888) Concerto for solo piano op. 39 No. 8 Paris, Philharmonie, April 3, 2023
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15:15 |
Orchestre de la Suisse Romande, Jonathan Nott (Conductor) Pierre-Laurent Aimard (piano) Dieter Ammann (b. 1962) Core Béla Bartók (1881 - 1945) Piano Concerto no 1 Sz.83 Ludwig van Beethoven (1770 - 1827) Symphony no 6 in F major op. 68 'Pastoral' Recorded at the Victoria Hall, Geneva, 28 November 2018
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16:41 | |
17:00 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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17:26 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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17:51 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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18:16 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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18:43 |
Bavarian Radio Symphony Orchestra, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members of the London Symphony Orchestra, Members of the New York Philharmonic, Members of the Orchestre de Paris, Leonard Bernstein (direction) Bavarian Radio Chorus, Berlin Radio Chorus, Dresden Philharmonic Childrens Chorus June Anderson (soprano), Sarah Walker (alto), Klaus Konig (tenor), Jan-Hendrik Rootering (bass) Ludwig van Beethoven Symphony no. 9 in D minor, op. 125 'Choral' Directed by Humphrey Burton Recorded on December 25, 1989
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20:30 |
Betroffenheit Crystal Pite (choreography) Music by Owen Belton, Alessandro Juliani & Meg Roe Kidd Pivot, Electric Company Theatre Jay Gower Taylor - Stage design Tom Visser - Lighting Nancy Bryant - Costumes Linda Chow - Costumes Nicola Ryall - Costumes Bryan Arias - Dancer David Raymond - Dancer Cindy Salgado - Dancer Jermaine Spivey - Dancer Tiffany Tregarthen - Dancer Jonathon Young - Actor Heidi Wilkinson - Puppets Omanie Elias - Puppets The kind of spectacle we rarely see on the theatre or opera stage is offered up here by the innovative Crystal Pite and Jonathon Young. In German, 'Betroffenheit' denotes a state of shock and disbelief. This unusual ballet was inspired by terrible events in the life of choreographer Young, who lost his daughter, niece, and nephew in a terrible fire during a family vacation. A mix of tap, salsa, spoken-word, song, and puppet show, this stirring artistic statement is guaranteed to stir the emotions with its poignant depiction of personal hardship and of the struggle to come to terms with tragedy, beautifully realized by Kidd Pivot and the Electric Company Theatre on the stage of London's Sadler's Wells Theatre. London, Sadler's Wells Theatre, 2017 Directed by Jeff Tudor
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22:16 |
Serguei Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022
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23:45 |
I Lombardi alla prima crociata 'Dramma lirico' in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Temistocle Solera First performance in Milan, Teatro alla Scala, February 11, 1843 Orchestre de l'Opéra Royal de Wallonie-Liege, Daniel Oren (Conductor) Cheur de l'Opéra Royal de Wallonie-Liege Sarah Schinasi (Stage director) Pier Paolo Bisleri (sets), Françoise Raybaud (Costumes) Marco Ciaponi (Arvino) Goderdzi Janelidze (Pagano) Aurore Daubrun (Viclinda) Salome Jicia (Giselda) Ramón Vargas (Oronte) Roger Joakim (Acciano) Caroline De Mahieu (Sofia) Luca Dall'Amico (Pirro) Liege, Opéra Royal de Wallonie, 23 May 2023 Directed by Stéphane Vérité
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2:08 | |
3:00 |
Le Balcon, Students of the Institut d'Enseignement Supérieur de Musique - Europe et Méditerranée d'Aix-en-Provence, Maxime Pascal (conductor) Olivier Messiaen (1908 - 1992) From Canyons to Stars - excerpt: Interstellar Call Gérard Grisey (1946 - 1998) Stele Olivier Messiaen Et exspecto resurrectionem mortuorum Cable car of the Glaciers of La Meije (Festival Messiaen, Pas de La Meije) 31 July 2021
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3:49 |
Orchestre de Paris, Ensemble intercontemporain, Esa-Pekka Salonen (conductor), Aliisa Neige Barriere (conductor) Anssi Karttunen (cello), Sophie Cherrier (flute) Kaija Saariaho 1952 - 2023 L'Aile du songe, flute concerto Jean Sibelius 1865 - 1957 The Oceanides Kaija Saariaho Notes on Light, for cello and orchestra Magnus Lindberg 1958 - Kraft Paris, Philharmonie, 15 February 2024
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5:34 |
Lista stacji
O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.