MezzoProgram TV na Wtorek 25.10.2022
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The virtuosity of Stanley Clarke and the dexterity of Stewart Copeland unite to give an eclectic mix of jazz, fusion, rock and classical music. An extraordinary live performance, composed by two outstanding artists Co-founder of the legendary group Return to Forever, bassist Stanley Clarke is purely and simply a living legend. Endowed with an impressive discography and known for the very particular sound of his bass, holder of several Grammy Awards and a Miles Davis Award, Stanley Clarke has continued throughout his career to democratize the slap technique by applying it to the world of jazz. Stewart Copeland is a composer and director for film and television, but his global fame comes from elsewhere. Drummer and founding member of the legendary band The Police, Stewart Copeland is one of the best percussionists in the world. His elaborate and inspired technique has truly marked a whole generation of drummers. Stanley Clarke: bass Stewart Copeland: drums Alan Han: saxophone Ruslan Sirota: keyboards Brady Cohan: guitar Recorded at Jazz S te, 2012 TV director, Samuel Thiebaut
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| 9:00 |
Un Ballo in maschera Melodramma in three acts by Giuseppe Verdi (1813 - 1901) Libretto by Antonio Somma First performance in Rome, Teatro Apollo, 17 February 1859 Symphony Orchestra and Chorus of the Gran Teatre del Liceu, Renato Palumbo (Conductor) Conxita Garcia (Chorus Master) Vincent Boussard (Stage Director) Christian Lacroix (Costumes) Piotr Beczala (Riccardo) Carlos Álvarez (Renato) Keri Alkema (Amelia) Dolora Zajick (Ulrica) Katerina Tretyakova (Oscar) Damián del Castillo (Silvano) Roman Ialcic (Samuel) Antonio Di Matteo (Tom) Joan Prados (A Judge) Josep Lluís Moreno (Amelia's servant) Recorded on October 21 & 24, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier
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| 11:21 |
Justin Taylor (harpsichord), Sophie de Bardonn che (violin) François Franc ur (1698 - 1787) Sonata no. In E minor (Livre 1, Paris 1720) Élisabeth Jacquet de La Guerre (1665 - 1729) Sonata in D minor (Paris, 1707) Jean-Philippe Rameau (1683 - 1764) Premier livre de pi ces de clavecin (Allemande I & Gavotte et doubles) Jacques Duphly (1715 - 1789) Pi ces pour clavecin avec accompagnement de violon, Sonata no 1, Aria gratioso Antoine Alban se (1729 - 1800) Romance 'au bord d'une fontaine, hélas j'ai perdu mon amant' (second recueil de chansons avec accompagnement de violon et la basse continue) Wolfgang-Amadeus Mozart (1756 - 1791) Six variations on 'Hélas, j'ai perdu mon amant' K.360/374b Recorded 20 May 2020, Fondation Singer Polignac, Paris TV director, Guillaume Klein
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| 12:30 |
Concert halls are extremely special spaces. Parameters such as reverberation time, transmission or absorption of sound must be put in phase as physically measurable quantities: the hall itself becomes an instrument on which the musicians play.
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| 13:28 |
Orchestre national du Capitole de Toulouse: Taiwan, Korea, Asia Impressions Documentary Recorded from April 22nd to 29th 2017 in Taipei, Taiwan and Seoul, Korea. TV Director, Jean-Robert Thomann
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| 13:55 |
Le Concert de la Loge, Julien Chauvin (violin and Conductor) Emöke Baráth (soprano) Antonio Vivaldi (1678 - 1741) L'Olimpiade RV 725: Opening Concerto in B minor RV 387: I. Allegro Concerto in D major RV 217: II. Largo Atenaide RV 702: 'Della rubella' Violin Concerto in G minor RV 321: I. Ballo. Allegro Ercole sul Termodonte RV 710: 'Zeffiretti che sussurrate' Violin Concerto in G minor RV 321: III. Allegro Sinfonia in G minor RV 156: I. Allegro II. Adagio III. Allegro Juditha triumphans RV 644: 'Armatae face et anguibus' Concerto in B flat major RV 366: II. Adagio III. Allegro La Griselda; Vede orgogliosa l'onda ' Concerto in B minor RV 387: II. Largo III. Allegro La Fida Ninfa: 'Alma oppressa da sort crudele' Château de Fontainebleau 19/02/2021 TV director, Olivier Simonet
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| 14:56 | |
| 15:30 |
Sadeh 21 Choreography, Ohad Naharin Lights and scenography, Avi Yona Bueno (Bambi) Music, Maxim Waratt Costume, Ariel Cohen Video surtitling, Raz Friedman With Batsheva - The young Ensemble Ohad Naharin The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at Chaillot - Théâtre national de la Danse TV Director, Tommy Pascal
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| 16:46 |
Berliner Philharmoniker, Bernard Haitink (conductor) Gustav Mahler (1860 - 1911) Symphony no 7 in E minor Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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| 18:25 |
Evgeny Kissin (piano) Johann Sebastian Bach (1685 - 1750) Toccata and Fugue in D minor BWV 565 Wolfgang Amadeus Mozart (1756 - 1791) Adagio in B minor KV 540 Ludwig van Beethoven (1770 - 1827) Sonata No. 31 in A flat major op. 110 Frederic Chopin (1810 - 1849) Mazurkas (Selection) Andante spianato et Grande Polonaise in E flat major op. 22 Johann Sebastian Bach (arr. Ferruccio Busoni) Nun komm, der Heiden Heiland Wolfgang Amadeus Mozart Rondo in D major KV 485 Frédéric Chopin Polonaise in A-flat major Op. 53 'Heroic Polonaise' Waltz in F minor Op. 70 no. 2 Wuppertal, Historische Stadthalle (Klavier-Festival Ruhr), June 27, 2022
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| 20:30 |
The TREE (Fragments of poetics on fire) Carolyn Carlson (Choreography) Colette Malye (Choreography Assistant) Gao Xingjian (Visual Artist) Musical extracts Henry Purcell, Jean Sibelius, Jean-Sébastien Bach, Philip Glass, René Aubry, Aleksi Aubry-Carlson, Nicolas de Zorzi Rémi Nicolas (Lighting) With Chinatsu Kosakatani, Juha Marsalo, Céline Maufroid, Riccardo Meneghini, Isida Micani, Yutaka Nakata, Sara Orselli, Sara Simeoni, Constantine Baecher Paris, Chaillot - Théâtre National de la Danse, 11 Mai 2021
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| 21:45 |
INANNA Choreography by Carolyn Carlson Staged by Carolyn Carlson Sets by Euan Brunet-Smith (scénographie) Music by Armand Amar (original music), Bruce Springsteen, Tom Waits (added music) With Chinatsu Kosakatani, Isida Micani, Sara Orselli, Sonia Rocha, Cristina Santucci, Sara Simeoni et Alessandra Vigna In turn a warrior, a lover, a mother and a seductress, modern woman has many facets, and brings to mind Inanna, the Sumerian goddess: pure and free, dangerous and playful, awkward and precious, she stands her ground and invariably triumphs. Dance is the perfect medium for her animal strength and mysterious power. Carolyn Carlson inventively combines different styles to explore the inner world of women. The seven performers have unique expressive power and perfectly convey the charm and harmony of Carolyn Carlson's vision. An ode to Woman. Recorded on 2012 at the Théâtre national de Chaillot TV Director Charles Picq
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| 23:12 |
The Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian Large
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| 0:30 |
For more than six decades, Pierre Boulez has had greater influence on the development of contemporary music than anyone else. Already in younger days, he gained a reputation as a doughty champion of the avant-garde. With his compositions, interpretations, and ideas he indelibly shaped the international music scene - not only as a composer and conductor, but also as a music philosopher and teacher. The documentary 'Inheriting the Future of Music: Pierre Boulez and the Lucerne Festival Academy' is a homage to him on the occasion of his 85th birthday on 26 March 2010. For the past five summers, Pierre Boulez and highly gifted young musicians from all over the world have converged for intensive rehearsal weeks during which they learn from the maestro and one another, discuss and play selected compositions, and finally present subsequently the fruits of their labour in a number of outstanding concerts. To convey the fascination for contemporary music, the documentary captures the perspectives of Pierre Boulez and the young conductors, composers, and musicians involved. Their infectious enthusiasm gives viewers an emotional access to the world of new music. Accompanied with retrospective accounts, this endeavour narrates significant experiences and encounters in Boulez' career and gives a graphical depiction of the way he passes these experiences on to his current students. Consequently, this makes selected works by Stravinsky, Stockhausen, and Boulez more approachable. On a different level, it demonstrates how strongly personal experiences leave their mark on individual action, aesthetic sensitivity, and our perception of others.
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| 1:27 |
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable.. Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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| 2:13 |
Keith Jarrett Estival Jazz 1986 Keith Jarrett (piano) Gary Peacock (Bass) Jack DeJohnette (drums) Recorded in 1986, Lugano, Swiss Tv director, Sandro Pedrazzetti
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| 3:07 |
Steve Coleman & The Council of Balance Steve Coleman - alto saxophone Jonathan Finlayson - trumpet Jen Shyu - lyric Rane Moore - clarinet, bass clarinet Maria Grand - tenor saxophone Mike Lormand - trombone Kristin Lee - violin David Bryant - piano Miles Okazaki - guitar Anthony Tidd - bass guitar Greg Chudzik - bass guitar Sean Rickman - drums Alex Lipowski - drums Barry J. Crawford - flute Jeffrey Missal - trompet Elizabeth Weisser - viola Jay Campbell - Cello Recorded at La Villette Jazz Festival on September 5th 2015 TV Director, Samuel Thiebaut
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| 4:18 |
The virtuosity of Stanley Clarke and the dexterity of Stewart Copeland unite to give an eclectic mix of jazz, fusion, rock and classical music. An extraordinary live performance, composed by two outstanding artists Co-founder of the legendary group Return to Forever, bassist Stanley Clarke is purely and simply a living legend. Endowed with an impressive discography and known for the very particular sound of his bass, holder of several Grammy Awards and a Miles Davis Award, Stanley Clarke has continued throughout his career to democratize the slap technique by applying it to the world of jazz. Stewart Copeland is a composer and director for film and television, but his global fame comes from elsewhere. Drummer and founding member of the legendary band The Police, Stewart Copeland is one of the best percussionists in the world. His elaborate and inspired technique has truly marked a whole generation of drummers. Stanley Clarke: bass Stewart Copeland: drums Alan Han: saxophone Ruslan Sirota: keyboards Brady Cohan: guitar Recorded at Jazz S te, 2012 TV director, Samuel Thiebaut
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| 5:46 |
Chlorine Free feat. Soweto Kinch + NYA Virgile Lorach, bass David Monet, keyboard Romain Clerc-Renaud, Fender Rhodes Maxime Zampieri, drums Yann Cley, flute Benoît Giffard, trombone Michel Escande, percussion, machines Soweto Kinch, saxophones Nya, lyric Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic 17 pistes qui sont autant de pépites que l'on redécouvre avec le m me émerveillement chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuli re qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisi me opus, entre hymne écolo et appel prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebautt
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.