MezzoProgram TV na Niedziela 25.09.2022
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| 9:00 |
Orchestre de Chambre de Lausanne, Simone Young (Conductor) Bo Skovhus (Baryton) Luciano Berio (1925-2003) Rendering Gustav Mahler (1860-1911) Lieder eines fahrenden Gesellen (arr. for chamber orchestra by A. Schoenberg) Arnold Schoenberg (1874-1951) Verklärte Nacht, op.4 (version 1943) Salle Métropole, Lausanne, 14/04/2022 TV director, Chantal Bernheim & Patrick Siegenthaler
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| 10:26 |
The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director, Jean-Marc Birraux
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| 11:27 | |
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| 12:30 |
Aida Opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette First performance in Caire, Opera House, 24 December 1871 Wiener Philharmoniker, Riccardo Muti (Conductor) Konzertvereinigung Wiener Staatsopernchor Shirin Neshat (Stage Direction) Christian Schmidt (Sets), Tatyana van Walsum (Costumes), Reinhard Traub (Lighting) Martin Gschlacht (Video), Thomas Wilhelm (Choreographer) Roberto Tagliavini (Il Re) Ekaterina Semenchuk (Amneris) Anna Netrebko (Aida) Francesco Meli (Radam s) Dmitry Belosselskiy (Ramfis) Luca Salsi (Amonasro) Recorded at the Grosses Festspielhaus, Salzburg, 2017 Directed by Michael Beyer
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| 15:25 |
Les Talens Lyriques, Christophe Rousset (Conductor) Ambroisine Bré (mezzo-soprano), Cyrille Dubois (tenor), Florian Sempey (baritone) Jean-Philippe Rameau (1683 - 1764) Les F tes dUHébé (1739), highlights Dardanus (1739 and 1744), highlights Paris, Théâtre du Châtelet, 22 January 2022 Directed by Olivier Simonnnet
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| 17:16 |
For more than six decades, Pierre Boulez has had greater influence on the development of contemporary music than anyone else. Already in younger days, he gained a reputation as a doughty champion of the avant-garde. With his compositions, interpretations, and ideas he indelibly shaped the international music scene - not only as a composer and conductor, but also as a music philosopher and teacher. The documentary 'Inheriting the Future of Music: Pierre Boulez and the Lucerne Festival Academy' is a homage to him on the occasion of his 85th birthday on 26 March 2010. For the past five summers, Pierre Boulez and highly gifted young musicians from all over the world have converged for intensive rehearsal weeks during which they learn from the maestro and one another, discuss and play selected compositions, and finally present subsequently the fruits of their labour in a number of outstanding concerts. To convey the fascination for contemporary music, the documentary captures the perspectives of Pierre Boulez and the young conductors, composers, and musicians involved. Their infectious enthusiasm gives viewers an emotional access to the world of new music. Accompanied with retrospective accounts, this endeavour narrates significant experiences and encounters in Boulez' career and gives a graphical depiction of the way he passes these experiences on to his current students. Consequently, this makes selected works by Stravinsky, Stockhausen, and Boulez more approachable. On a different level, it demonstrates how strongly personal experiences leave their mark on individual action, aesthetic sensitivity, and our perception of others.
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| 18:14 |
Summerspace (1958) Play for 6 dancers: Kristina Bentz, Julia Carnicer, Tyler Galster, Coralie Levieux, Elsa Monguillot de Mirman, Raúl Serrano Núňez Merce Cunningham (Choreographer) Morton Feldman, Ixion (Music) Robert Rauschenberg (Sets, costume) Aaron Copp (Lighting) Futaba Oki et Agn s Melchoir (Pianists) Exchange (1978) Play for 15 dancers: Jacqueline Bâby, Kristina Bentz, Julia Carnicer, Dorothée Delabie, Adrien Delépine, Alvaro Dule, Aurélie Gaillard, Coralie Levieux, Albert Nikolli, Chiara Paperini, Samuel Pereira, Lore Pryszo, Leoannis Pupo-Guillen, Roylan Ramos, Paul Vezin Merce Cunningham (Choreographer) David Tudor, Weatherings (Music) Phil Edelstein, Jean-Pierre Barbier (Sound Design) Costume, sets, ligtin: after the original drawings by Jasper Johns Opéra de Lyon Ballet Yorgos Loukos (Director) Recorded on June 25 & 26, 2019 at the Opéra Berlioz, Corum, Festival Montpellier Danse TV Director, Marie-Hél ne Rebois
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| 19:29 |
Sergey Smbatyan, Malta Philharmonic orchestra, portrait Malta Philharmonice Orchestra Sergey Smbatyan, conductor Documentary Recorded on june 2018 TV Director, Benjamin Bleton
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| 19:55 |
Armenian State Symphony Orchestra, Sergey Smbatyan (Conductor) Avet Terterian (1929 - 1994) Symphony no 3 Recorded at the Aram Khachaturian Concert Hall, Yerevan, 11 December 2017
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| 20:30 |
Tonhalle-Orchester Zürich, Paavo Järvi (Conductor) Zürcher Sängerknaben, Damen der Zürcher Sing-Akademie Wiebke Lehmkuhl (Alto) Gustav Mahler (1860 - 1911) Symphony no. 3 in D minor Zurich, Tonhalle, 15 September 2021 TV director, Michael Beyer
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| 22:11 |
Orchestre National du Capitole de Toulouse, Thomas Guggeis (Conductor) Tanja Ariane Baumgartner (mezzo-soprano), Attilio Glaser (Tenor) Maurice Ravel (1975 - 1937) Ma m re lUoye Gustav Mahler (1860 - 1911) The Song of the Earth Toulouse, Halle aux Grains, 6 November 2021 TV director, Sébastien Berger
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| 23:51 |
Insula Orchestra, Laurence Equilbey (Conductor) Alexandra Conunova (violin), Natalie Clein (cello), David Kadocuh (piano) Ludwig van Beethoven (1770 - 1827) Concerto for violin, cello, piano and orchestra in C major, Op. 56 Louise Farrenc (1804 - 1875) Symphony no. 3 in G minor, Op. 36 The Seine Musicale, Boulogne-Billancourt, 17/02/2018 Directed by Marie Guilloux
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| 1:20 |
Gilberto Gil Gilberto Gil guitar, voice Thiagô Queiroz saxophone, flute Diogo Gomes trumpet, bugle Bem Gil musical director, guitar, voice Danilo Andrade keyboard, piano Bruno Di Lullo bass Jose Gil batterie, percussion Domenico Lancellotti drums, percussion Nara Gil voice, chorus Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac TV Director,
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| 2:21 |
The Rosenberg Family Project The Rosenbergs Mozes Rosenberg guitar solo Johnny Rosenberg rythmic guitar Sani van Mullem double bass The Rosenberg trio Stochelo Rosenberg guitar solo Nonnie Rosenberg double bass In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods Recorded on July 31, 2019 at Jazz in Marciac TV Director, Jean-Marc Birraux
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| 3:22 |
ISFAR SARABSKI TRIO Jazz Piano: Isfar Sarabski Bass: Makar Novikov Drums: Sasha Mashin Tar: Behruz Zeynal Adored in his country Azerbaijan as much as by Quincy Jones, Isar Sarabski is a regular on the big jazz scenes, especially since his memorable 1st prize at the Monteux Jazz festival in 2009. Pianist, composer and arranger, he mixes classical music, jazz and mugham, one of the traditional musics of his native country. Nouveau Si cle, Lille, june the 10, 2022
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| 4:22 |
It's a real musical fireworks display on July 14: the festive celebration of Afro-Cuban music by Chucho Valdés and Archie Shepp. Master of the piano (the Cuban Mozart according to some) marked by the joint influences of Art Tatum, Bill Evans and McCoy Tyner, Chucho Valdés was in the 1970s the leader of the group Irakere within which he innovated by incorporating Afro-Cuban rhythms sacred bata drums in Cuban popular music. 74 Printemps, always green, superbly lyrical, Archie Shepp initiated this rare encounter. Together, they dream of new astonishments, tinged with scholarly interactions, nuanced emotions and unheard-of sounds. Archie Shepp (saxophone) Chucho Valdés (piano) Carlos Manuel Miyares Hernandez (saxophone) Reinaldo Melián Alvarez (trumpet,) Lázaro Rivero Alarcón (double bass) Yaroldy Abreu Robles (percussions, congas) Dreiser Durruthy Bombalé (voice, tambour Bat) Recorded at the Jazz Porquerolles festival, 2011 TV director: Franck Cassenti
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| 5:16 |
Richard Bona & the Mandekan Cubano Recorded on May 30, 2019 at the Nubia Club TV Director, Sîla
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.