MezzoProgram TV na Sobota 27.08.2022
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Michel Meis 4tet Michel Meis, drums+ compositions Cédric Hanriot, piano Stephan Goldbach, double bass Alisa Klein, trombone Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, F te de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebaut
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| 9:00 |
Ghost Light John Neumeier (Choreography) Franz Schubert (Music) Hamburg Ballet David Fray, piano Festspielhaus Baden-Baden, 2020 Directed by Myriam Hoyer A Ghost Light - a single lamp that illuminates the stage when rehearsals or performances are finished - is part of a long theatrical tradition. Legend says that originally, the night light was for the ghosts of former artists so that they may cavort throughout the night and not disturb or disrupt current performances! At this very moment, because of the pandemic, countless stages, particularly in America, are illuminated by Ghost Lights. The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. Observing a strict hygiene concept, John Neumeier created 'Ghost LightU, a new full-length ballet, for his entire ensemble of 55 dancers. The ballet 'Ghost Light' deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories and emotions experienced during the pandemic. John Neumeier dedicates this work to his dancers. For this recording, the solo piano music is performed by the star pianist David Fray whose Franz Schubert recordings inspired the choreographer.
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Fantasymphony Christine Nonbo Andersen - Soprano Johan Karlström - Basse Jihye Kim - Soprano Tuva Semmingsen - Mezzo-soprano Danish National Concert Choir Danish National Junior Choir National Symphony Orchestra of Denmark Christian Schumann - conductor Roger Taylor/Queen, Highlander: A Kind of Magic John Williams, Harry Potter Harry's Wondrous World Hedwige's theme Javier Navarrete, Pan's Labyrinth Long, Long Time Ago Harry Gregson-Williams, The chronicles of Narnia A Narnia Lullaby Coronation James Horner, Willow Elora Danan's Birth Russell Brower, World of Warcraft: Invincible Ed Sheeran, Game of Thrones: Hands of Gold Ramin Djawadi, Game of Thrones The Rains of Castamere Suite Howard Shore, Le Hobbit Misty Mountains Howard Shore, The Lord of rings Concerning Hobbits A Knife in the Dark Enya/Roma Ryan, Lord of the Rings: May It Be Howard Shore, The lord of rings The Breaking of the Fellowship The End of All Things Brian May/Queen, Highlander: Who Wants To Live Forever Copenhague, DR Koncerthuset, 2019 TV director, Karsten Andersen
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| 12:30 |
Mam'zelle Nitouche 'Vaudeville-opérette' by Louis Auguste Joseph Florimond Ronger, aka Hervé (1825 - 1892) Libretto by Henri Meilhac and Albert Millaud First performance in Paris, Théâtre des Variétés, 26 January 1883 Orchestre de Chambre de Lausanne, Christophe Grapperon (conductor) Ch ur de l'Opéra de Lausanne Pierre-André Weitz (Stage director, Costumes, Sets, Make-up) Bertrand Killy (Lighting), Iris Florentiny (Choreography) Olivier Py (La Supérieure, Corinne, Miss Knife, Loriot) Lara Neumann (Denise de Flavigny, Mam'zelle Nitouche) Damien Bigourdan (Célestin, Floridor) Samy Camps (Le Vicomte Fernand de Champlâtreux) Eddie Chignara (Le Major, comte de Château-Gibus) Sandrine Sutter (La Touri re / Sylvia) Antoine Philippot (Le Directeur de théâtre) Pierre Lebon (Gustave, officier) David Ghilardi (Robert, officier) Clémentine Bourgoin (Lydie) Ivanka Moizan (Gimblette) David Ghilardi (Robert,officer) Piero (alias Pierre-André Weitz) (Stage Managezr) Joséphine Kirch (A nun) Recorded at the Opéra, Lausanne, January 2018 TV Director, Sébastien Glas
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| 14:36 |
Les Dissonances, David Grimal (artistic direction, violin) Antonín Dvořák (1841 - 1904) Vanda, Overture Johannes Brahms (1833 - 1897) Symphony no. 3 in F major Op. 90 Paris, Philharmonie, 8 March 2022 TV director, Fréderic Delesques
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| 15:30 | |
| 16:00 |
Christian Scott Atunde Ajduah Christian Scott (Trumpet) Enregistré le 05 juillet 2019 A to Jazz Festival Réalisation, Amos Rozenberg
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| 17:30 |
Guillaume Perret Guillaume Perret, saxophone, machines The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as 'a whirlwind of emotion' and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: 'Since there were many of all of us, there were already too many people.' You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne TV Director, Nicolas Micha
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| 18:49 | |
| 19:30 |
Les Talens Lyriques, Christophe Rousset (direction) Gilone Gaubert (violon) Antonio Vivaldi (1678 - 1741) Le Quattro Stagioni (The Four Seasons) from 'Il cimento dell'armonia e dell'inventione' Op. 8 Concerto No. 1 in E major, 'La primavera' (Spring), RV 269 Concerto No. 2 in G minor, 'L'estate' (Summer), RV 315 Concerto No. 3 in F major, 'L'autunno' (Autumn), RV 293 Concerto No. 4 in F minor, 'L'inverno' (Winter), RV 297 Johann Sebastian Bach (1685 - 1750) Harpsichord Concerto in A major, BWV 1055 Recorded at the Festival de Saintes, 19 July 2020 TV Director, Sébastien Glas
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| 20:30 |
Les Indes Galantes 'Opéra-ballet' in a prologue and four entrées by Jean-Philippe Rameau (1683 - 1764) Libretto by Louis Fuzelier First performance in Paris, Opéra, 23 August 1735 Les Talens Lyriques, Choeur de l'Opéra National de Bordeaux, Christophe Rousset (Musical Direction) Laura Scozzi (Stage Director and Choreography) Natascha Leguen de Kerneizon (Sets), Jean-Jacques Delmotte (Costumes), Ludovic Bouaud (Lighting), Stéphane Broc (Video) Amel Brahim Djelloul (Hébé, Fatime, Phani) Benoît Arnould (Bellone, Alvar) Eugénie Warnier (Roxane) Olivera Topalovic (Amour, Zima) Judith van Wanroij (Emilie, Atalide) Vittorio Prato (Osman) Anders Dahlin (Val re, Tacmas, Carlos, Damon) Nathan Berg (Huascar) Thomas Dolié (Adario) Recorded at the Grand-Théâtre de Bordeaux on February 27th, 2014 Directed by Olivier Simonnet
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| 23:18 |
Orchestre national du Capitole de Toulouse, Tugan Sokhiev (Conductor) Emmanuel Pahud (flute) Alexander Borodin (1833-1887) In the Steppes of Central Asia Jacques Ibert (1890-1962) Flute Concerto Piotr Ilyich Tchaikovsky (1840-1893) Symphony No. 4 in F minor Op. 36 Claude Debussy (1862-1918) Syrinx Recorded at the Prague Spring Festival, 3 June 2019 TV Director, Adam Rezek
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| 0:50 |
Lady Quartet Rhoda Scott (organ), Airelle Besson (trumpet), Lisa Cat-Berro (saxophone alto), Géraldine Laurent (saxophone alto) Sophie Alour (Saxophone tenor) Julie Saury (drums) Special guest Bernard Purdie (drums) Since 2004, the organist Rhoda Scott has been at the helm (sparked by an idea from Jazz Vienne) of the torrid and well-named Lady Quartet, in the company of her Amazons Lisa Cat-Berro, Julie Saury and Sophie Alour. As euphoric and punchy as her young companions in the heat of the action, Rhoda Scott is one of the few still to use the pedals on her Hammond organ. Hence her nickname, 'the barefoot organist' (or 'the absolute toe' in the words of Luigi Trussardi!). After helping to raise the temperature in French jazz venues for the past 50 years, Lady Scott will be celebrating her eightieth birthday this year. She'll be blowing out the boogie candles and setting the gospel cake and soulful chorus on fire. The organist is the daughter of a travelling pastor from New Jersey and grew up in religious communities. She graduated with a master's degree from the Manhattan School of Music and set off for France to complete her studies with Nadia Boulanger. Back in New York, she began by playing with Count Basie. But then she decided to try her luck in Paris, where she arrived right in the month of May 1968. Featuring original compositions and covers ranging from Trenet to Wayne Shorter, 'We Free Queens' (2017), with the title proudly adapted from 'We Free Kings' by Roland Kirk, was recorded live. For Vienne a Lady All-Stars is billed, with Airelle Besson (trumpet), Géraldine Laurent (tenor saxophone) and Anne Pacéo (drums), plus the drummer Bernard Purdie. Recorded on July 3, 2018 at the Festival Jazz Vienne TV Director, Fabien Raymond
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| 1:49 |
Lionel Hampton at the Opera With Leon Zachery & Bobby Plater (Alto Sax) Andy McGhee (Tenor Sax) Lonnie Shaw (Baritone Sax) Bobby Plater (Clarinet) Louis Blackburn, Wade Marcus and Larry Wilson (Trombone) Eddie Williams, Art Hoyle, Eddie Mullens, Dave Gonzales (Trumpet) Oscar Denard (Piano) Billy Mackel (Guitar, Vocals) Julius Browne (Bass) Wilbert Hogan (Drums) Cornelius 'Pinocchio' James (Vocal) Playlist - The High & The Mighty - Hamp's Piano Blues - History Of Jazz - Hot Club Blues - I Found A New Baby - The Chase (Part I & II) - Brussels Sprouts - Sticks Ahoy Recorded on 1959 at the Opéra Royal de Wallonie TV Director, Claude Misonne
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| 2:47 |
Dan Berglund (double bass) Johan Lindström (guitar) Martin Hederos (piano) Andreas Werliin (drums) Two years after the death of Esbjörn Svensson, the mythic leader of the Swedish jazz trio E.S.T., his bass player Dan Berglund is back with a new project: 'Tonbrucket' (sound workshop in Swedish). a gloomy and overpowering sound, combining progressive instrumental rock and elements of improvisation.The group brings together the energy of experimental rock and the melancholy of the far North for a strange but flavoursome mix. Recorded on 2011 at the Nancy Jazz Pulsations Festival TV Director, Samuel Petit
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| 3:43 |
Ilhan ErsahinUs Istanbul Sessions: Ilhan Ersahin (Saxophone),Alp Ersonmez (Basse), Turgut Alp Bekoglu (Batterie),Izzet K z l (Percussions). Recorded on June 28, 2019 at the Montreal Jazz Festival Réalisateur, Sîla
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| 5:43 |
Michel Meis 4tet Michel Meis, drums+ compositions Cédric Hanriot, piano Stephan Goldbach, double bass Alisa Klein, trombone Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, F te de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg TV Director, Samuel Thiebaut
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.