MezzoProgram TV na Niedziela 11.01.2026
| 6:30 |
La Chauve-Souris (Die Fledermaus) Operetta in three acts by Johann Strauss II 1825-1899 Libretto by Carl Haffner and Richard Genée based on 'Le Réveillon' by Henri Meilhac and Ludovic Halévy First performance in Vienna, Theater an der Wien, 5 April 1874. New production adapted in French based on the text and the names of the characters of 'Le Réveillon' Orchestre de Picardie, Johanna Malangré (musical direction) Chorus of the Lille Opera Laurent Pelly (stage direction, costumes) Chantal Thomas (set design), Michel Le Borgne (lighting) Agathe Mélinand (adaptation of the libretto, dialogues), Moshe Leiser, Patrice Caurier (French adaptation of the sung texts) Guillaume Andrieux (Gaillardin) Camille Schnoor (Caroline) Marie-Eve Munger (Adele) Christophe Gay (Duparquet) Raphaël Brémard (Bidard) Franck Leguérinel (Tourillon) Héloise Mas (Le prince Orlofsky) Julien Dran (Alfred) Eddy Letexier (Léopold) Claire Antoine (Ida) Lille, Opéra, 11 June 2024
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| 8:38 |
Closed - A Ballet from Real Life Many people live in a closed world. What happens to them when they step onto an arena where they can be themselves, free of their usual roles and status? In the film 'Closed' we encounter four completely different people who once a week leave their everyday lives and get together in a closed café, where they get the opportunity and help to relax and momentarily distance themselves from reality. These encounters have a certain touch of ritual to them. Then, an alien element is introduced: A famous musician, the cellist Truls Mork, has been given the proprietor's permission to rehearse a piece that he will later play in town. The music, Zoltan Kodály's Sonata for solo cello Op. 8, is intense and riveting and affects all four of them to an extent that has consequences for them all. The whole thing ends in mayhem, which perhaps was necessary for them all to be able to move on with their lives. Even the café gets a new lease of life, with a new proprietor. Directed by Stein-Roger Bull, Jo Stromgren 2017
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| 10:00 |
Friedrich Gulda, Herbie Hancock, Joe Zawinul (piano) Wolfgang Amadeus Mozart Sonata B flat major K 333 Friedrich Gulda Menuett For Rico Miles Davis All Blues Joe Zawinul For The Moment Herbie Hancock/Friedrich Gulda Improvisation on 2 Pianos Directed by Horant Hohlfeld, Kurt Liewehr Salzbourg, Cathedral square, 1989
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| 11:35 |
Friedrich Gulda, Herbie Hancock (piano) Johann Sebastian Bach 1685 - 1750 Prelude and Fugue in A flat Major BWV 886 Prelude and Fugue in C sharp minor BWV 849 Prelude and Fugue in G Major BWV 861 Wolfgang Amadeus Mozart 1756 - 1791 Piano Sonata in B flat Major K 333 Directed by Georg Wübbolt Munich, Philharmonie, 1989
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| 12:44 |
Mc Coy Tyner trio Estival Jazz 1985 Mc Coy Tyner (piano) Louis Hayes (drums) Avery Sharte (doublebass) Recorded in 1985, Lugano, Swiss TV director, Sandro Pedrazzetti
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| 13:30 |
Münchner Rundfunkorchester, Bavarian Radio Choir, Ennio Morricone (conductor) Susanna Rigacci (Soprano), Henry Raudales (Violin), Norbert Merkl (Viola), Ulrich Herkenhoff (Pan flute), Gilda Butta (Piano) Ennio Morricone 1928-2020 The Untouchables Main Theme: 'The Strength of the Righteous' Once Upon a Time in America Deborah's Theme - Poverty - Main Theme The Legend of 1900 Main Theme Cinema Paradiso Main Theme Ennio Morricone H2S Main Theme The Sicilian Clan Main Theme The Love Circle Main Theme - Uno che grida amore Maddalena Come Maddalena Once Upon a Time in America Cockeye 's Song The Good, the Bad and the Ugly Main Theme Once Upon a Time in the West Main Theme A Fistful Of Dynamite Main Theme The Good, the Bad and the Ugly L'estasi dell' Oro Canone Inverso (Making Love) Main Theme Investigation of a Citizen Above Suspicion Main Theme According to Pereira Main Theme Working Class Goes To Heaven Main Theme Casualties of War Main Theme The Desert of the Tartars Main Theme The Mission Main Theme Directed by Giovanni Morricone Munich, Philharmonie im Gasteig, 2005
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| 15:09 |
Radu Lupu (piano) Deutsche Kammerphilharmonie, David Zinman (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Piano Concerto no. 19 in F Major K 459 Directed by Janos Darvas 1990
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| 15:36 |
Homero Francesch (piano) Deutsche Kammerphilharmonie, Gerd Albrecht (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Piano Concerto no. 26 in D Major KV 537 'Coronation' Directed by Janos Darvas 1990
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| 16:20 |
Die Walküre First day of 'Der Ring des Nibelungen' by Richard Wagner (1813 - 1883) Libretto by de Richard Wagner Munich, Königliches Hof- und National Theater, 26 June 1870 Philharmonia Zürich Gianandrea Noseda (Direction) Andreas Homoki (Stage direction) Christian Schmidt (Set and Costume Design), Franck Evin (Lighting design) Eric Cutler (Siegmund) Christof Fischesser (Hunding) Tomasz Konieczny (Wotan) Daniela Köhler (Sieglinde) Claudia Mahnke (Fricka) Camilla Nylund (Brünnhilde) Sarah Cambidge (Helmwige) Ann-Kathrin Niemczyk (Gerhilde) Barbara Senator (Ortlinde) Anna Werle (Waltraute) Simone McIntosh (Siegrune) Siena Licht Miller (Rossweisse) Michal Doron (Grimgerde) Noa Beinart (Schwertleite) Zurich, Opernhaus, 20 May 2024
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| 20:30 |
Orchestre de Paris, Esa-Pekka Salonen (conductor) Cheur de l'Orchestre de Paris, New London Chamber Choir, Jennifer France (soprano), Virpi Räisänen (mezzo-soprano) György Ligeti 1923 - 2006 Requiem Anton Bruckner 1824 - 1896 Symphony no. 4 in E flat major 'Romantic' (1878-1880 version) Directed by Paris, Philharmonie, 19 November 2025
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| 22:11 |
Orchestre de la Suisse Romande, Jonathan Nott (Conductor) Marc Perrenoud (piano), Dmitry Rasul-Kareyev (clarinet), Lionel Cottet (cello), Elçim Özdemir (viola) Claude Debussy (1862 - 1918) Rhapsody for Clarinet and Orchestra in B flat major Duke Ellington (1899 - 1974) New World A-Comin', for piano and orchestra Richard Strauss (1864 - 1949) Don Quixote op. 35 Geneva, Victoria Hall, 21 September 2022
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| 23:22 |
The Noseda Effect A film by Alex Olegnowicz The Noseda Effect is an intimate portrait of Gianandrea Noseda, filmed over three years, from his hometown of Milan, at the famous Teatro alla Scala, and continues at the Juilliard School, the Kennedy Center, the Metropolitan Opera and the Zurich Opera. The film features interviews with his family, friends and artistic collaborators, including Piotr Beczała, Renée Fleming, Stefano Poda and many others. The film includes footage of rehearsals with the Filarmonica della Scala, the Juilliard Orchestra, the National Symphony Orchestra, as well as a soundtrack from Noseda's extensive discography.
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| 0:22 |
Ivan Klanský (piano) Virtuosi de Praha, Jirí Belohlávek (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Piano Concerto no.20 in D minor K 466 1990 Directed by Janos Darvas
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| 0:52 |
Deutsche Kammerphilharmonie, David Zinman (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Symphony no. 39 in E-flat Major, K. 543 1990 Directed by Janos Darvas
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| 1:23 |
Radio-Sinfonieorchester Stuttgart, Gianluigi Gelmetti (conductor) Wolfgang Amadeus Mozart 1756 - 1791 Symphony no. 40 in G minor, K. 550 Directed by Janos Darvas 1991
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| 1:53 |
Richard Strauss and his Heroines Divorce! After six years of marriage the choleric and chronically jealous Pauline, daughter of a general, has had enough of Richard Strauss. Pauline always knew it: her husband who at 36 is celebrated as the most important living German composer across the globe is cheating on her. His congeniality and moral uprightness is just a mask! Are his inspirations for the erotic escapades which are the basis of several of his tone poems and songs based on the love affairs of the artist? The film Richard Strauss and his Heroines goes on an exciting journey discovering the women in Strauss' life. At the focus is primarily his relationship with Pauline, to whom he was married for over 55 years up to his death. Until today she applies as a harridan who often embarrassed her husband in public. It hereby falls under the table that Strauss at the beginning and the end of his relationship composed his finest songs for the trained singer who gave up her career for him and covered his back for the rest of his life. What was it that made the broken old man, who experienced the most varied of epochs in German history, from the Empire to the Nazi dictatorship to the post-war period, write in 1948 in his final song ('At Sunset') one of the most moving declarations of love in the history of music: 'We have through sorrow and joy gone hand in hand'? Richard Strauss and his Heroines - this is the first filmed search for clues about the unforgettable heroines created by Strauss. It is both the story of a turbulent, and at the end moving, love story of two people who were prepared to walk through fire for each other. We visit Strauss' last surviving grandchild in Garmisch and we meet the great Strauss singers Brigitte Fassbaender, Reneé Fleming, Dame Gwyneth Jones and Christa Ludwig, who report on their famous Strauss roles. With the conductor Franz Welser-Möst we research the secret of Strauss' instrumentation genius. Strauss expert Christoph Wagner-Trenckwitz, member of the board of the Vienna Volksoper, leads us through the film. Directed by Thomas von Steinaecker 2014
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| 3:00 |
La Chauve-Souris (Die Fledermaus) Operetta in three acts by Johann Strauss II 1825-1899 Libretto by Carl Haffner and Richard Genée based on 'Le Réveillon' by Henri Meilhac and Ludovic Halévy First performance in Vienna, Theater an der Wien, 5 April 1874. New production adapted in French based on the text and the names of the characters of 'Le Réveillon' Orchestre de Picardie, Johanna Malangré (musical direction) Chorus of the Lille Opera Laurent Pelly (stage direction, costumes) Chantal Thomas (set design), Michel Le Borgne (lighting) Agathe Mélinand (adaptation of the libretto, dialogues), Moshe Leiser, Patrice Caurier (French adaptation of the sung texts) Guillaume Andrieux (Gaillardin) Camille Schnoor (Caroline) Marie-Eve Munger (Adele) Christophe Gay (Duparquet) Raphaël Brémard (Bidard) Franck Leguérinel (Tourillon) Héloise Mas (Le prince Orlofsky) Julien Dran (Alfred) Eddy Letexier (Léopold) Claire Antoine (Ida) Lille, Opéra, 11 June 2024
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| 5:08 |
Dietrich Fischer-Dieskau: Last Words The great German baritone Dietrich Fischer-Dieskau was greatly admired for his interpretive insight, note-perfect control of the tonal qualities, and shadings of color in his voice, for exceptional rhythmic sense and impeccable diction. His reputation as a lieder singer is so high - he had a repertoire of more than 3.000 songs - that it is easy to forget his extensive list of operatic roles. In this conversation Fischer-Dieskau reveals for the last time on camera the secrets of his outstanding career. His 'Last Words' provide a deep insight into the extraordinary artistic life of one of the most famous and prolific lieder singers of our time. Dietrich Fischer-Dieskau died in May 2012 at the age of 86. Directed by Bruno Monsaingeon 2013
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.