MezzoProgram TV na Niedziela 3.08.2025
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Rappresentatione di Anima, et di Corpo Sacred dopera in three acts by Emilio de' Cavalieri (1550 - 1602) Libretto by Agostino Manni and Dorisio Isorelli Firts performance in Rome, Chiesa Nuova, Oratorio di Santa Maria della Valicella, February 1600 semi-staged version Il Giardino Armonico, Giovanni Antonini (conductor) NFM Boys' Choir Erika Rombaldoni (stage direction) Anett Fritsch (Anima) Mauro Borgioni (Corpo) Margherita Maria Sala (Piacere) Renato Dolcini (Tempo / Consiglio) Fulvio Bettini (Mondo, un compagno del Piacere) Cyril Auvity (Intelletto) Federico Fiorio (Angelo Custode) Anna Reinhold (Vita Mondana / Anima beata) Sebastian Mach (un compagno del Piacere) Cesare Costamagna (Anima dannata) Festival Wratislavia Cantans, National Forum of Music, Wroclaw, 17 September 2022
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European Union Youth Orchestra, Ernst Senff Chor, Vasily Petrenko (conductor) Miah Persson (soprano), Theresa Kronthaler (mezzo-soprano), Norbert Ernst (tenor), Leon Kosavic (bass) Ludwig van Beethoven (1770 - 1827) Symphony No. 9 in D minor op. 125 'Ode to Joy' Berlin, Konzerthaus, August 4, 2019 Directed by Torben Jacobsen
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| 10:00 |
Robin Mckelle: A Tribute to Ella Fitzgerald Robin McKelle (lead) Jonathan Thomas (Piano) Eric Wheeler (Bass) Diego Ramirez (drums) Directed by Sébastien Bergé
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| 11:16 |
Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni
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| 11:57 |
Sun Ra Arkestra Jazz Estival Sun Ra (clavier) Recorded in 1985, Lugano, Swiss Tv director, Sandro Pedrazzetti
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| 12:43 | |
| 13:30 |
Trio Zadig Astor Piazzolla (1921 - 1992) Las Cuatro estaciones portenas Toulouse, Maison Nougaro, 2021 Directed by Patrick Lauze
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Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner
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| 14:40 |
Daniel Behle (tenor) Concerto Köln Antonio Tozzi (1736-1812) Pensa che in campo armato Aria from 'Rinaldo' Luigi Gatti (1740-1817) Puoi vantar le tue ritorte Aria from 'La Nitteti' Johann Christian Bach (1735-1782) Sinfonia in g minor op.6 No. 6 Antonio Sacchini (1730-1786) Mentre il cor con meste voci Aria from 'Artaserse' Josef Myslivecek (1737-1781) Ouverture from 'L'Olimpiade' Care pupille belle Aria from 'La Calliroe' Peter von Winter (1754-1825) Amor m'accese un di Aria from 'I fratelli rivali' Ignaz Holzbauer (1711-1783) March from 'Günther von Schwarzburg' Johann David August von Apell (1754-1832) Ah, se fosse intorno al trono Aria from 'La clemenza di Tito' Bayreuth, Margravial Opera House, 16 septembre 2023
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| 16:00 |
Nuria Rial (Soprano) Accademia del Piacere, Fahmi Alqhai (Musical Director, Viola da gamba) Francisco Guerau (1649-1722) Pavana Attributed to Sebastián Durón and José de Torres (c. 1670-1738) 'Y, pues consentir no debo' - 'Yo hermosísima Ninfa' (Recitative and Aria from the zarzuela 'El imposible mayor en amor le vence Amor') Sebastián Durón 'Quantos teméis al rigor' (from the zarzuela 'Las nuevas armas de Amor') Fahmi Alqhai (1976 -) Improvisation: Xácaras & Folías Sebastián Durón 'Sosieguen, descansen' (From the zarzuela 'Salir el amor del mundo') Giovanni Bononcini (1670-1747) 'Pastorella che tra le selve' Fahmi Alqhai Improvisation Marionas - Canarios José de Nebra (1702-1768) 'Adiós, prenda de mi amor' (From the opera 'Amor aumenta el valor') 'Tempestad grande, amigo' (From the zarzela 'Vendado es amor, no es ciego') Bayreuth, St George's Church (Bayreuth Baroque Opera Festival), 12 September 2024
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| 17:15 |
Don Giovanni 'Dramma Giocoso' in two acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte First performance in Prague, 29 October 1787 Staatskapelle Berlin, Thomas Guggeis (Musical Director) Staatsopernchor, Martin Wright (Chorus Master) Vincent Huguet (Director) Aurélie Maestre (Sets), Clémence Pernoud (Costumes), Irene Selka (Lights), Robert Pflanz (Video), Louis Geisler (Dramaturgy) Michael Volle (Don Giovanni) Slávka Zámecníková (Donna Anna) Bogdan Volkov (Don Ottavio) Peter Rose (Il Commendatore) Elsa Dreisig (Donna Elvira) Riccardo Fassi (Leporello) David Ostrek (Masetto) Serena Sáenz (Zerlina) Berlin, Staatsoper, 17 April 2022
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| 20:30 |
Alexandre Kantorow (piano) Johannes Brahms (1833 - 1897) Piano Sonata no. 1 in C major Op. 1 Franz Schubert (1797-1828) / Franz Liszt (1811-1886) Der Wanderer Der Müller und der Bach Frühlingsglaube Die Stadt Am Meer Franz Schubert Fantaisie for piano in C major D 760 'Wanderer-Fantasie' Paris, Philharmonie, 27 March 2023
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| 22:05 |
Orchestre de la Suisse Romande, Jonathan Nott (Conductor) Marc Perrenoud (piano), Dmitry Rasul-Kareyev (clarinet), Lionel Cottet (cello), Elçim Özdemir (viola) Claude Debussy (1862 - 1918) Rhapsody for Clarinet and Orchestra in B flat major Duke Ellington (1899 - 1974) New World A-Comin', for piano and orchestra Richard Strauss (1864 - 1949) Don Quixote op. 35 Geneva, Victoria Hall, 21 September 2022
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| 23:17 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 23:43 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 0:08 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 0:34 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 1:00 |
Martha Argerich (Piano), Iddo Bar-Shai (Piano), Theodosia Ntokou (Piano), Geza Hosszu Legocky (Violin), Alissa Margulis (violin), Lyda Chen Argerich (Viola), Edgar Moreau (Cello), Tehila Nini Goldstein (Soprano) Y'umma Wa Y'abba (Yemenite Folksong) Yehuda Sharet (Arr. Schönberg) 1901 - 1979 Lyrics Rachel Bluwstein Ve'ulai Morde'hai Zeira (Arr. Weill) 1905 - 1968 Lyrics Alexander Penn Havu L'venim Daniel Sambursky (Arr. Weill) 1909 - 1977 Lyrics Nathan Altermann Ba'a Mnu'ha Achron (Hebraic Melody) Maria Theresia von Paradis 1759 - 1824 Sicilienne Franz Schubert 1797 - 1828 String Trio in B flat major D.471 Rondo in A Major for Piano 4 Hands, D. 951 Directed bu John Blanch Château de Chantilly, 2023
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| 1:51 |
Musicmakers: Klaus Mäkelä, conductor James Jolly - Host Directed by John Blanch
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| 3:00 |
Rappresentatione di Anima, et di Corpo Sacred dopera in three acts by Emilio de' Cavalieri (1550 - 1602) Libretto by Agostino Manni and Dorisio Isorelli Firts performance in Rome, Chiesa Nuova, Oratorio di Santa Maria della Valicella, February 1600 semi-staged version Il Giardino Armonico, Giovanni Antonini (conductor) NFM Boys' Choir Erika Rombaldoni (stage direction) Anett Fritsch (Anima) Mauro Borgioni (Corpo) Margherita Maria Sala (Piacere) Renato Dolcini (Tempo / Consiglio) Fulvio Bettini (Mondo, un compagno del Piacere) Cyril Auvity (Intelletto) Federico Fiorio (Angelo Custode) Anna Reinhold (Vita Mondana / Anima beata) Sebastian Mach (un compagno del Piacere) Cesare Costamagna (Anima dannata) Festival Wratislavia Cantans, National Forum of Music, Wroclaw, 17 September 2022
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| 4:39 |
European Union Youth Orchestra, Ernst Senff Chor, Vasily Petrenko (conductor) Miah Persson (soprano), Theresa Kronthaler (mezzo-soprano), Norbert Ernst (tenor), Leon Kosavic (bass) Ludwig van Beethoven (1770 - 1827) Symphony No. 9 in D minor op. 125 'Ode to Joy' Berlin, Konzerthaus, August 4, 2019 Directed by Torben Jacobsen
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| 5:50 | |
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.