MezzoProgram TV na Środa 23.07.2025
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Arabella 'Lyrische Komödie' in three acts Richard Strauss (1864-1949) Libretto by Hugo von Hofmannsthal First performance at Dresden, Sächsisches Staatstheater, 1 July 1933 Principal Chorus and Orchestra of the Teatro Real, David Afkham (conductor) Andrés Máspero (Chorus Director) Christof Loy (Stage Direction) Herbert Murauer (Stage and Costume Design), Reinhard Traub (Lighting), Thomas Wilhelm (Choreography) Jacquelyn Wagner (Arabella) Sarah Defrise (Zdenka) Martin Winkler (Count Waldner) Anne Sofie von Otter (Adelaide) Josef Wagner (Mandryka) Matthew Newlin (Matteo) Dean Power (Count Elemer) Roger Smeets (Count Dominik) Tyler Zimmerman (Count Lamoral) Madrid, Teatro Real, 9 February 2023
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Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin: Schumann, Brahms
classical concert
Chamber Orchestra of Europe, Yannick Nézet-Séguin (Conductor) Beatrice Rana (piano) Robert Schumann (1810 - 1856) Piano Concerto in A minor op. 54 Johannes Brahms (1833 - 1897) Symphony no. 2 in D major op. 73 Baden-Baden, Festspielhaus, 10 July 2022
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Chamber Orchestra of Europe, Yannick Nézet-Séguin (Conductor) Beatrice Rana (piano) Clara Schumann (1819 - 1896) Piano Concerto in A minor op. 7 Johannes Brahms (1833 - 1897) Symphony no. 1 in C minor op. 68 Baden-Baden, Festspielhaus, 8 July 2022
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| 13:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:47 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 15:12 |
Martha Argerich (Piano), Iddo Bar-Shai (Piano), Theodosia Ntokou (Piano), Geza Hosszu Legocky (Violin), Alissa Margulis (violin), Lyda Chen Argerich (Viola), Edgar Moreau (Cello), Tehila Nini Goldstein (Soprano) Y'umma Wa Y'abba (Yemenite Folksong) Yehuda Sharet (Arr. Schönberg) 1901 - 1979 Lyrics Rachel Bluwstein Ve'ulai Morde'hai Zeira (Arr. Weill) 1905 - 1968 Lyrics Alexander Penn Havu L'venim Daniel Sambursky (Arr. Weill) 1909 - 1977 Lyrics Nathan Altermann Ba'a Mnu'ha Achron (Hebraic Melody) Maria Theresia von Paradis 1759 - 1824 Sicilienne Franz Schubert 1797 - 1828 String Trio in B flat major D.471 Rondo in A Major for Piano 4 Hands, D. 951 Directed bu John Blanch Château de Chantilly, 2023
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Nuria Rial (Soprano) Accademia del Piacere, Fahmi Alqhai (Musical Director, Viola da gamba) Francisco Guerau (1649-1722) Pavana Attributed to Sebastián Durón and José de Torres (c. 1670-1738) 'Y, pues consentir no debo' - 'Yo hermosísima Ninfa' (Recitative and Aria from the zarzuela 'El imposible mayor en amor le vence Amor') Sebastián Durón 'Quantos teméis al rigor' (from the zarzuela 'Las nuevas armas de Amor') Fahmi Alqhai (1976 -) Improvisation: Xácaras & Folías Sebastián Durón 'Sosieguen, descansen' (From the zarzuela 'Salir el amor del mundo') Giovanni Bononcini (1670-1747) 'Pastorella che tra le selve' Fahmi Alqhai Improvisation Marionas - Canarios José de Nebra (1702-1768) 'Adiós, prenda de mi amor' (From the opera 'Amor aumenta el valor') 'Tempestad grande, amigo' (From the zarzela 'Vendado es amor, no es ciego') Bayreuth, St George's Church (Bayreuth Baroque Opera Festival), 12 September 2024
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| 17:15 |
Alice Ballet to original music by Philip Glass based on the novel by Lewis Carroll World premiere CCN * Ballet of the Opéra national du Rhin, Orchestre symphonique de Mulhouse Philip Glass (Music) Amir Hosseinpour, Jonathan Lunn (Choreography, dramaturgy) Karen Kamensek (Musical direction) Anne Marie Legenstein (Sets, costumes) Fabrice Kebour (Lighting) David Haneke (Video) Robert Israel (Paintings) Strasbourg, Opéra, 23 February 2022
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| 18:46 |
Pannon Philharmonic, Tibor Bogányi (conductor) Kristóf Baráti (violin) Béla Bartók (1881 - 1945) Violin Concerto No. 1, Op. posth. Rhapsody No. 1 Rhapsody No. 2 Violin Concerto No. 2 Pécs, Kodály Centre, 27 April 2023
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Rappresentatione di Anima, et di Corpo Sacred dopera in three acts by Emilio de' Cavalieri (1550 - 1602) Libretto by Agostino Manni and Dorisio Isorelli Firts performance in Rome, Chiesa Nuova, Oratorio di Santa Maria della Valicella, February 1600 semi-staged version Il Giardino Armonico, Giovanni Antonini (conductor) NFM Boys' Choir Erika Rombaldoni (stage direction) Anett Fritsch (Anima) Mauro Borgioni (Corpo) Margherita Maria Sala (Piacere) Renato Dolcini (Tempo / Consiglio) Fulvio Bettini (Mondo, un compagno del Piacere) Cyril Auvity (Intelletto) Federico Fiorio (Angelo Custode) Anna Reinhold (Vita Mondana / Anima beata) Sebastian Mach (un compagno del Piacere) Cesare Costamagna (Anima dannata) Festival Wratislavia Cantans, National Forum of Music, Wroclaw, 17 September 2022
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| 22:09 |
European Union Youth Orchestra, Ernst Senff Chor, Vasily Petrenko (conductor) Miah Persson (soprano), Theresa Kronthaler (mezzo-soprano), Norbert Ernst (tenor), Leon Kosavic (bass) Ludwig van Beethoven (1770 - 1827) Symphony No. 9 in D minor op. 125 'Ode to Joy' Berlin, Konzerthaus, August 4, 2019 Directed by Torben Jacobsen
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| 23:20 |
Jon Hendricks & co Estival Jazz 1986 Jon Hendricks (Bandleader, sing) Clifford Barbaro (drums) Cyrus Chestnut (Piano) Kevin Burke (Choral) Marcus McLaurine (Doublebass) Judith Hendricks (Choral) Aria Hendricks (Choral) Recorded in 1986, Lugano, Swiss TV director, Sandro Pedrazzetti
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Naissam Jalal: Landscapes of Eternity Naissam Jalal (flute), Debasmita Bhattacharya (sarod), Leonardo Montana (piano), Flo Comment (tanpura), Anuja Borude (pakhawaj), Zaza Desiderio (drums) Coutances, Jazz sous les Pommiers, 8 May 2024
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Mc Coy Tyner trio Estival Jazz 1985 Mc Coy Tyner (piano) Louis Hayes (drums) Avery Sharte (doublebass) Recorded in 1985, Lugano, Swiss TV director, Sandro Pedrazzetti
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| 1:33 |
Wiener Philharmoniker, Riccardo Muti (conductor) Julia Kleiter (soprano), Marianne Crebassa (alto), Michael Spyres (tenor), Günther Groissböck (bass) Ludwig van Beethoven 1770 - 1827 Symphony No. 9 in D Minor, op. 125 Vienna, Musikverein, 7 May 2024
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| 3:00 |
Il Trovatore 'Dramma' in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Chorus and Orchestra of the Maggio Musicale Fiorentino Zubin Mehta (Conductor) Lorenzo Fratini (Chorus master) Cesare Lievi (Stage Director) Luigi Perego (Sets and costumes), Luigi Saccomandi (Lighting) Amartuvshin Enkhbat (Il conte di Luna) María José Siri (Leonora) Ekaterina Semenchuck (Azucena) Fabio Sartori (Manrico) Riccardo Fassi (Ferrando) Caterina Meldolesi (Ines) Alfonso Zambuto (Ruiz) Davide Piva (Un vecchio zingaro) Joseph Dahdah (Un messo) Florence, Maggio Fiorentino, Sala Zubin Mehta, 5 October 2022
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| 5:22 |
Rachmaninov revisited Celebrated in his day not only as a great composer, Sergei Rachmaninov was also admired as an outstanding pianist who was a peerless interpreter of his own works including the piano concerti and the Rhapsody on a Theme by Paganini. It is well known that he was in effect the sole pianist capable of performing his most demanding Third Piano Concerto and his performances and recording of the concerto came to be considered as the definitive ones. The relationship between performance, interpretation, and Rachmaninov's own life is addressed in this film by young pianists. They explore the evolution of interpretation over the past few decades with brief excerpts of recordings by Rachmaninov as contrasted with contemporary performances by today's well-known young pianists as they comment on the differences (or similarities) of their approach. Directed by Peter Rosen
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.