MezzoProgram TV na Niedziela 18.08.2024
| 6:30 |
Idomeneo, re di Creta 'Dramma per musica' in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet First performance in Munich, Residenztheater, January 29, 1781 Orchestra of the Opéra Royal de Wallonie-Liege, Fabio Biondi (Conductor) Chorus of the Opéra Royal de Wallonie-Liege Jean-Louis Grinda (stage director) Laurent Castaingt (Set designer), Laurent Castaingt (Lighting designer), Jorge Jara (Costume designer), Arnaud Pottier (Video designer) Maria Grazia Schiavo (Ilia) Ian Koziara (Idomeneo) Annalisa Stroppa (Idamante) Nino Machaidze (Elettra) Riccardo Della Sciucca (Arbace) Inho Jeong (La Voce) Liege, Opéra Royal de Wallonie, 19 September 2023
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| 9:07 | |
| 10:00 |
Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni
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| 10:41 |
Born in the United States, Madeleine Peyroux is a jazz singer and guitarist with an unclassifiable style and an exceptional artistic personality, carried by a voice that is both soft and husky, with blues and folk accents. After spending part of her childhood in the United States, she moved to France as a teenager where she joined her first jazz bands. An atypical artist, she performs a lot in the street while participating in festivals and creating her own albums. In 2004, she had an international success with Careless Love. Other albums have been released since, including the recent Anthem (2018), the title of which is taken from a Leonard Cohen song.
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| 12:13 |
Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner
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| 12:53 | |
| 13:30 |
Ensemble Intercontemporain, Matthias Pintscher (Conductor) Alain Billard (clarinette contrebasse), Bryce Dessner (guitare électrique) Matthias Pintscher (B. 1971) 'Skull', for three trumpets John Cage (1912 - 1992) 'Seven Haiku' for piano George Crumb (B. 1929) 'Vox Balaenae' (Voice of the Whale) for flute, cello and piano Yann Robin (B. 1974) 'Art of Metal II' for contrabass clarinet and electronics George Crumb 'Black Angels', Thirteen Images From the Dark Land for electric string quartet Bryce Dessner (B. 1976) 'Wires' for electric guitar and ensemble Recorded at the Fondation Louis Vuitton, Paris, 21 January 2019 Directed by Anais Spiro
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| 14:52 |
Orchestre de l'Opéra Royal de Wallonie-Liege, Guillaume Tourniaire (conductor) Jodie Devos (soprano), Marc Laho (tenor), Lionel Lhote (baritone) Ambroise Thomas (1811 - 1896) Excerpts from 'Hamlet' Prelude Recitative and duet: 'Vains regrets!' Chanson bachique: 'Ah! pour nous mon Seigneur, quel honneur!' Entracte of Act III Hamlet monologue: 'Etre ou ne pas etre' Entracte of Act IV Scene and Air of Ophélie: 'Mais quelle est cette belle et jeune damoiselle' Jules Massenet (1842 - 1912) Excerpts from 'Werther' Prelude Air de Werther: 'Je ne sais si je veille....O Nature...' Aria from Sophie and trio: 'Frere! Voyez!...' Tune from Werther: 'Pourquoi me réveiller...' Georges Bizet (1838 - 1875) Extracts from 'The Pearl Fishermen' Duo Zurga-Nadir: 'Au fond du Temple saint...' Entracte of Act III Zurga's Story and Air: 'L'orage s'est calmé...' Adolphe Adam (1803 - 1856) Le Toréador, Trio: 'Ah! vous dirai-je, maman!...' Liege, Opéra Royal de Wallonie-Liege, April 30, 2021 Directed by Stéphane Vérité
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| 16:21 | |
| 17:00 |
Giulio Cesare in Egitto 'Dramma per musica' in three acts by Georg Frideric Haendel (1685 - 1759) Libretto by Niccoló Francesco Haym First performance London, King's Theatre, Haymarket, 20 February 1724 Ensemble Artaserse, Philippe Jaroussky (conductor) Damiano Michieletto (Stage director) Thomas Wilhelm (Choreography), Paolo Fantin (sets), Agostino Cavalca (costumes), Cécile Kretschmar (hairdressing, make-up, masks), Alessandro Carletti (lighting) Gaëlle Arquez (Giulio Cesare) Sabine Devieilhe (Cleopatra) Franco Fagioli (Sesto) Lucile Richardot (Cornelia) Carlo Vistoli (Tolomeo) Francesco Salvadori (Achilla) Paul-Antoine Bénos-Djian (Nireno) Adrien Fournaison (Curio) Paris, Théâtre des Champs-Elysées, 20 May 2022
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| 20:30 |
Orchestre Philharmonique Royal de Liege, Gergely Madaras (Conductor) Jennifer Holloway (soprano) Ludwig van Beethoven (1770 - 1827) Egmont, overture op. 84 Richard Wagner (1813 - 1883) Wesendock-Lieder Gustav Mahler (1860 - 1911) Symphony No. 1 in D major 'Titan' Liege, Salle Philharmonique, 16 September 2023
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| 21:59 |
Chineke! Junior Orchestra, Glass Marcano (conductor) Gerard Aimontche (piano) Samuel Coleridge-Taylor (1875 - 1912) Othello Suite op. 79 Stewart Goodyear (1978 -) Callaloo - Caribbean Suite Gerard Aimontche (born in 1991) Improvisation on Bob Carlton 'Ja Da' Pyotr Ilyich Tchaikovsky (1840 - 1893) Symphony No. 4 in F minor, Op. 36 Directed by Andreas Morell Berlin, Konzerthaus, 11 August 2022
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| 23:45 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 0:10 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 0:36 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 1:02 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 1:27 |
Orchestre des Champs-Elysées, Philippe Herreweghe (Conductor) Ludwig van Beethoven (1770 - 1827) Symphony no 2 in D major, Op. 36 Symphonie no 5 in C minor, Op. 67 Recorded at the Festival de Saintes, 20 July 2020 TV Director, Sébastien Glas
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| 2:39 | |
| 3:00 |
Idomeneo, re di Creta 'Dramma per musica' in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet First performance in Munich, Residenztheater, January 29, 1781 Orchestra of the Opéra Royal de Wallonie-Liege, Fabio Biondi (Conductor) Chorus of the Opéra Royal de Wallonie-Liege Jean-Louis Grinda (stage director) Laurent Castaingt (Set designer), Laurent Castaingt (Lighting designer), Jorge Jara (Costume designer), Arnaud Pottier (Video designer) Maria Grazia Schiavo (Ilia) Ian Koziara (Idomeneo) Annalisa Stroppa (Idamante) Nino Machaidze (Elettra) Riccardo Della Sciucca (Arbace) Inho Jeong (La Voce) Liege, Opéra Royal de Wallonie, 19 September 2023
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| 5:37 | |
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.