MezzoProgram TV na Czwartek 10.08.2023
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Berliner Philharmoniker, Herbert von Karajan (Conductor) Richard Strauss (1864 - 1949) Ein Alpensinfonie, op. 64 Recorded in 1983 at the Philharmonie, Berlin Directed by Hugo Käch
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| 7:24 |
Berliner Philharmoniker, Herbert von Karajan (Conductor) Richard Strauss (1864 - 1949) Ein Heldenleben, op. 40 Recorded in 1985 at the Philharmonie, Berlin Directed by Ernst Wild
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| 8:13 |
Berliner Philharmoniker, Herbert von Karajan (Conductor) Johannes Brahms (1833 - 1897) Symphony no. 2 in D major, op. 73 Recorded in 1987 at the Philharmonie, Berlin Directed by par Ernst Wild
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| 8:56 | |
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| 10:00 |
Being a female conductor means being an exception. Even today. When a woman stands on the podium she is, in most cases, somehow 'the first': the first to lead a world-class orchestra, the first to conduct the 'Last Night of the Proms' in London, the first to win the German Conductor Prize. But it seems that the world of the maestro is now in a state of upheaval. The young Lithuanian conductor Mirga Grazinyte-Tyla, who took over the post of Andris Nelsons in Birmingham, said with conviction: 'I really believe that something is changing now.' But why is it that there have been so few female conductors in the international music scene? To take a closer look at this phenomenon, the film MAESTRAS follows several female conductors at Lucerne Festival 2016, which with the motto 'PrimaDonna' dedicated itself to this theme. Through the rehearsals, concerts and talks with participants of various professions at the Lucerne Festival the film approaches this subject. Along with the female musicians of the festival, the life of the former conductor Sylvia Caduff is followed. The Swiss woman was the first female assistant to Leonard Bernstein and directed the Berlin Philharmonic in 1978 when she filled in for Herbert von Karajan.
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| 10:55 |
Orchestre de Chambre de Lausanne, Barbara Hannigan (soprano, conductor) Stéphane Degout (baritone) Albert Roussel (1869 - 1937) Le Festin de l'araignée, symphonic excerpts Maurice Ravel (1975 - 1937) Histoires naturelles (arr. Antony Girard) Benjamin Britten (1913 - 1976) Les Illuminations Joseph Haydn (1732 - 1809) Symphony no.104 in D major 'London' Lausanne, Salle Métropole, 22 February 2023
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| 12:18 | |
| 13:30 |
Emergences Young choreographers Created by Le Ccn Malandain Ballet Biarritz L'opera National De Bordeaux Le Ccn-Ballet De L'opera National Du Rhin Sororibus Choreography by Kaloyan Boyadjiev Music Arvo Pärt - Fratres For Violin, String Orchestra And Percussion Dancers Anais Danielle Touret Maria Isabel Villa Aguiar Marchela Marinova Muhammad Shaakir Daiyaan Ajani Oh Les Mains! Choreography by Sophie Laplane Music Mozart: Symphony No. 25, The Magic Flute Symphony No. 40 Dancers Raphael Canet Loan Frantz Hugo Layer Yui Uwaha Patricia Velazquez Allegra Vianello Umbra Choreography by Lucas Valente Music Junkie Xl, The Shore Dancers Alexandre Boia Matthew Knight Michelle Willems Follow The White Rabbit Choreography by Houston Thomas Music Pomassl, Johannes Goldbach Dancers Joseph Gray Jenny Laudadio Alejandro Martínez Azorín Skyler Maxey-Wert Biarritz, Théâtre de la Gare du Midi, 17 juillet 2022 Réalisé par Yan Proefrock
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| 14:57 |
To fill in a gap in music history: This miniseries tells the story of some of the amazingly strong female composers and their hidden orchestral music, narrated by the charismatic Norwegian conductor Cathrine Winnes. We follow their fights as they take their music out of the domestic chambers and into the public realm. Stakes were extremely high. Some gave up their children. Others divorced their husbands or composed in secret at night. More than one published under their brothers' names. Today we know them as Fanny Mendelssohn Hensel, Signe Lund, Lili Boulanger, Cecile Chaminade and Clara Schumann. And of course, Ethel Smyth and her toothbrush.
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| 15:26 |
To fill in a gap in music history: This miniseries tells the story of some of the amazingly strong female composers and their hidden orchestral music, narrated by the charismatic Norwegian conductor Cathrine Winnes. We follow their fights as they take their music out of the domestic chambers and into the public realm. Stakes were extremely high. Some gave up their children. Others divorced their husbands or composed in secret at night. More than one published under their brothers' names. Today we know them as Fanny Mendelssohn Hensel, Signe Lund, Lili Boulanger, Cecile Chaminade and Clara Schumann. And of course, Ethel Smyth and her toothbrush.
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| 15:54 |
To fill in a gap in music history: This miniseries tells the story of some of the amazingly strong female composers and their hidden orchestral music, narrated by the charismatic Norwegian conductor Cathrine Winnes. We follow their fights as they take their music out of the domestic chambers and into the public realm. Stakes were extremely high. Some gave up their children. Others divorced their husbands or composed in secret at night. More than one published under their brothers' names. Today we know them as Fanny Mendelssohn Hensel, Signe Lund, Lili Boulanger, Cecile Chaminade and Clara Schumann. And of course, Ethel Smyth and her toothbrush.
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| 16:22 |
To fill in a gap in music history: This miniseries tells the story of some of the amazingly strong female composers and their hidden orchestral music, narrated by the charismatic Norwegian conductor Cathrine Winnes. We follow their fights as they take their music out of the domestic chambers and into the public realm. Stakes were extremely high. Some gave up their children. Others divorced their husbands or composed in secret at night. More than one published under their brothers' names. Today we know them as Fanny Mendelssohn Hensel, Signe Lund, Lili Boulanger, Cecile Chaminade and Clara Schumann. And of course, Ethel Smyth and her toothbrush.
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| 16:50 |
Swedish Radio Symphony Orchestra, Cathrine Winnes (Conductor) Terés Löf, Ingrid Andsnes (piano) Grazyna Bacewicz (1909 - 1969) Overture for Symphonic Orchestra Clara Schumann (1819 - 1896) Piano Concerto in A minor, Op. 7 Fanny Mendelssohn (1805 - 1947) Overture in C Major Lili Boulanger (1893 - 1918) D'un soir triste Ethel Smyth (1858 - 1944) On The Cliffs of Cornwall, Prelude to Act 2 from 'The Wreckers' Signe Lund (1868 - 1950) Piano Concerto, 1st Movement Kaija Saariaho (b. 1952) Misterioso & Nymphéa Reflection Helena Munktell (1852 - 1919) Bränningar Recored in 2019 Directed by Anders Lindstad
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| 18:15 |
Ariadne auf Naxos Opera in 1 act preceded with a prologue Richard Strauss (Music) Hugo von Hofmannsthal (Libretto) Orchestre de Paris Marc Albrecht (conductor) Katie Mitchell (Staging) Martin Crimp (Dramaturgy) Chloe Lamford (Sets) Sarah Blenkinsop (Costumes) James Farncombe (Lighting) With (The Prima donna / Ariadne) Lise Davidsen - (The tenor / Bacchus) Eric Cutler - (Zerbinetta) Sabine Devieilhe - (The Composer) Angela Brower - (Harlequin) Huw Montague Rendall - (Brighella) Jonathan Abernethy - (Scaramouche) Emilio Pons - (Truffaldino) David Shipley - (naiad) Beate Mordal - (Dryad) Andrea Hill - (Echo) Elena Galitskaya - (The Music Master) Josef Wagner - (The Dancing Master) Rupert Charlesworth - (An officer) Petter Moen - (A Wig-Maker) Jean-Gabriel Saint Martin - (Le Buttler) Maik Solbach - (A Lackey) Sava Vemić - (The richest man in Vienna) Paul Herwig - (His wife) Julia Wieninger Recorded on July 2 & 11, 2018 at the Théâtre de l'Archevéché, Festival International d'Art Lyrique d'Aix-en-Provence TV Director, Corentin Leconte
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| 20:30 |
Avishai Cohen (bg, v) Elchin Shirinov (p) Roni Kaspi (dms) Directed by Fabien Raymond
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| 22:05 |
Erik Truffaz Quartet: Carte blanche Erik Truffaz (trumpet), Marcello Giuliani (bass), Benoit Corboz (piano, Fender Rhodes), Arthur Hnatek (drums) At the end of the 1990s, Erik Truffaz released two discs in quick succession on the legendary Blue Note label, The Dawn (1998) and Bending New Corners (1999) which would reveal him as a leading innovator. Inaugurating a hybrid sound, between the suspense of a film noir, the frantic rhythms of the British jungle music and jazz, they influenced a whole generation of young musicians who all over the world were going to rush into the breach opened by the trumpeter. and the other pioneers of electro-jazz. Since then, this master of the trumpet has never ceased to draw inspiration from a groove tinged with dreaminess that has become his signature, from African rhythms to medieval vocal music, including electro and dub. In October 2019, his latest grand cru, Lune Rouge, came out with his new quartet, whose freshness demonstrated that he remains a major sound pioneer of modern jazz. Recorded on 06/28/2021 at the Théâtre Antique, Vienne
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| 23:30 |
BELMONDO QUINTET - 08/07/2021- Jazz a Vienne Line Up: Lionel Belmondo (ts,ss,fl) Stéphane Belmondo (t, fh) Eric Legnini (p) Sylvain Romano (cb) Tony Rabeson (dms)
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| 0:30 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.1 in F minor, Op.2 No.1 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 0:49 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.2 in A major, Op.2 No.2 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 1:16 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.3 in C major, Op.2 No.3 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 1:44 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.4 in E-flat major, Op.7 ('Grand Sonata') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 2:17 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.5 in C minor, Op.10 No.1 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 2:37 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.6 in F major, Op.10 No.2 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 2:51 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.7 in D major, Op.10 No.3 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 3:16 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.8 in C minor, Op.13 ('Pathétique') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 3:44 |
Seong-Jin Cho (piano) Claude Debussy (1862-1918) Images, Books 1 & 2 Robert Schumann (1810-1856) Fantasiestücke op.12 Frédéric Chopin (1810-1849) Piano Sonata no 3 in B minor op.58 Franz Liszt (1811-1886) Etude d'exécution transcendante No.10 Recorded 23 July 2018 at the Verbier Festival TV Director, Pierre-Martin Juban
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| 5:14 |
Verbier Festival Chamber Orchestra, Klaus Mäkelä (conductor) Daniel Lozakovich (violin) Johannes Brahms (1833 - 1897) Violin Concerto in D major Op. 77 Robert Schumann (1810 - 1856) Symphony No.2 in C major, Op. 61 Verbier Festival, July 27, 2021 Directed by Sébastien Glas
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.