MezzoProgram TV na Wtorek 13.12.2022
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LA TÍPICA MELINGO Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022 The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires. He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts, that he propels in the current events. 'My role, as an artist, is to put in poetry and in music the forgotten of the society'. He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s. Melingo singing, clarinet Orquesta Típica: Romain Lecuyer double bass, Juan Pablo Gallardo piano, musical direction, Andrea Pujado violin, Anne Le Pape violin, Aurélie Gallois violin, Line Kruse violin, Marion Chiron bandoneon, Carmela Delgado bandoneon, Facundo Torres bandoneon Directed by Gilles Le Mao
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| 6:59 |
Orchestre Philharmonique de Monte-Carlo, Rauf Abdullayev (Conductor) Alim Qasimov (voix) Fikrat Amirov (1922 - 1984) Symphonic Mugham 'Kyurd Ovshary' Symphonic Mugham 'Gulustan Bayati Shiraz' Azerbaijani Capriccio 'Song of the blind Arab' from the opera 'Sheikh Sanan' Recorded at the Opéra de Monte-Carlo, 12 May 2019 Directed by François-René Martin
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| 7:59 | |
| 9:00 |
Aida Opera in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette First performance in Caire, Opera House, 24 December 1871 Orchestre de la Suisse Romande, Antonino Fogliani (conductor) Cheur du Grand Théâtre de Geneve Phelim McDermott (Stage Direction) Tom Pye (Sets), Kevin Pollard (Costumes), Simon Trottet (Lighting), Basil Twist (Choreography) Nazhmiddin Mavlyanov (Radames) Serena Farnocchia (Aida) Anna Smirnova (Amneris) Alexey Markov (Amonasro) Liang Li (Ramfis) Donald Thomson (Il Re) Denzil Delaere (Un messaggero) Claire de Sévigné (Sacerdotessa) Recorded at the Grand Théâtre, Geneva, 15 & 17 October 2019 TV Director, Sébastien Glas
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| 11:32 |
Berliner Philharmoniker, Daniel Barenboim (conductor and piano) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 24 in C minor K.491 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Klaas Rusticus
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| 12:20 |
Metanoia - Simone Menezes & K Paul Smaczny (TV director) Metanoia - the word itself - means beyond thought; to broaden and change the way of seeing. 'Metanoia', which crosses both time and borders with the works of Giacomo Puccini, Arvo Pärt, Alexander Borodin, Johann Sebastian Bach, Heitor Villa-Lobos and Ennio Morricone, is steeped in this concept: From Puccini, who only wrote one sacred work on account of the 'Almighty God' commanding him to write 'only for the stage', to Bach, who possessed an astonishing ability to make us experience transcendence using the simplest of elements, to Pärt, whose ten-year creative crisis birthed a new, highly original musical language. Together with her ensemble, K, the choir Sequenza 9.3, and violinist Manon Galy, Simone Menezes travels across Italy and invites us to experience the thought-transcending aspects of music, and to uncover the personal journeys of Metanoia of some of the greatest figures in music and art.
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| 13:41 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:06 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:44 |
Berliner Philharmoniker, Daniel Barenboim (conductor and piano) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 25 in C major, K. 503 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 15:16 |
Berliner Philharmoniker, Daniel Barenboim (direction and piano) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 26 in D major K.537 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 16:00 |
Firebird Ballet for 22 dancers Igor Stravinsky (Music) Thierry Malandain (Choreography) Jorge Gallardo (Costumes) François Menou (Lights) Véronique Murat, assisted by Charlotte Margnoux (Creation of Costumes) Richard Coudray & Giuseppe Chiavaro (Ballet Masters) The Rite of Spring Ballet for 18 dancers Igor Stravinsky (Music) Martin Harriague (Choreography and Stage Design) François Menou and Martin Harriague (Lights) Mieke Kockelkorn (Costumes) Véronique Murat, assisted by Charlotte Margnoux (Creation of Costumes) Frédéric Vadé (Creation of Scenery / Props) Françoise Dubuc, Nuria López Cortés (Assistants to the Choreographer) Paris, Chaillot - Théâtre National de la Danse, 4 & 5 November 2021 TV director, Patrick Lauze
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| 17:09 |
Les Arts Florissants, William Christie (coductor) Jessica Niles (soprano), Shaked Bar (soprano) Georg Frideric Haendel (1685 - 1759) Trio Sonata in C minor HWV 386a Duetto da Camera 'No, di voi non vo' fidarmi' HWV 189 Trio Sonata in B flat major HWV 388 Aminta e Fillide, HWV 83 Festival de Peralada, 1st August 2021 Directed by Stéphane Lebard
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| 18:55 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 23 in A major K.488 Enregistré en 1989 a la Siemens-Villa, Berlin Réalisé par George Moorse
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| 19:22 |
Berliner Philharmoniker, Daniel Barenboim (conductor and piano) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 27 in B flat major K. 595 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 19:55 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 21 in C major K.467 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 20:30 |
Suite Flamenca Bodas de Sangre, Suite Flamenca Antonio Gades, Ricardo Freire, Juan Antonio Zafra (music) Stella Arauzo Miguel Lara Companía Antonio Gades Cristina Hoyos (choreography) Teatro Real, Madrid, 2011
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| 21:37 |
Bodas de Sangre (Blood Wedding) Choreography by A. Gades Music by Emelio de Diego, Perello y Monreal and Felipe Campuzano With Christina Carnero (The bride), Angel Gil (Leonardo), Vanessa Vento (The mother), Joaquin Mulero (The groom), Maité Chico (Woman) and the Antonio Gades compania Bodas de sangre (Blood Wedding), choreographed by Antonio Gades in 1974, depicts the story written by Federico Garcia Lorca of a bride who, on her wedding night, runs away with her former lover, now a married man with a child of his own. The furious groom follows them, and a fight to the death ensues between the two men. This ballet without words is the essence of the work of Federico Garcia Lorca, a poet and playwright whose vision here melded with that of a profound and ancient Spain. Bodas de Sangre was filmed at the Teatro Real, Madrid, to mark the 75th anniversary of Gades' birth in 2012 Recorded at the Teatro Real TV Director, Angel Luis Ramirez
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| 22:22 |
Herbert von Karajan and the Berlin Philharmonic: Strauss, Also spracht Zarathustra
classical concert
Berliner Philharmoniker, Herbert von Karajan (Conductor) Richard Strauss (1864 - 1949) Also spracht Zarathustra, op. 30 Recorded in 1987 at the Philharmonie, Berlin Directed by Ernst Wild
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| 23:01 |
Berliner Philharmoniker, Herbert von Karajan (Conductor) Richard Strauss (1864 - 1949) Ein Heldenleben, op. 40 Recorded in 1985 at the Philharmonie, Berlin Directed by Ernst Wild
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| 0:05 |
Staatskapelle Berlin, Daniel Barenboim (Conductor and piano) Ludwig van Beethoven (1770-1827) Piano Concerto No.2 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 0:40 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig van Beethoven (1770-1827) Piano Concerto No.1 Klavierfestival Ruhr, Essen, Germany, 2007 Directed by Michael Beyer
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| 1:21 |
Staatskapelle Berlin, Daniel Barenboim (Conductor and piano) Ludwig van Beethoven (1770-1827) Piano Concerto No.4 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 2:00 |
LA TÍPICA MELINGO Recorded at the Nouveau Théâtre de Montreuil, April 13th, 2022 The iconoclast Melingo revisits his cursed tangos with a large orchestra typical of the balls of the 40s in Buenos Aires. He is one of the most fascinating artists of the Argentinean scene. Singer and actor with a hoarse voice, Melingo oscillates on stage between Charlie Chaplin and Tom Waits, and reinvests since a long time the field of the tango, that of the underworld and the bad boys, with sharpened texts, that he propels in the current events. 'My role, as an artist, is to put in poetry and in music the forgotten of the society'. He returns to Banlieues Bleues with the Orquesta Típica, directed by Maestro Juan Pablo Gallardo, who has arranged the music of the Maestro by reproducing, with a very feminized team, the historical format of the orchestras that made the whole of Buenos Aires dance in the 1940s. Melingo singing, clarinet Orquesta Típica: Romain Lecuyer double bass, Juan Pablo Gallardo piano, musical direction, Andrea Pujado violin, Anne Le Pape violin, Aurélie Gallois violin, Line Kruse violin, Marion Chiron bandoneon, Carmela Delgado bandoneon, Facundo Torres bandoneon Directed by Gilles Le Mao
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| 2:57 |
Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner
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| 3:37 |
Magic Malik Kafrobeat invites Sandra Nkaké, Gaston Bandimic Magic Malik voice, flute Olivier Laisney trumpet Maciek Lasserre saxophones Mailys Maronne keyboards Oscar Emch guitar Mathilda Haynes guitar Jean-René Zapha bass Maxime Zampieri drums David Mirandon percussion Isabel González, voice Valerie Belinga voice Guests: Sandra Nkake, voice Gaston Bandimic voice, rap Julien Reyboz sound system Pantin, La Dynamo, April 20, 2022 Directed by Guillaume Dero
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| 4:46 |
Kylie Eastwood (bass) Hugh Coltman (vocal) Camille Bertault (vocal) Andrew McCormack (piano) Quentin Collins (trumpet, bugle) Brandon Allen (saxophone) Chris Higginbottom (drums) Recorded on June 30th at Théâtre Antique, Jazz a Vienne
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| 5:49 |
State Academic Symphony Orchestra 'Evgeny Svetlanov', Fuad Ibrahimov (conductor) Sahib Pashazade (tar) Fikret Amirov (1922 - 1984) Symphony in memory of Nizami Ganjavi Arif Melikov (1933 - 2019) Symphony 4 Haji Khanmammadov (1918 - 2005) Concerto no. 2 for tar and orchestra Uzeyir Hajibayli (1885 - 1948) Ouverture from Opera 'Koroglu' Recorded at the Great Hall of the Tchaikovsky Moscow State Conservatory, Moscow, 21 October 2020 TV Director, François-René Martin
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.