MezzoProgram TV na Środa 7.12.2022
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Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni
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Avishai Cohen Avishai Cohen (trumpet) Ziv Ravitz (drums) Yonatan Albalak (guitar) Aviv Cohen (drums) Uzi Ramirez (bass) Recorded at the New morning, on May 29, 2019 TV Director, Patrick Savey
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Juditha triumphans Oratorio by Antonio Vivadi (1678 - 1741) Librettto by Iacopo Cassetti Armonia Atenea, Il Pomo d'Oro, GNO Chorus, GNO Children's Choir, Markellos Chryssicos (Conductor) Agathangelos Georgakatos (Chorus Master), Konstantina Pitsiakou (Children's Chorus Master) Thanos Papakonstantinou (Stage Direction) Christina Thanasoula (Lighting), Niki Psychogiou (Costumes), Niki Psychogiou (Sets), Amalia Kosma (Choreography) Roxana Constantinescu (Juditha) Kristina Hammarström (Holofernes) Inga Kalna (Vagaus) Theodora Baka (Abra) Sophia Patsi (Ozias) Athens, Greek National Opera, Stavros Niarchos Hall, 20 April 2021 Juditha triumphans was based on a Latin libretto by Iacopo Cassetti, which was in turn inspired by the Book of Judith from the Old Testament. The king of Babylon Nebuchadnezzar sends his general, Holofernes, to conquer the city of Bethulia in Israel. To save her Israelite compatriots, courageous Judith decides to seduce Holofernes. When he falls asleep, she cuts his head off. Juditha triumphans is the only extant oratorio of the four that Vivaldi composed. The intense war atmosphere is conveyed through the dynamic choral parts, and Judith's faith and integrity through the lyrical and tender writing. Notable is the use of many different and relatively rare instruments, such as the viola d'amore, chalumeaux, and theorbos, used by Vivaldi to highlight the most significant moments.
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| 11:04 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.21 in C major, Op.53 ('Waldstein') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 12:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 12:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:59 |
Staatskapelle Berlin, Daniel Barenboim (Conductor and piano) Ludwig van Beethoven (1770-1827) Piano Concerto No.3 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 14:40 | |
| 15:20 |
Revisor Crystal Pite (choreography) Kidd Pivot (dance company) Directed by Jeff Tudor Recorded at the Sadler's Wells, London Neither simply dance or traditional theatre, but an exciting and exhilarating new form that transcends either genre. Revisor is performed by 10 incredible dancers of Pite's company Kidd Pivot, to a soundtrack recorded by 9 voice actors. The dancers lip sync to the actors' words in Pite's trademark fluid, expressive and witty style. Revisor is based on a Russian anecdote about mistaken identity that surfaced in 1833, and quickly spread. It is now widely accepted as probably true. In 1836, the story took shape in a five-act play: The Government Inspector (Revisor) by Nikolai Gogol. The play premiered in St. Petersburg before the Czar who, according to reports, laughed and applauded, and is said to have remarked 'Everybody gets it, and I most of all!' The play was in disguise as a comedy. Ten dancers embody the recorded dialogue of some of Canada's finest actors, exploring conflict, comedy and corruption in the potent relationship between language and the body. Revisor reunites the creators of the international stage hit Betroffenheit (winner of the Olivier Award for Best New Dance Production 2017) with director Jeff Tudor, who won the Rose d'Or (Arts) and Golden Prague Awards 2018 for his capture of Betroffenheit for the BBC.
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| 16:50 |
One Thousand and One Nights Ballet in 2 Acts Choreographer & Artistic Director, Andrey Petrov Music, Fikret Amirov Libretto by Maksud & Rustam Ibragimbekov, Nailia Naziorova bassée sur sur le conte Arabe 'Les 1001 nuits' Sets, Tair Salahov Costume, Olga Polyanskaya With The Kremlin Ballet Scheherezada, Ekaterina Pervushina Shahriyar, a Persian tsar, Mikhail Evgenov NuRida, Shahriyar's wife, Irina Ablitsova Masood, a slav of Nurida, Amir Salimov Vizier, father of Sheherezada, Ivan Fadeev Executioner, Nikita Smirnov Alladin, Egor Motuzov Tsarevna Budour, Natalia Balakhnicheva Wizard, Nikita Ivanov Gene of the lamps, Ivan Zakharchenko Sindbad, Maxim Afnasyev Girl, Karina Salimova Bird Ruh, Nikolay Zheltikov Le Sultan, Sergey Vasyuchenko Wife of the Sultan, Ksenia Khabinets Hobo, Dmitry Prusakov Ali-Baba, Eugeny Korolev Marjana, servant Ali-Baba, Alina Kaicheva Maxym robbers, Maxim Sabitov Soloist in bash, Arina Tomilina, Ekaterina Chekryzheva Recorded at the Heydar Aliyev Palace, Bakou, Azerbaidjan on April 11 & 12, 2019 TV Director, Vincent Massip
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| 18:33 |
Orchestre Philharmonique de Monte-Carlo, Rauf Abdullayev (Conductor) Alim Qasimov (voix) Fikrat Amirov (1922 - 1984) Symphonic Mugham 'Kyurd Ovshary' Symphonic Mugham 'Gulustan Bayati Shiraz' Azerbaijani Capriccio 'Song of the blind Arab' from the opera 'Sheikh Sanan' Recorded at the Opéra de Monte-Carlo, 12 May 2019 Directed by François-René Martin
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| 19:35 |
Daniel Barenboim (piano), Michael Barenboim (violin) Wolfgang Amadeus Mozart (1756 - 1791) Violin Sonata in B-flat major, K.454 Violin Sonata in E-flat major, K.481 Recorded at the Pierre Boulez Saal, Berlin, 13 April 2020
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| 20:30 |
The Murderess (H ó) Opera by Giorgos Koumendakis (b. 1959) Libretto by Yannis Svolos, based on Alexandros Papadiamantis' novel of the same title Orchestra, Chorus, Children's Chorus of the Greek National Opera, Vassilis Christopoulos (Conductor) Agathangelos Georgakatos (Chorus master), Konstantina Pitsiakou (Children's chorus mistress) Alexandros Efklidis (Stage Director) Petros Touloudis (Sets), Petros Touloudis, Ioanna Tsami (Costumes), Vinicio Cheli (Lighting) Mary-Ellen Nesi (Frangoyannou, The Murderess) Anna Stylianaki (Maroysso) Tassos Apostolou (Ioassaf) Myrto Bokolini (Delcharo) Vangelis Maniatis Yannis (Perivolas) Sophia Kyanidou (Yannou) Filli Georgiadou (Xennoula's mother) Yannis Christopoulos (First Police Officer) Yanni Yannissis (Magistrate) Nicholas Stefanou (Second Police Officer Assesor) Marilena Striftobola (Krinio) Stelina Apostolopoulou (Toula) Miranda Makrynioti (Myrsouda) Georgios Papadimitriou (Doctor) Maria Konstada (Amersa) Aggelos Nerantzis (Konstantis) Polyphonic Ensenble Martha Mavroidi, Maria Melachrinou, Alkmini Basakarou, Ioanna Forti Athens, GNO Stavros Niarchos Hall, 3 December 2021
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| 22:15 |
Orchestre Philharmonique Royal de Liege, Gergely Madaras (Conductor) Cheur de Radio France David Kadouch (piano) Philippe Boesmans (1936 - 2022) Fin de nuit, for piano and orchestra Maurice Ravel (1875 - 1937) Daphnis et Chloé Recorded in Liege, Salle Philharmonique, 27 & 28 February 2019 Directed by Arnaud Lalanne
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Berliner Philharmoniker, Bernard Haitink (conductor) Isabelle Faust (violin) Ludwig van Beethoven (1770 - 1827) Violin Concerto in D major op. 61 Symphony no 6 in F major op. 68 'Pastorale' Baden-Baden, Festspielhaus, 2015 Directed by Torben Schmidt-Jacobsen
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| 1:35 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 20 in D minor K.466 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 2:06 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 21 in C major K.467 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 2:37 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 21 in E b major K.482 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 3:14 |
Avishai Cohen Avishai Cohen (trumpet) Ziv Ravitz (drums) Yonatan Albalak (guitar) Aviv Cohen (drums) Uzi Ramirez (bass) Recorded at the New morning, on May 29, 2019 TV Director, Patrick Savey
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| 4:31 |
Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner
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| 5:11 |
Amalia Rodrigues (voice) Carlos Concalves Dos Santos, Manuel Arnaldo Martins Dos Santos, Antonio Pires Ascensao Recorded in 1978, Musicalmente dallo studio 3 Tv director, Mirto Storni
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| 5:52 |
Kylie Eastwood (bass) Hugh Coltman (vocal) Camille Bertault (vocal) Andrew McCormack (piano) Quentin Collins (trumpet, bugle) Brandon Allen (saxophone) Chris Higginbottom (drums) Recorded on June 30th at Théâtre Antique, Jazz a Vienne
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.