MezzoProgram TV na Piątek 25.11.2022

Piątek 25.11
Od teraz
6:40
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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7:26
Brad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel Thibaut
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8:18
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9:00
Cosi fan tutte 'Dramma giocoso' in 2 acts by Wolfgang Amadeus Mozart (1756- 1791) Libretto by Lorenzo da Ponte Premiered at the Burgtheater, Vienna, January 26, 1790 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (conductor) Martin Wright (chorus master) Vincent Huguet (Stage director) Irene Selka (Lighting), Clémence Pernoud (Costumes), Aurélie Maestre (Sets), Louis Geisler (dramaturgy) Federica Lombardi (Fiordiligi) Marina Viotti (Dorabella) Barbara Frittoli (Despina) Paolo Fanale (Ferrando) Gyula Orendt (Guglielmo) Lucio Gallo (Don Alfonso) Berlin, Staatsoper unter der Linden, October 3, 2021
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12:01
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12:30
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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12:55
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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13:21
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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13:47
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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14:24
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ('Hammerklavier') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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15:35
Clowns Directed, choreographed and composed by Hofesh Shechter Performed by Hofesh Shechter Company Chien-Ming Chang, Frédéric Despierre, Rachel Fallon, Mickaël Frappat, Yeji Kim Kim Kohlmann, Erion Kruja, Merel Lammers, Attila Ronai, Diogo Sousa (dancers) Christina Cunningham (costume design) London, Rivoli Ballroom, 2018 Directed by Sebastian Cort
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16:03
Fractus V Choreography, Sidi Larbi Cherkaoui Music Live, Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta Dramaturgy, Antonio Cuenca Ruiz Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui Lights,Krispijn Schuyesmans Costumes, Sumire Hayakawa Recorded on May 18, 2017 at the Maison de la Danse de Lyon TV Director, Denis Caiozzi
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17:21
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 20 in D minor K.466 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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17:52
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 21 in C major K.467 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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18:35
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Gustav Holst (1874 - 1934) The Planets, Op. 32 Recorded at the Halle aux Grains, Toulouse, 8 November 2019 TV Director, Jean-Pierre Loisil
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20:15
Royal Concertgebouw Orchestra, Klaus Mäkelä (conductor) Nederlands Kamerkoor Sabine Devieilhe (soprano), Sasha Cooke (mezzo-soprano), Julian Prégardien (tenor), Benjamin Appl (bass) Jean Sibelius (1865 - 1957) Symphony No. 4 Wolfgang Amadeus Mozart (1756 - 1791) Requiem, KV 626 Amsterdam, Concertgebouw, 25 November 2022
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22:15
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Diabelli Variations, op. 120 Recorded at the Pierre Boulez Saal, Berlin, 10 April 2020
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23:14
Daniel Barenboim (piano) Frédéric Chopin (1810 - 1849) Etudes, op. 25 (No. 1 in A flat major, No. 2 in F minor, No. 7 in C sharp minor) Etudes, op. 10 (n ° 4 in C sharp minor, n ° 6 in E flat minor, n8 in F major) Nocturne, op. 15 No. 2 in F sharp major Ballade No. 1 in G minor, op. 23 Recorded at the Pierre Boulez Saal, Berlin, 19 April 2020
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23:47
I Capuleti e i Montecchi 'Tragedia lirica' in two acts Vincenzo Bellini (1801 - 1835) Libretto by Felice Romani First performance in Venice, Teatro La Fenice, 11 March 1830 Philharmonia Zürich, Chor der Oper Zürich, Fabio Luisi (Musical Director) Christof Loy (Stage Director) Christian Schmidt (Set & Costume Design) Joyce DiDonato (Romeo) Olga Kulchynska (Giulietta) Benjamin Bernheim (Tebaldo) Alexei Botnarciuc (Capellio) Erik Anstine (Lorenzo) Recorded at the Opernhaus Zürich, 18 & 21 June 2015 Directed by Michael Beyer
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2:06
Hamlet Opéra in five acts by Ambroise Thomas (1811 - 1896) Libretto by Michel Carré and Jules Barbier after William Shakespeare First performance in Paris, Opéra, 9 March 1868 Orchestre des Champs-Elysées, Louis Langrée (Conductor) Les Eléments, Joël Suhubiette (Chorus Master) Cyril Teste (Stage Direction) Ramy Fischler (Sets), Isabelle Deffin (Costumes), Leila Adham (Dramaturgy), Julien Boizard (Lighting), Nicolas Dorémus, Mehdi Toutain-Lopez (Video) Stéphane Degout (Hamlet) Sabine Devieilhe (Ophélie) Recorded 19 and 21 December 2018 at the Opéra-Comique, Paris Directed by François Roussillon
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4:56
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Lista stacji

O stacji Mezzo

Telewizja Mezzo

Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.

Historia telewizji Mezzo

Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.

Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.

Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.

Gdzie można oglądać telewizję Mezzo?

Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.

Stacje telewizyjne powiązane z Mezzo

Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.

Więcej o telewizji Mezzo

Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.

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