MezzoProgram TV na Środa 23.11.2022
| 7:00 |
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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| 7:47 | |
| 9:00 |
Betrothal in a Monastery Lyrico-comic opera by Sergey Prokofiev (1891 - 1953) Libretto by Sergei Prokofiev and Mira Mendelson after 'The Duenna' by Richard Sheridan First performance in Prague, National Opera Theatre, 5 May 1946 Staatskapelle Berlin, Daniel Barenboim (Conductor) Staatsopernchor Martin Wright (Chorus master) Dmitri Tcherniakov (Stage Direction, Sets) Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting) Stephan Rügamer (Don Jeronimo) Aida Garifullina (Luisa) Andrei Zhilikhovsky (Don Ferdinand) Violeta Urmana (La Duenna) Goran Jurić (Mendoza) Anna Goryachova (Clara D'Almanza) Lauri Vasar (Don Carlo) Arttu Kataja (Padre Augustin) Live from the Staatsoper Berlin TV Producer, Andy Sommer
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| 11:50 | |
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| 12:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 12:54 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:22 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:49 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.1 Klavierfestival Ruhr, Essen, Germany, 2007 Directed by Michael Beyer
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| 14:30 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.3 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 15:12 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano concerto No.5 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 16:00 |
Le lac des cygnes (Swan Lake) Angelin Preljocaj, Choreography Piotr Ilitch Tchaikovski, Musical Excerpts Additional Music Igor Chapurin, Costume Boris Labbé, Video Éric Soyer, Lighting With 26 dancers Recorded on December 22 & 23, 2020 at Chaillot - Théâtre national de la Danse TV Director, Tommy Pascal
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| 17:50 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 24 in ut minor K.491 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Klaas Rusticus
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| 18:25 | |
| 18:50 |
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Behzod Abduraimov (piano) Sergei Prokofiev (1981 - 1953) Piano Concerto no 2 in G minor Op. 26 Dmitri Shostakovich (1906 - 1975) Symphony no. 10 in E minor Op. 93 Halle aux Grains, Toulouse, 10 September 2021 Directed by Jean-Pierre Loisil
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| 20:30 |
Il Barbiere di Siviglia 'Commedia' in two acts by Gioachino Rossini (1792 - 1868) Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais First performance in Rome, Teatro Argentina, 20 February 1816 Orchestra e Coro del Teatro La Fenice, Federico Maria Sardelli (Conductor) Claudio Marino Moretti (Chorus Master) Bepi Morassi (Stage Direction) Lauro Crisman (Sets, costumes), Andrea Benetello (Lighting) Antonino Siragusa (Il conte d'Almaviva) Omar Montanari (Bartolo) Jose Maria Lo Monaco (Rosina) Simone Del Savio (Figaro) Antonio Patucelli (Basilio) Giovanna Donadini (Berta) William Corró (Fiorello) Luca Ludovici (Un ufficiale) Recorded Venice, Teatro La Fenice, 22 & 24 October 2020 TV Director, Arnaud Lalanne
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| 23:04 |
Staatskapelle Berlin, Daniel Barenboim (conductor) Symphony No.3 in F major, op. 90 Symphony No. 4 in Mi minor, op. 98 Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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| 0:40 |
Bernard Haitink: It comes my way - Portrait of a conductor Together with Hans Haffmans, Dutch radio and television presenter, Bernard Haitink is reflecting on his long career. The film turns out to be a very moving portrait of a man who can't enjoy his great success. Haffmans visits Haitink and his wife Patricia at his residence in south-west France. Two days of intimate conversations, including studying the Mengelberg score of 'Das Lied von der Erde', and a relaxed stroll in the garden. The interview is intervowen with unique archival footage and photos: a very young Haitink struggling with the Concertgebouw Orchestra and with Mahler's Second Symphony, and an older and far more experienced Haitink working with the Berlin Philharmonic, a recording session for Philips in the 70's, a masterclass in Luzern... Directed by Joost Honselaar and Hans Haffmans
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| 1:29 |
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Gustav Holst (1874 - 1934) The Planets, Op. 32 Recorded at the Halle aux Grains, Toulouse, 8 November 2019 TV Director, Jean-Pierre Loisil
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| 3:05 |
Bireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrene and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes reves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain Pierrel
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| 4:03 |
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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| 4:49 |
Avishai Cohen Avishai Cohen (trumpet) Ziv Ravitz (drums) Yonatan Albalak (guitar) Aviv Cohen (drums) Uzi Ramirez (bass) Recorded at the New morning, on May 29, 2019 TV Director, Patrick Savey
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.