MezzoProgram TV na Poniedziałek 21.11.2022
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Michel Portal (clarinet) Bojan Z (piano) Nils Wogram (trombone) Bruno Chevillon (bass) Lander Gyselinck (drums) Recorded at Salle Poiret, Festival Nancy Jazz Pulsations, Nancy, the 6th october 2021 Directed by par Samuel Petit Michel Portal is a clarinettist and saxophonist with a dazzling technique, a tireless explorer of sounds, always on the lookout for new musical adventures. He is as comfortable with Brahms as he is with Bernard Lubat or as a composer of film music. After a ten-year absence, he makes a masterly return to the recording studio on his 85th birthday and leads a high-flying quintet that includes French bassist Bruno Chevillon, German trombonist Nils Wogram, young Belgian drummer Lander Gyselinck and pianist Bojan Z.
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| 7:21 |
Jun Miyake (keyboards, trumpet), Sébastien Surel (1st violin), Elodie Michalakakos (2nd violin), Vlad Bogdanas (viola), Miwa Rosso (cello), Lisa Papineau (voice), Kyoko Katsunuma (voice), Vanya Moneva, Veselina Kurtyan, Diana Teneva and Anna Natskova (Bulgarian Cosmic voices), Dairo Miyamoto (saxophone), Ze Luis Nascimento (percussions), Manuel Marches (bass), Olivier Louvel (guitare, oud), Philippe Avril (sound)
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| 8:20 | |
| 9:00 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 21 in E b major K.482 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 9:36 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 23 in A major K.488 Enregistré en 1989 a la Siemens-Villa, Berlin Réalisé par George Moorse
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| 10:04 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 24 in ut minor K.491 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Klaas Rusticus
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| 10:36 |
INANNA Choreography by Carolyn Carlson Staged by Carolyn Carlson Sets by Euan Brunet-Smith (scénographie) Music by Armand Amar (original music), Bruce Springsteen, Tom Waits (added music) With Chinatsu Kosakatani, Isida Micani, Sara Orselli, Sonia Rocha, Cristina Santucci, Sara Simeoni et Alessandra Vigna In turn a warrior, a lover, a mother and a seductress, modern woman has many facets, and brings to mind Inanna, the Sumerian goddess: pure and free, dangerous and playful, awkward and precious, she stands her ground and invariably triumphs. Dance is the perfect medium for her animal strength and mysterious power. Carolyn Carlson inventively combines different styles to explore the inner world of women. The seven performers have unique expressive power and perfectly convey the charm and harmony of Carolyn Carlson's vision. An ode to Woman. Recorded on 2012 at the Théâtre national de Chaillot TV Director Charles Picq
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| 12:04 | |
| 12:30 |
Staatskapelle Berlin, Daniel Barenboim (conductor) Symphony No.3 in F major, op. 90 Symphony No. 4 in Mi minor, op. 98 Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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| 14:02 |
Staatskapelle Berlin, Daniel Barenboim (conductor) Johannes Brahms (1833 - 1897) Symphony No.1 in C minor, op. 68 Un poco sostenuto - Allegro Andante sostenuto Un poco allegretto e grazioso Adagio - Allegro non troppo, ma con brio Symphony No.2 in D major, op. 73 Allegro non troppo Adagio non troppo Allegretto grazioso (quasi andantino) Allegro con spirito Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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| 15:36 | |
| 16:00 |
I Capuleti e i Montecchi 'Tragedia lirica' in two acts Vincenzo Bellini (1801 - 1835) Libretto by Felice Romani First performance in Venice, Teatro La Fenice, 11 March 1830 Philharmonia Zürich, Chor der Oper Zürich, Fabio Luisi (Musical Director) Christof Loy (Stage Director) Christian Schmidt (Set & Costume Design) Joyce DiDonato (Romeo) Olga Kulchynska (Giulietta) Benjamin Bernheim (Tebaldo) Alexei Botnarciuc (Capellio) Erik Anstine (Lorenzo) Recorded at the Opernhaus Zürich, 18 & 21 June 2015 Directed by Michael Beyer
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| 18:18 | |
| 18:58 |
Berliner Philharmoniker, Bernard Haitink (conductor) Gustav Mahler (1860 - 1911) Symphony no 7 in E minor Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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| 20:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 20:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 21:21 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.4 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 22:00 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.2 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 22:35 |
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Behzod Abduraimov (piano) Sergei Prokofiev (1981 - 1953) Piano Concerto no 2 in G minor Op. 26 Dmitri Shostakovich (1906 - 1975) Symphony no. 10 in E minor Op. 93 Halle aux Grains, Toulouse, 10 September 2021 Directed by Jean-Pierre Loisil
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| 0:15 |
One of the world's finest and most-respected conductors, Claudio Abbado was legendary in stature, having held the post of musical director with La Scala in Milan from 1968 to 1986, with the Vienna Opera from 1986 to 1991, and the Berlin Philharmonic from 1989 to 2002. A strong advocate of the development of young musical talent, he was instrumental in the foundation of the Chamber Orchestra of Europe, the European Union Youth Orchestra and the Gustav Mahler Youth Orchestra. After a serious illness, he began the final phase of his career: founding the new Lucerne Festival Orchestra. Filmmaker Paul Smaczny followed his career over the years, regularly filming and interviewing him. In this profile Abbado talks about his life and work, his conception of music, his favourite compositions. Never-before-seen interviews are combined with images of the conductor in rehearsal and in concert, interviews with friends and colleagues, and archival material. The resulting portrait presents this 'silent thinker' under a new and unexpected light.
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| 1:21 |
Fractus V Choreography, Sidi Larbi Cherkaoui Music Live, Shogo Yoshii, Woojae Park, Kaspy N'Dia, Soumik Datta, Sidi Larbi Cherkaoui, Johnny Lloyd, Dimitri Jourde Musical composition, Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta Dramaturgy, Antonio Cuenca Ruiz Set design, Herman Sorgeloos, Sidi Larbi Cherkaoui Lights,Krispijn Schuyesmans Costumes, Sumire Hayakawa Recorded on May 18, 2017 at the Maison de la Danse de Lyon TV Director, Denis Caiozzi
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| 2:39 |
Avishai Cohen Avishai Cohen (trumpet) Ziv Ravitz (drums) Yonatan Albalak (guitar) Aviv Cohen (drums) Uzi Ramirez (bass) Recorded at the New morning, on May 29, 2019 TV Director, Patrick Savey
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| 3:57 |
LBT - LEO BETZL TRIO Leo Betzl Piano Maximilian Hirning Bass Sebastian Wolfgruber drums Play list Circadian Dysrhythmia Maximilian Hirning Arpeggione Maximilian Hirning Way up in the blue Maximilian Hirning Tacete Maximilian Hirning Sober Maximilian Hirning So Mellow Maximilian Hirning The Riff Maximilian Hirning Plectral Comfort Zone Maximilian Hirning This is not the way to Vernazza Maximilian Hirning Zappa Maximilian Hirning Recorded on March 27, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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| 5:05 |
Bireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrene and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes reves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain Pierrel
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.