MezzoProgram TV na Niedziela 20.11.2022
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Bill Evans & The Spy killers Bill Evans (saxophone, piano, vocal) Wolfgang Haffner (drums) Gary Grainger (bass) Simon Oslender (Keyboard) Recorded at the New Morning on July 17, 2019 TV Director, Patrick Savey
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| 7:37 |
Jun Miyake (keyboards, trumpet), Sébastien Surel (1st violin), Elodie Michalakakos (2nd violin), Vlad Bogdanas (viola), Miwa Rosso (cello), Lisa Papineau (voice), Kyoko Katsunuma (voice), Vanya Moneva, Veselina Kurtyan, Diana Teneva and Anna Natskova (Bulgarian Cosmic voices), Dairo Miyamoto (saxophone), Ze Luis Nascimento (percussions), Manuel Marches (bass), Olivier Louvel (guitare, oud), Philippe Avril (sound)
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| 8:35 | |
| 9:00 |
Vivaldi, Piazzola, Galliano 'The Seasons' by Richard Galliano: accordion & accordina / Bertrand Cervera & Saskia Lethiec: violins / Jean-Paul Minali Bella: viola / Eric Levionnois: cello / Sylvain Le Provost: doublebass
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| 10:13 |
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor) Behzod Abduraimov (piano) Sergei Prokofiev (1981 - 1953) Piano Concerto no 2 in G minor Op. 26 Dmitri Shostakovich (1906 - 1975) Symphony no. 10 in E minor Op. 93 Halle aux Grains, Toulouse, 10 September 2021 Directed by Jean-Pierre Loisil
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| 11:50 | |
| 12:30 |
Der Freischütz Opera in three acts by Carl Maria von Weber (1786 - 1826) Libretto by Friedrich Kind First performance in Berlin, Schauspielhaus, 18 juin 1821 Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Antonello Manacorda (Conductor) Stellario Fagone (Chorus Master) Dmitri Tcherniakov (Stage Direction, Sets) Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting) Pavel Černoch (Max) Anna Prohaska (Ännchen) Kyle Ketelsen (Kaspar) Boris Prýgl (Ottokar) Bálint Szabó (Kuno) Golda Schultz (Agathe) Tareq Nazmi (Ein Eremit) Milan Siljanov (Kilian) Eliza Boom, Sarah Gilford, Daria Proszek, Yajie Zhang (Vier Brautjungfern) Live from Munich, Staatsoper, Nationaltheater
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| 14:48 |
Orchestre National du Capitole de Toulose, Tugan Sokhiev (Conductor) Bertrand Chamayou (piano) Maurice Ravel (1875 - 1937) Piano Concerto in G Felix Mendelssohn (1809 - 1847) Symphony no 4 in A major, op. 90 'Italian' Recorded at the Halle aux Grains, Toulouse, 26 June 2020
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| 15:50 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 20 in D minor K.466 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 16:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 16:47 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 17:12 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 17:38 |
The TREE (Fragments of poetics on fire) Carolyn Carlson (Choreography) Colette Malye (Choreography Assistant) Gao Xingjian (Visual Artist) Musical extracts Henry Purcell, Jean Sibelius, Jean-Sébastien Bach, Philip Glass, René Aubry, Aleksi Aubry-Carlson, Nicolas de Zorzi Rémi Nicolas (Lighting) With Chinatsu Kosakatani, Juha Marsalo, Céline Maufroid, Riccardo Meneghini, Isida Micani, Yutaka Nakata, Sara Orselli, Sara Simeoni, Constantine Baecher Paris, Chaillot - Théâtre National de la Danse, 11 Mai 2021
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| 18:55 |
Berliner Philharmoniker, Bernard Haitink (conductor) Isabelle Faust (violin) Ludwig van Beethoven (1770 - 1827) Violin Concerto in D major op. 61 Symphony no 6 in F major op. 68 'Pastorale' Baden-Baden, Festspielhaus, 2015 Directed by Torben Schmidt-Jacobsen
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| 20:30 |
Daniel Barenboim (piano), Michael Barenboim (violin) Wolfgang Amadeus Mozart (1756 - 1791) Violin Sonata in B-flat major, K.454 Violin Sonata in E-flat major, K.481 Recorded at the Pierre Boulez Saal, Berlin, 13 April 2020
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| 21:19 |
Daniel Barenboim (piano), Staatskapelle Berlin String Quartet Robert Schumann (1810 - 1856) Fantasiestücke op. 12 (Des Abens - Warum? - Traumes Wirren) Piano Quintet Op. 44 Recorded at the Pierre Boulez Saal, Berlin, 24 April 2020
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| 22:00 |
Daniel Barenboim (piano), Michael Barenboim (violin) Wolfgang Amadeus Mozart (1756 - 1791) 6 Variations on 'Hélas, j'ai perdu mon amant', K.360/374b Violin Sonata in A major, K.526 Recorded at the Pierre Boulez Saal, Berlin, 17 April 2020
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| 22:34 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.3 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 23:16 |
The Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian Large
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| 0:35 |
Keith Jarrett- The Art of Improvisation Keith Jarrett (musician) Tv director, Mike Dibb 2004
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| 1:55 |
Keith Jarrett Estival Jazz 1986 Keith Jarrett (piano) Gary Peacock (Bass) Jack DeJohnette (drums) Recorded in 1986, Lugano, Swiss Tv director, Sandro Pedrazzetti
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| 2:49 |
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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| 3:35 |
Bill Evans & The Spy killers Bill Evans (saxophone, piano, vocal) Wolfgang Haffner (drums) Gary Grainger (bass) Simon Oslender (Keyboard) Recorded at the New Morning on July 17, 2019 TV Director, Patrick Savey
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| 5:10 |
Lucky Peterson and the Organization Lucky Peterson vocal, Hammond organ B3, keyboard & guitar Timothy Waites bass Raul Valdes drums Shawn Kellerman guitar, vocal Rachid Guissous keyboard Play list Love Of Mine Shawn Kellerman Funky Broadway Lucky Peterson Love Me Lucky Peterson I Pity The Fool Lucky Peterson It Ain't Safe S. Carter/G. Jackson Locked Out Of Love/Cold Shot/Mary Had A Little Lamp Lucky Peterson Johnny B. Goode Charles Edward 'Chuck' Berry Voodoo Chile Jimi Hendrix I Believe I'll Dust My Broom Elmore James Them changes Buddy Miles Superstition Stevie Wonder Zugabe: Proud Mary/ Boogie-Woogie Blues Joint Party Recorded on March 30, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.