MezzoProgram TV na Piątek 18.11.2022
| 6:16 |
Omar Sosa (piano) Leandro Saint-Hill (saxophone, flute) Joo Kraus (trumpet) Childo Tomas (voice, bass) Marque Gilmore (drums) To tackle a mountain like Miles Davis' Kind of Blue, there are two solutions: take it head-on at the risk of getting lost. Or circumvent it with inventiveness. Omar Sosa chose the second option. Pianist with a lavish discography and inexhaustible inventiveness, the Cuban has deconstructed all the components of Miles Davis' masterpiece to recompose them in his own way. Following the spirit rather than the letter: the approach makes sense for a musician full of spirituality like Omar Sosa. On the program, therefore, no Latinized 'So What', no Africanized 'All Blues', no rehashes of John Coltrane solos, but an unprecedented experience crossed by a quiet groove, bursts of electronics and winks. impressionists to the original disc. Recorded at the Jazz a la Villette festival, 2014 TV director, Samuel Thiebaut
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| 7:07 |
Al di Meola Al di Meola, guitar Fausto Beccalossi, accordEon Kemuel Roig, piano Gabor Csonka, violIn Lazlo Nyari, vioLIn Gyula Benko, viola Andras Sturcz, Cello Play list Azzurra Al di Meola Milonga Noctiva Al di Meola Mawazine Al di Meola Brave New World Al di Meola Frozen in Time Al di Meola Turquoise Al di Meola Mediterranean Sundance Al di Meola Recorded on March 28, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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| 7:37 | |
| 9:00 |
Le nozze di Figaro 'Opera buffa' in four acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais First performance in Vienna, Burgtheater, 1 May 1786 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (Conductor) Martin Wright (Chorus Master) Vincent Huguet (Stage Direction) Aurélie Maestre (Sets), Clémence Pernoud (costumes), Irene Selka (Lighting), Thomas Wilhelm (choreography) Gyula Orendt (Conte Almaviva) Elsa Dreisig (Contessa Almaviva) Nadine Sierra (Susanna) Riccardo Fassi (Figaro) Emily D'angelo (Cherubino) Katharina Kammerloher (Marcellina) Stephan Rügamer (Basilio) Siegfried Jerusalem (Don Curzio) Maurizio Muraro (Bartolo) David Ostrek (Antonio) Liubov Medvedeva (Barbarina) Recorded at the Staatsoper Berlin, Unter der Linden, April 1st, 2021 Directed by Andy Sommer
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| 12:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 12:54 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:22 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:49 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.1 Klavierfestival Ruhr, Essen, Germany, 2007 Directed by Michael Beyer
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| 14:30 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ('Hammerklavier') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 15:22 | |
| 16:00 |
INANNA Choreography by Carolyn Carlson Staged by Carolyn Carlson Sets by Euan Brunet-Smith (scénographie) Music by Armand Amar (original music), Bruce Springsteen, Tom Waits (added music) With Chinatsu Kosakatani, Isida Micani, Sara Orselli, Sonia Rocha, Cristina Santucci, Sara Simeoni et Alessandra Vigna In turn a warrior, a lover, a mother and a seductress, modern woman has many facets, and brings to mind Inanna, the Sumerian goddess: pure and free, dangerous and playful, awkward and precious, she stands her ground and invariably triumphs. Dance is the perfect medium for her animal strength and mysterious power. Carolyn Carlson inventively combines different styles to explore the inner world of women. The seven performers have unique expressive power and perfectly convey the charm and harmony of Carolyn Carlson's vision. An ode to Woman. Recorded on 2012 at the Théâtre national de Chaillot TV Director Charles Picq
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| 17:27 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 17:50 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 18:12 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 18:50 |
Staatskapelle Berlin, Daniel Barenboim (conductor) Johannes Brahms (1833 - 1897) Symphony No.1 in C minor, op. 68 Un poco sostenuto - Allegro Andante sostenuto Un poco allegretto e grazioso Adagio - Allegro non troppo, ma con brio Symphony No.2 in D major, op. 73 Allegro non troppo Adagio non troppo Allegretto grazioso (quasi andantino) Allegro con spirito Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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| 20:30 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 24 in ut minor K.491 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Klaas Rusticus
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| 21:02 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 25 in ut major, K. 503 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 21:34 |
Berliner Philharmoniker, Daniel Barenboim (direction) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 26 in D major K.537 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 22:06 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 27 in B b major K. 595 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 22:39 |
Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
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| 0:05 |
Bill Evans & The Spy killers Bill Evans (saxophone, piano, vocal) Wolfgang Haffner (drums) Gary Grainger (bass) Simon Oslender (Keyboard) Recorded at the New Morning on July 17, 2019 TV Director, Patrick Savey
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| 1:39 |
Lucky Peterson and the Organization Lucky Peterson vocal, Hammond organ B3, keyboard & guitar Timothy Waites bass Raul Valdes drums Shawn Kellerman guitar, vocal Rachid Guissous keyboard Play list Love Of Mine Shawn Kellerman Funky Broadway Lucky Peterson Love Me Lucky Peterson I Pity The Fool Lucky Peterson It Ain't Safe S. Carter/G. Jackson Locked Out Of Love/Cold Shot/Mary Had A Little Lamp Lucky Peterson Johnny B. Goode Charles Edward 'Chuck' Berry Voodoo Chile Jimi Hendrix I Believe I'll Dust My Broom Elmore James Them changes Buddy Miles Superstition Stevie Wonder Zugabe: Proud Mary/ Boogie-Woogie Blues Joint Party Recorded on March 30, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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| 2:40 |
Michel Portal (clarinet) Bojan Z (piano) Nils Wogram (trombone) Bruno Chevillon (bass) Lander Gyselinck (drums) Recorded at Salle Poiret, Festival Nancy Jazz Pulsations, Nancy, the 6th october 2021 Directed by par Samuel Petit Michel Portal is a clarinettist and saxophonist with a dazzling technique, a tireless explorer of sounds, always on the lookout for new musical adventures. He is as comfortable with Brahms as he is with Bernard Lubat or as a composer of film music. After a ten-year absence, he makes a masterly return to the recording studio on his 85th birthday and leads a high-flying quintet that includes French bassist Bruno Chevillon, German trombonist Nils Wogram, young Belgian drummer Lander Gyselinck and pianist Bojan Z.
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| 3:50 |
Omar Sosa (piano) Leandro Saint-Hill (saxophone, flute) Joo Kraus (trumpet) Childo Tomas (voice, bass) Marque Gilmore (drums) To tackle a mountain like Miles Davis' Kind of Blue, there are two solutions: take it head-on at the risk of getting lost. Or circumvent it with inventiveness. Omar Sosa chose the second option. Pianist with a lavish discography and inexhaustible inventiveness, the Cuban has deconstructed all the components of Miles Davis' masterpiece to recompose them in his own way. Following the spirit rather than the letter: the approach makes sense for a musician full of spirituality like Omar Sosa. On the program, therefore, no Latinized 'So What', no Africanized 'All Blues', no rehashes of John Coltrane solos, but an unprecedented experience crossed by a quiet groove, bursts of electronics and winks. impressionists to the original disc. Recorded at the Jazz a la Villette festival, 2014 TV director, Samuel Thiebaut
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| 4:42 |
Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues', Clichy-sous-bois TV Director, Stéphane Sinde
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| 5:37 |
Jun Miyake (keyboards, trumpet), Sébastien Surel (1st violin), Elodie Michalakakos (2nd violin), Vlad Bogdanas (viola), Miwa Rosso (cello), Lisa Papineau (voice), Kyoko Katsunuma (voice), Vanya Moneva, Veselina Kurtyan, Diana Teneva and Anna Natskova (Bulgarian Cosmic voices), Dairo Miyamoto (saxophone), Ze Luis Nascimento (percussions), Manuel Marches (bass), Olivier Louvel (guitare, oud), Philippe Avril (sound)
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.