MezzoProgram TV na Wtorek 15.11.2022
| 6:47 |
Omar Sosa (piano) Leandro Saint-Hill (saxophone, flute) Joo Kraus (trumpet) Childo Tomas (voice, bass) Marque Gilmore (drums) To tackle a mountain like Miles Davis' Kind of Blue, there are two solutions: take it head-on at the risk of getting lost. Or circumvent it with inventiveness. Omar Sosa chose the second option. Pianist with a lavish discography and inexhaustible inventiveness, the Cuban has deconstructed all the components of Miles Davis' masterpiece to recompose them in his own way. Following the spirit rather than the letter: the approach makes sense for a musician full of spirituality like Omar Sosa. On the program, therefore, no Latinized 'So What', no Africanized 'All Blues', no rehashes of John Coltrane solos, but an unprecedented experience crossed by a quiet groove, bursts of electronics and winks. impressionists to the original disc. Recorded at the Jazz a la Villette festival, 2014 TV director, Samuel Thiebaut
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| 8:00 |
Le nozze di Figaro 'Opera buffa' in four acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais First performance in Vienna, Burgtheater, 1 May 1786 Staatskapelle Berlin, Staatsopernchor, Daniel Barenboim (Conductor) Martin Wright (Chorus Master) Vincent Huguet (Stage Direction) Aurélie Maestre (Sets), Clémence Pernoud (costumes), Irene Selka (Lighting), Thomas Wilhelm (choreography) Gyula Orendt (Conte Almaviva) Elsa Dreisig (Contessa Almaviva) Nadine Sierra (Susanna) Riccardo Fassi (Figaro) Emily D'angelo (Cherubino) Katharina Kammerloher (Marcellina) Stephan Rügamer (Basilio) Siegfried Jerusalem (Don Curzio) Maurizio Muraro (Bartolo) David Ostrek (Antonio) Liubov Medvedeva (Barbarina) Recorded at the Staatsoper Berlin, Unter der Linden, April 1st, 2021 Directed by Andy Sommer
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| 11:00 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.14 in C-sharp minor, Op.27 No.2 ('Moonlight') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 11:17 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.8 in C minor, Op.13 ('Pathétique') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 11:37 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.23 in F minor, Op.57 ('Appassionata') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 12:02 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.17 in D minor, Op.31 No.2 ('The Tempest') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 12:28 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.26 in E-flat major, Op.81a ('Les adieux') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 12:47 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:13 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:38 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 14:05 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.21 in C major, Op.53 ('Waldstein') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 14:33 |
Staatskapelle Berlin, Daniel Barenboim (conductor) Symphony No.3 in F major, op. 90 Symphony No. 4 in Mi minor, op. 98 Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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| 16:05 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 20 in D minor K.466 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 16:37 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 21 in C major K.467 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 17:07 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 21 in E b major K.482 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 17:44 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 23 in A major K.488 Enregistré en 1989 a la Siemens-Villa, Berlin Réalisé par George Moorse
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| 18:12 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 24 in ut minor K.491 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Klaas Rusticus
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| 18:44 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 25 in ut major, K. 503 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 19:16 |
Berliner Philharmoniker, Daniel Barenboim (direction) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 26 in D major K.537 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 19:48 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 27 in B b major K. 595 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 20:30 |
Le lac des cygnes (Swan Lake) Angelin Preljocaj, Choreography Piotr Ilitch Tchaikovski, Musical Excerpts Additional Music Igor Chapurin, Costume Boris Labbé, Video Éric Soyer, Lighting With 26 dancers Recorded on December 22 & 23, 2020 at Chaillot - Théâtre national de la Danse TV Director, Tommy Pascal
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| 22:20 |
Staatskapelle Berlin, Daniel Barenboim (conductor) Johannes Brahms (1833 - 1897) Symphony No.1 in C minor, op. 68 Un poco sostenuto - Allegro Andante sostenuto Un poco allegretto e grazioso Adagio - Allegro non troppo, ma con brio Symphony No.2 in D major, op. 73 Allegro non troppo Adagio non troppo Allegretto grazioso (quasi andantino) Allegro con spirito Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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| 0:00 |
Swan Lakes Untitled For 7 Dancers Cayetano Soto (choreography) Shara Nur Marco Goecke (choreography) Swan Cake Hofesh Shechter (choreography) Gauthier Dance Recorded at the Theaterhaus Stuttgart, 27 & 28 June 2021 Directed by Andreas Morell
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| 1:11 |
Concert halls are extremely special spaces. Parameters such as reverberation time, transmission or absorption of sound must be put in phase as physically measurable quantities: the hall itself becomes an instrument on which the musicians play.
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| 2:09 |
Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg
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| 3:43 |
LBT - LEO BETZL TRIO Leo Betzl Piano Maximilian Hirning Bass Sebastian Wolfgruber drums Play list Circadian Dysrhythmia Maximilian Hirning Arpeggione Maximilian Hirning Way up in the blue Maximilian Hirning Tacete Maximilian Hirning Sober Maximilian Hirning So Mellow Maximilian Hirning The Riff Maximilian Hirning Plectral Comfort Zone Maximilian Hirning This is not the way to Vernazza Maximilian Hirning Zappa Maximilian Hirning Recorded on March 27, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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| 4:52 |
Bireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrene and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes reves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain Pierrel
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| 5:51 |
Omar Sosa (piano) Leandro Saint-Hill (saxophone, flute) Joo Kraus (trumpet) Childo Tomas (voice, bass) Marque Gilmore (drums) To tackle a mountain like Miles Davis' Kind of Blue, there are two solutions: take it head-on at the risk of getting lost. Or circumvent it with inventiveness. Omar Sosa chose the second option. Pianist with a lavish discography and inexhaustible inventiveness, the Cuban has deconstructed all the components of Miles Davis' masterpiece to recompose them in his own way. Following the spirit rather than the letter: the approach makes sense for a musician full of spirituality like Omar Sosa. On the program, therefore, no Latinized 'So What', no Africanized 'All Blues', no rehashes of John Coltrane solos, but an unprecedented experience crossed by a quiet groove, bursts of electronics and winks. impressionists to the original disc. Recorded at the Jazz a la Villette festival, 2014 TV director, Samuel Thiebaut
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.