MezzoProgram TV na Poniedziałek 7.11.2022
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Rokia Traoré - Mandinka Classics Rokia Traoré, Voice, arrangements & musical direction Samba Diabaté, Guitar & texts search Mamah Diabaté, N'goni Habib Sangaré, Bolon Joel Massa Diarra, Balafon Recorded on January 20, 2020 at the UNESCO TV Director, Samuel Thiebaut
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| 7:03 |
Ballake Sissoko & Vincent Segal Ballake Sissoko, kora Vincent Segal, cello Recroded on October 18, 2009, at the hino Jazz festival TV Director, Francois Goetghebeur
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| 8:04 | |
| 9:00 |
Hannu Lintu and the Finnish Radio Symphony Orchestra: Trbojevic, Bartók, Beethoven
classical concert
Finnish Radio Symphony Orchestra, Hannu Lintu (conductor) Olli Mustonen (piano) Jovanka Trbojevic (1963 - 2017) Vertigo Béla Bartók (1881 - 1945) Piano Concerto No. 1 Ludwig van Beethoven (1770 - 1827) Symphony No. 7 A Major Op. 92 Musikiitalo, Helsinki, 08/01/2020 TV Directors, Ilmari Aho et Anu Holttinen
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| 10:41 |
INANNA Choreography by Carolyn Carlson Staged by Carolyn Carlson Sets by Euan Brunet-Smith (scénographie) Music by Armand Amar (original music), Bruce Springsteen, Tom Waits (added music) With Chinatsu Kosakatani, Isida Micani, Sara Orselli, Sonia Rocha, Cristina Santucci, Sara Simeoni et Alessandra Vigna In turn a warrior, a lover, a mother and a seductress, modern woman has many facets, and brings to mind Inanna, the Sumerian goddess: pure and free, dangerous and playful, awkward and precious, she stands her ground and invariably triumphs. Dance is the perfect medium for her animal strength and mysterious power. Carolyn Carlson inventively combines different styles to explore the inner world of women. The seven performers have unique expressive power and perfectly convey the charm and harmony of Carolyn Carlson's vision. An ode to Woman. Recorded on 2012 at the Théâtre national de Chaillot TV Director Charles Picq
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| 12:08 | |
| 12:30 |
Martha Argerich, Daniel Barenboim (piano) Wolfgang Amadeus Mozart (1756 - 1791) Sonata in C major for piano four hands K. 521 Sonata in F major for piano four hands K. 497 Andante with five variations in G major for piano four hands K. 501 Sonata in D major for two pianos K. 448 Recorded Great Hall of the Salzburg Mozarteum Foundation (Salzburg, Austria), 23 January 2021
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| 13:54 |
Concert halls are extremely special spaces. Parameters such as reverberation time, transmission or absorption of sound must be put in phase as physically measurable quantities: the hall itself becomes an instrument on which the musicians play.
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| 14:52 |
Ensemble K, Simone Menezes (Conductor) London Voices Kacper Nowak (cello), Pavel Petrov (tenor), Ashley Riches (bass) Johann Sebastian Bach (1685 - 1750) Cello suite no.1, allemande Heitor Vila-Lobos (1887 - 1959) Bachianas brasileiras no. 4, prelude Giacomo Puccini (1858 - 1924) Messa di Gloria London, Cadogan Hall, 13 October 2022
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| 16:00 |
Der Freischütz Opera in three acts by Carl Maria von Weber (1786 - 1826) Libretto by Friedrich Kind First performance in Berlin, Schauspielhaus, 18 juin 1821 Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Antonello Manacorda (Conductor) Stellario Fagone (Chorus Master) Dmitri Tcherniakov (Stage Direction, Sets) Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting) Pavel Černoch (Max) Anna Prohaska (Ännchen) Kyle Ketelsen (Kaspar) Boris Prýgl (Ottokar) Bálint Szabó (Kuno) Golda Schultz (Agathe) Tareq Nazmi (Ein Eremit) Milan Siljanov (Kilian) Eliza Boom, Sarah Gilford, Daria Proszek, Yajie Zhang (Vier Brautjungfern) Live from Munich, Staatsoper, Nationaltheater
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| 18:18 | |
| 19:05 |
Wiener Philharmoniker, Daniel Barenboim (Conductor, piano) Cecilia Bartoli (mezzo-soprano) 'Ch'io mi scordi di te?' - 'Non temer, amato bene' Recitative and Aria for Soprano, Piano Obbligato and Orchestra, K. 505 Don Giovanni, K. 527: 'Vedrai, carino' Piano Concerto No. 24 in C minor, K. 491 Symphony No. 38 in D major, K. 504 'Prague Symphony' Recorded at the Mozarteum, Salzburg, 23 January 2021 Directed by Elisabeth Malzer
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| 20:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 20:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 21:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 21:47 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.4 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 22:26 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.2 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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| 23:01 |
The Cleveland Orchestra, Franz Welser-Möst (conductor) Johannes Brahms (1833 - 1897) Symphony no. 3 in F major, op. 90 Symphony no. 2 in D major, op. 73 Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna TV Director Brian Large
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| 0:15 |
Vivica Genaux (Mezzo-Soprano) lautten compagney, Wolfgang Katschner (Theorbo, Musical Direction) Johann Adolf Hasse (1699 - 1783) Arias Come nave in mezzo all'onde Viriate (1739) Se d'un amor tiranno Artaserse (1730) Risponderti vorrei Achille in Sciro (1759) Di quell' acciaro al lampo Solimano (1753) Piange quel fonte Numa Pompilio (1741) Padre ingiusto, sposo ingrato Cajo Fabricio (1732) Si, di ferri mi cingete Irene (1738) Overtures of Siroe (1733 et 1763) Recorded at the Bayreuth Baroque Opera Festival, Margravial Opera House, 12 Septembre 2020 TV director, Isabelle Soulard
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| 1:28 |
Bireli Lagrene & Sylvain Luc Birelli Lagrene (guitar) Sylvain Luc (guitar) Drawing with the same ease in the jazz repertoire as that of pop, these two geniuses of the guitar multiply the most daring improvisations, imprints of freedom and generosity. On stage, the duo tell stories, memories, futures. The acoustic formula offers Biréli Lagrene and Sylvain Luc the ideal territory to transcend their favorite instrument. There is in their playing, face to face, harmonic subtleties, rhythmic refinements, but above all intelligence, emotion and beauty. Lin up The shadow of your smile Douce Ambiance Just the way we are Manoir de mes reves Freedom Jazz Dance Recorded on October 9, 2020, Poirel Hall, Nancy Jazz Pulsations festival TV Director, Sylvain Pierrel
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| 2:26 |
Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg
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| 4:00 |
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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| 4:46 |
Sylvain Luc (guitare) Paris, 2021 Recorded at New Morning the 4 july 2021 Tv director, Sîla
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| 5:39 |
Vivaldi, Piazzola, Galliano 'The Seasons' by Richard Galliano: accordion & accordina / Bertrand Cervera & Saskia Lethiec: violins / Jean-Paul Minali Bella: viola / Eric Levionnois: cello / Sylvain Le Provost: doublebass
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.