MezzoProgram TV na Piątek 4.11.2022
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Paul Lay Deep Rivers Paul Lay (Piano) Isabel Sörling (Vocal) Simon Tailleu (Double Bass) Play list A southern soldier boy (G.W. Alexander) Rebel soldier (traditional) Follow the drinking gourd (traditional) Maple leaf rag (Scott Joplin) To Germany (Paul Lay) Sylvia - Deep rivers (Oley Speaks) Go to hell (Nina Simone) Battle of the republic (Willian Steffe) After Alcazar Memories, the return of a virtuoso jazz trio for a musical journey that revisits a century of American song, from the Civil War to Nina Simone! Carried away by the fascinating voice of Isabel Sörling, who covers folk, jazz and gospel with the same power, pianist Paul Lay and double bassist Simon Tailleu give new life to popular music from the late 19th and early 20th centuries, the jazz era ultimate. From these arias that rocked the youth of American soldiers who landed in France to those sung by the slaves of the cotton fields, via Broadway and Tin Pan Alley, a tribute concert to the history of jazz, which celebrates this great lesson in musical freedom which crossed the Atlantic several times! Recorded on November 14, 2020 at St Quentin en Yvelines Theater TV Director, Gilles Le Mao
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| 7:31 | |
| 9:00 |
Giulio Cesare in Egitto 'Dramma per musica' in three acts by Georg Frideric Haendel (1685 - 1759) Libretto by Niccoló Francesco Haym First performance London, King's Theatre, Haymarket, 20 February 1724 Ensemble Artaserse, Philippe Jaroussky (conductor) Damiano Michieletto (Stage director) Thomas Wilhelm (Choreography), Paolo Fantin (sets), Agostino Cavalca (costumes), Cécile Kretschmar (hairdressing, make-up, masks), Alessandro Carletti (lighting) Gaëlle Arquez (Giulio Cesare) Sabine Devieilhe (Cleopatra) Franco Fagioli (Sesto) Lucile Richardot (Cornelia) Carlo Vistoli (Tolomeo) Francesco Salvadori (Achilla) Paul-Antoine Bénos-Djian (Nireno) Adrien Fournaison (Curio) Paris, Théâtre des Champs-Elysées, 20 May 2022
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| 12:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 12:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 13:47 |
Quatuor Arod Wolfgang Amadeus Mozart (1756-1791) String Quartet No. 19 in C major op. 10 no. 6 'Les dissonances' KV. 465 Ludwig van Beethoven (1770-1827) String Quartet no. 11 in F minor 'Serioso' opus 95 Claude Debussy (1862-1918) String quartet in G minor opus 10 Paris, Singer-Polignac Foundation, 5 May 2022
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| 15:14 | |
| 16:00 |
INANNA Choreography by Carolyn Carlson Staged by Carolyn Carlson Sets by Euan Brunet-Smith (scénographie) Music by Armand Amar (original music), Bruce Springsteen, Tom Waits (added music) With Chinatsu Kosakatani, Isida Micani, Sara Orselli, Sonia Rocha, Cristina Santucci, Sara Simeoni et Alessandra Vigna In turn a warrior, a lover, a mother and a seductress, modern woman has many facets, and brings to mind Inanna, the Sumerian goddess: pure and free, dangerous and playful, awkward and precious, she stands her ground and invariably triumphs. Dance is the perfect medium for her animal strength and mysterious power. Carolyn Carlson inventively combines different styles to explore the inner world of women. The seven performers have unique expressive power and perfectly convey the charm and harmony of Carolyn Carlson's vision. An ode to Woman. Recorded on 2012 at the Théâtre national de Chaillot TV Director Charles Picq
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| 17:27 |
Berliner Philharmoniker, Bernard Haitink (conductor) Isabelle Faust (violin) Ludwig van Beethoven (1770 - 1827) Violin Concerto in D major op. 61 Symphony no 6 in F major op. 68 'Pastorale' Baden-Baden, Festspielhaus, 2015 Directed by Torben Schmidt-Jacobsen
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| 19:00 |
Berliner Philharmoniker, Bernard Haitink (conductor) Gustav Mahler (1860 - 1911) Symphony no 7 in E minor Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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| 20:30 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.29 in B-flat major, Op.106 ('Hammerklavier') Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 21:21 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.30 in E major, Op.109 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 21:44 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.31 in A-flat major, Op.110 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 22:06 |
Daniel Barenboim (piano) Ludwig van Beethoven (1770 - 1827) Piano Sonata No.32 in C minor, Op.111 Recorded in Berlin, Boulez Saal, in 2020 Directed by Fréderic Delesques
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| 22:37 |
Serguei Prokofiev (1891-1953) Concerto for violin n°1 Concerto for violin n° 2 Dimitri Chostakovitch (1906-1975) Symphony n°9 Les Dissonances David Grimal (violin, artistic direction) Paris Philharmonie, in january the 24, 2022
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| 0:05 |
Bernard Haitink: It comes my way - Portrait of a conductor Together with Hans Haffmans, Dutch radio and television presenter, Bernard Haitink is reflecting on his long career. The film turns out to be a very moving portrait of a man who can't enjoy his great success. Haffmans visits Haitink and his wife Patricia at his residence in south-west France. Two days of intimate conversations, including studying the Mengelberg score of 'Das Lied von der Erde', and a relaxed stroll in the garden. The interview is intervowen with unique archival footage and photos: a very young Haitink struggling with the Concertgebouw Orchestra and with Mahler's Second Symphony, and an older and far more experienced Haitink working with the Berlin Philharmonic, a recording session for Philips in the 70's, a masterclass in Luzern... Directed by Joost Honselaar and Hans Haffmans
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| 0:54 |
Berliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 - 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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| 2:41 |
Hamlet Opéra in five acts by Ambroise Thomas (1811 - 1896) Libretto by Michel Carré and Jules Barbier after William Shakespeare First performance in Paris, Opéra, 9 March 1868 Orchestre des Champs-Elysées, Louis Langrée (Conductor) Les Eléments, Joël Suhubiette (Chorus Master) Cyril Teste (Stage Direction) Ramy Fischler (Sets), Isabelle Deffin (Costumes), Leila Adham (Dramaturgy), Julien Boizard (Lighting), Nicolas Dorémus, Mehdi Toutain-Lopez (Video) Stéphane Degout (Hamlet) Sabine Devieilhe (Ophélie) Recorded 19 and 21 December 2018 at the Opéra-Comique, Paris Directed by François Roussillon
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| 5:32 |
Michel Portal (clarinet) Bojan Z (piano) Nils Wogram (trombone) Bruno Chevillon (bass) Lander Gyselinck (drums) Recorded at Salle Poiret, Festival Nancy Jazz Pulsations, Nancy, the 6th october 2021 Directed by par Samuel Petit Michel Portal is a clarinettist and saxophonist with a dazzling technique, a tireless explorer of sounds, always on the lookout for new musical adventures. He is as comfortable with Brahms as he is with Bernard Lubat or as a composer of film music. After a ten-year absence, he makes a masterly return to the recording studio on his 85th birthday and leads a high-flying quintet that includes French bassist Bruno Chevillon, German trombonist Nils Wogram, young Belgian drummer Lander Gyselinck and pianist Bojan Z.
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.