MezzoProgram TV na Poniedziałek 31.10.2022
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Berliner Philharmoniker, Bernard Haitink (conductor) Gustav Mahler (1860 - 1911) Symphony no 7 in E minor Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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| 10:22 |
Revisor Crystal Pite (choreography) Kidd Pivot (dance company) Directed by Jeff Tudor Recorded at the Sadler's Wells, London Neither simply dance or traditional theatre, but an exciting and exhilarating new form that transcends either genre. Revisor is performed by 10 incredible dancers of Pite's company Kidd Pivot, to a soundtrack recorded by 9 voice actors. The dancers lip sync to the actors' words in Pite's trademark fluid, expressive and witty style. Revisor is based on a Russian anecdote about mistaken identity that surfaced in 1833, and quickly spread. It is now widely accepted as probably true. In 1836, the story took shape in a five-act play: The Government Inspector (Revisor) by Nikolai Gogol. The play premiered in St. Petersburg before the Czar who, according to reports, laughed and applauded, and is said to have remarked 'Everybody gets it, and I most of all!' The play was in disguise as a comedy. Ten dancers embody the recorded dialogue of some of Canada's finest actors, exploring conflict, comedy and corruption in the potent relationship between language and the body. Revisor reunites the creators of the international stage hit Betroffenheit (winner of the Olivier Award for Best New Dance Production 2017) with director Jeff Tudor, who won the Rose d'Or (Arts) and Golden Prague Awards 2018 for his capture of Betroffenheit for the BBC.
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Ensemble K, Simone Menezes (conductor) Erato Choir Mara Dobresco (piano) Camila Titinger (soprano) Mélanie Laurent (harp) Pyotr Ilyich Tchaikovsky (1840 - 1893) Serenade for strings op. 48 - Overture Claude Debussy (1862 - 1918) Danses sacrée et profane Philip Glass (*1937) Study no.6 Heitor Villa-Lobos (1887-1959) Bachianas Brasileras no. 5 - Aria Cantilena Johannes Brahms (1833-1897) Vier Gesänge op.17: Es tönt ein voller Harfenklang - Gesang aus Fingal
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| 13:26 |
Ensemble K, Simone Menezes (Conductor) London Voices Kacper Nowak (cello), Pavel Petrov (tenor), Ashley Riches (bass) Johann Sebastian Bach (1685 - 1750) Cello suite no.1, allemande Heitor Vila-Lobos (1887 - 1959) Bachianas brasileiras no. 4, prelude Giacomo Puccini (1858 - 1924) Messa di Gloria London, Cadogan Hall, 13 October 2022
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| 14:56 | |
| 16:00 |
Werther 'Drame lyrique' in four acts and five tableaux by Jules Massenet (1842 - 1912) Libretto by Edouard Blau, Paul Millet and Georges Hartmann after Goethe First performance in Viena, Hofoper, 16 February 1892 Wiener Staatsoper Orchestra, Wiener Staatsoper Choir, Bertrand de Billy (Musical Direction) Andrei Serban (Stage Direction) Peter Pabst (Sets, Costume Design) Piotr Beczala (Werther) Gaëlle Arquez (Charlotte) Clemens Unterreiner (Albert) Daniela Fally (Sophie) Marcus Pelz (Le Bailli) Andrea Giovannini (Schmidt) Michael Rakotoarivony (Johann) Staatsoper, Vienna, 10/12/2020 TV director, Ella Gallieni
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| 18:20 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 20 in D minor K.466 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 18:51 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto no. 21 in C major K.467 Recorded in 1989 at the Siemens-Villa, Berlin Directed by Jean-Pierre Ponnelle
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| 19:22 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Concerto pour piano no. 21 in E b major K.482 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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| 19:58 |
Berliner Philharmoniker, Daniel Barenboim (conductor) Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 23 in A major K.488 Enregistré en 1989 a la Siemens-Villa, Berlin Réalisé par George Moorse
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| 20:30 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 20:55 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 21:21 |
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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| 21:47 |
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano Concerto No.1 Klavierfestival Ruhr, Essen, Germany, 2007 Directed by Michael Beyer
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| 22:28 |
London Symphony Orchestra, Sir Simon Rattle (conductor) Jean Sibelius (1865 - 1957) The Oceanides Tapiola Anton Bruckner (1824 - 1896) Symphony No 7 London, Barbican, 18 September 2022
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Kenny Baron Kenny Barron (piano) Marcus Strickland (saxophone) Riley Mulherkar (trumpet) Kiyoshi Kitagawa (bass) Johnathan Blake (drums) Recorded on June 27, 2019 at the Leopolis Jazz Fest TV Director, Amos Rozenberg
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Paul Lay Deep Rivers Paul Lay (Piano) Isabel Sörling (Vocal) Simon Tailleu (Double Bass) Play list A southern soldier boy (G.W. Alexander) Rebel soldier (traditional) Follow the drinking gourd (traditional) Maple leaf rag (Scott Joplin) To Germany (Paul Lay) Sylvia - Deep rivers (Oley Speaks) Go to hell (Nina Simone) Battle of the republic (Willian Steffe) After Alcazar Memories, the return of a virtuoso jazz trio for a musical journey that revisits a century of American song, from the Civil War to Nina Simone! Carried away by the fascinating voice of Isabel Sörling, who covers folk, jazz and gospel with the same power, pianist Paul Lay and double bassist Simon Tailleu give new life to popular music from the late 19th and early 20th centuries, the jazz era ultimate. From these arias that rocked the youth of American soldiers who landed in France to those sung by the slaves of the cotton fields, via Broadway and Tin Pan Alley, a tribute concert to the history of jazz, which celebrates this great lesson in musical freedom which crossed the Atlantic several times! Recorded on November 14, 2020 at St Quentin en Yvelines Theater TV Director, Gilles Le Mao
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Mignon 'Opéra comique' in three acts by Ambroise Thomas (1811 - 1896) Libretto by Jules Barbier and Michel Carré after Goethe's 'Wilhelm Meister Lehrjahre' First performance in Paris, Opéra-Comique, 17 November 1866 Orchestre de l'Opéra Royal de Wallonie-Liege, Frédéric Chaslin (Conductor) Choeur de l'Opéra Royal de Wallonie-Liege, Denis Segond (Chorus Master) Vincent Boussard (Stage Direction) Nicolas Gilli (Lighting Design), Clara Peluffo Valentini (Costume design), Vincent Lemaire (Set design), Nicolas Hurtevent (Video) Stéphanie d'Oustrac (Mignon) Jodie Devos (Philine) Philippe Talbot (Wilhelm Meister) Jean Teitgen (Lothario) Geoffrey Degives (Frédéric) Jérémy Duffau (Laërte) Roger Joakim (Jarno) Liege, Opéra Royal de Wallonie-Liege, 7 April 2022 TV director, Stéphane Vérité
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Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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| 5:37 |
Steve Coleman & The Council of Balance Steve Coleman - alto saxophone Jonathan Finlayson - trumpet Jen Shyu - lyric Rane Moore - clarinet, bass clarinet Maria Grand - tenor saxophone Mike Lormand - trombone Kristin Lee - violin David Bryant - piano Miles Okazaki - guitar Anthony Tidd - bass guitar Greg Chudzik - bass guitar Sean Rickman - drums Alex Lipowski - drums Barry J. Crawford - flute Jeffrey Missal - trompet Elizabeth Weisser - viola Jay Campbell - Cello Recorded at La Villette Jazz Festival on September 5th 2015 TV Director, Samuel Thiebaut
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.