MezzoProgram TV na Wtorek 4.10.2022
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Il Trovatore, dramma in four acts by Giuseppe Verdi (1813 - 1901) Libretto by Salvatore Cammarano after 'El Trobador' by Antonio García Gutiérrez First performance in Rome, Teatro Apollo, 12 January 1857 Symphony Orchestra & Chorus of the Gran Teatre du Liceu de Barcelona, Daniele Callegari (Conductor) Conxita Garcia (Chorus Master) Joan Anton Rechi (Stage Director) Sergio Gracia (Video), Merc Paloma (Costumes), Albert Faura (Lighting) George Petean (Conte di Luna) Tamara Wilson (Leonora) Marianne Cornetti (Azucena) Piero Pretti (Manrico) Marco Spotti (Ferrando) Maria Miró (Ines) Albert Casals (Ruiz) Recorded on July 18 & 21, 2017 at the Gran Teatre del Liceu, Barcelona Directed by Fabrice Castanier
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| 11:25 |
Les Si cles, François-Xavier Roth (Conductor) Hector Berlioz (1803 - 1869) Symphonie Fantastique Recorded at the Festival Berlioz, La Côte-Saint-André, 1 September 2019 TV Director, Stéphane Vérité
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| 12:30 |
Being a female conductor means being an exception. Even today. When a woman stands on the podium she is, in most cases, somehow 'the first': the first to lead a world-class orchestra, the first to conduct the 'Last Night of the Proms' in London, the first to win the German Conductor Prize. But it seems that the world of the maestro is now in a state of upheaval. The young Lithuanian conductor Mirga Gražinyt -Tyla, who took over the post of Andris Nelsons in Birmingham, said with conviction: 'I really believe that something is changing now.' But why is it that there have been so few female conductors in the international music scene To take a closer look at this phenomenon, the film MAESTRAS follows several female conductors at Lucerne Festival 2016, which with the motto 'PrimaDonna' dedicated itself to this theme. Through the rehearsals, concerts and talks with participants of various professions at the Lucerne Festival the film approaches this subject. Along with the female musicians of the festival, the life of the former conductor Sylvia Caduff is followed. The Swiss woman was the first female assistant to Leonard Bernstein and directed the Berlin Philharmonic in 1978 when she filled in for Herbert von Karajan.
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| 13:25 |
Orchestre de l'Opéra Royal, Marie Van Rhijn (Organ and Musical direction) Filippo Mineccia, Samuel Marino (Countertenors) Antonio Vivaldi (1678-1741) In Furore Concerto for violin, organ and cello in C Major RV 554a Stabat Mater Giovanni Battista Pergolesi (1710-1736) Stabat Mater Recorded at the Château de Versailles, Chapelle Royale, 20 June 2020 TV Director, Nathan Benisty
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| 14:51 | |
| 16:00 |
The Nutcracker Piotr Ilych Tchaikovsky (music) Helgi Tomasson (choreography) San Francisco Ballet San Francisco Ballet Orchestra, Martin West (conductor) Damian Smith (Drosselmeyer) Elizabeth Powell (Clara Stahlbaum) Davit Karapetyan (Nutcracker) David Arce (King of the Mice) Yuan Yuan Tan (Queen of Snow) Vanessa Zahorian (Sugar Plum Fairy) Recorded the 01/01/2007 Tv director, Matthew Diamond
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| 17:33 |
Sergey Smbatyan, Malta Philharmonic orchestra, portrait Malta Philharmonice Orchestra Sergey Smbatyan, conductor Documentary Recorded on june 2018 TV Director, Benjamin Bleton
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| 17:59 |
Le Po me Harmonique, Vincent Dumestre (Conductor) Eva Za cik (mezzo-soprano) 'Il Viaggio' Music by Monteverdi, Castaldi, Frescobaldi.. Salomone Rossi (1570 - 1630) Sinfonia Bellerofonte Castaldi (1581 - 1649) La lettera Francese lamentavole Giovanni Battista Buonamente (1595 - 1642) Aria di Fiorenze Bellerofonte Castaldi Echo notturno Marco Uccellini (1603 - 1680) Sinfonia a gran battaglia La Bergamasca Girolamo Frescobaldi (1583 - 1643) Ti lascio anima mia Claudio Monteverdi (1567 - 1643) Addio Roma Oblivion soave Voglio di vita uscir Bellerofonte Castaldi Chi vidde pi lieto Dolci miei martiri Recorded at the Palazzo Farnese, Rome, 5 December 2019 Directed by Jean-Pierre Loisil
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| 19:13 |
Les Dissonances, David Grimal (artistic direction, violin) Antonín Dvořák (1841 - 1904) Vanda, Overture Violin Concerto Johannes Brahms (1833 - 1897) Symphony no. 3 in F major Op. 90 Paris, Philharmonie, 8 March 2022 TV director, Fréderic Delesques
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| 20:30 |
Toulouse-Lautrec Kader Belarbi Choreography, stage direction, libretto Bruno Coulais Music Dani le Devynck Artistic Advisor Sylvie Olivé Sets Olivier Bériot Costumes Nicolas Olivier, Vincent Cussey Lighting Sergio Tomassi Accordion Raul Rodriguez Bey Piano Ballet du Capitole Toulouse, Théâtre du Capitole, 23 October 2021
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| 22:21 |
Sadeh 21 Choreography, Ohad Naharin Lights and scenography, Avi Yona Bueno (Bambi) Music, Maxim Waratt Costume, Ariel Cohen Video surtitling, Raz Friedman With Batsheva - The young Ensemble Ohad Naharin The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at Chaillot - Théâtre national de la Danse TV Director, Tommy Pascal
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| 23:38 |
Franco Fagioli (countertenor) Armonia Atenea, George Petrou (Conductor) Leonardo Vinci (c. 1690-1730) Semiramide riconosciuta Sinfonia Gismondo, re di Polonia QuellUusignolo chU innamorato Artaserse Fra cento affanni e cento George Frideric Handel Concerto Grosso in B-flat Major Op. 3 No. 2, HWV 313 Leonardo Vinci Siroe, re di Persia Gelido in ogni vena Semiramide riconosciuta In braccio a mille furie Medo Sento due fiamme in petto Gismondo, re di Polonia Nave altera Catone in Utica QuellUamor che poco accende Semiramide Grave Artaserse Vo solcando un mar crudele Bayreuth, Markgräfliches Opernhaus, 11 September 2021 Directed by Olivier Simonnet
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| 1:05 |
For more than six decades, Pierre Boulez has had greater influence on the development of contemporary music than anyone else. Already in younger days, he gained a reputation as a doughty champion of the avant-garde. With his compositions, interpretations, and ideas he indelibly shaped the international music scene - not only as a composer and conductor, but also as a music philosopher and teacher. The documentary 'Inheriting the Future of Music: Pierre Boulez and the Lucerne Festival Academy' is a homage to him on the occasion of his 85th birthday on 26 March 2010. For the past five summers, Pierre Boulez and highly gifted young musicians from all over the world have converged for intensive rehearsal weeks during which they learn from the maestro and one another, discuss and play selected compositions, and finally present subsequently the fruits of their labour in a number of outstanding concerts. To convey the fascination for contemporary music, the documentary captures the perspectives of Pierre Boulez and the young conductors, composers, and musicians involved. Their infectious enthusiasm gives viewers an emotional access to the world of new music. Accompanied with retrospective accounts, this endeavour narrates significant experiences and encounters in Boulez' career and gives a graphical depiction of the way he passes these experiences on to his current students. Consequently, this makes selected works by Stravinsky, Stockhausen, and Boulez more approachable. On a different level, it demonstrates how strongly personal experiences leave their mark on individual action, aesthetic sensitivity, and our perception of others.
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| 2:02 |
Pedrito Martinez Live at the Banlieues Bleues 2017 Pedrito Martinez, voice, percussions Edgar Pantoja-Aleman, voice, keyboards Alvaro Benavides, voice, bass Jhair Sala, voice, bongos The most popular Cuban percussionist in New York brings a fresh new take on latin jazz. For a long time, this drummer-and-singer, brought up on Batá drums and the Santeria cult in Havana, was an ardent sideman with Bruce Springsteen, Meshell Ndegeocello and Sting. The following years in residence at a Manhattan restaurant made him the charismatic leader of a fusion quartet. Deeply attached to the Afro-cuban dance and Yoruba prayers of his youth, Pedrito Martinez fuses them with the soul, pop and rock sounds of New York. A heady Afro-cuban mix. Recorded on 2017, march 15th as part of the 'Banlieues Bleues', Clichy-sous-bois TV Director, Stéphane Sinde
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| 2:57 |
Rokia Traoré Rubén Pellejero Rokia Traoré, chant Mamadyba Camara, Kora Mamah Diabaté, N'goni Every year, the Angoul me Festival proposes to a comic strip author to create the Jazz Vienne poster, and the two festivals offer a creative comic concert that mixes music and comic strips. Both festivals offer a creative comic concert that will mix music and comic strips, bringing together a cartoonist and a musician, who express themselves live with their own 'tools' to compose a hybrid work. This particular comic concert brings together the singer Rokia Traoré and the cartoonist Rubén Pellejero. Recorded on January 26, 2018 at the Festival d'Angoul me TV Director, Samuel Thiebaut
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| 3:57 |
Dan Berglund (double bass) Johan Lindström (guitar) Martin Hederos (piano) Andreas Werliin (drums) Two years after the death of Esbjörn Svensson, the mythic leader of the Swedish jazz trio E.S.T., his bass player Dan Berglund is back with a new project: 'Tonbrucket' (sound workshop in Swedish). a gloomy and overpowering sound, combining progressive instrumental rock and elements of improvisation.The group brings together the energy of experimental rock and the melancholy of the far North for a strange but flavoursome mix. Recorded on 2011 at the Nancy Jazz Pulsations Festival TV Director, Samuel Petit
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| 4:54 |
Omar Sosa (piano) Leandro Saint-Hill (saxophone, flute) Joo Kraus (trumpet) Childo Tomas (voice, bass) Marque Gilmore (drums) To tackle a mountain like Miles Davis' Kind of Blue, there are two solutions: take it head-on at the risk of getting lost. Or circumvent it with inventiveness. Omar Sosa chose the second option. Pianist with a lavish discography and inexhaustible inventiveness, the Cuban has deconstructed all the components of Miles Davis' masterpiece to recompose them in his own way. Following the spirit rather than the letter: the approach makes sense for a musician full of spirituality like Omar Sosa. On the program, therefore, no Latinized 'So What', no Africanized 'All Blues', no rehashes of John Coltrane solos, but an unprecedented experience crossed by a quiet groove, bursts of electronics and winks. impressionists to the original disc. Recorded at the Jazz la Villette festival, 2014 TV director, Samuel Thiebaut
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| 5:45 |
Erik Truffaz, Trumpet Estreilla Besson, Piano Recorded on June 11 & 12, 2020 at the Piano Festival de Lille TV Director, Nicolas Foulon
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.