MezzoProgram TV na Czwartek 16.02.2023
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Kinga Glyk Kinga Glyk (basse, saxophone) Arek Grygo (Keyboard) Pawel Toraszewski (Keyboard) Yoran Vroom (Drums) Recorded at the New Morning on January 23, 2020 TV Director, Patrick Savey
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Mosaiques Choreography, Julien Lestel Music, Ivan Julliard (original creation, 66'17''), Mama Morte by Andréa Chénier (Acte III, by Umberto Giordano & Maria Callas, 4'25''), Down To Earth de Flight Facilities, 1'50'') Costume, Patrick Murru Lighting, Lo-Ammy Vaimatapako Dancers Mara Whittington, Zélie Jourdan, Roxanne Katrun, Ines Pagotto, Gilles Porte, Ivan Julliard, Gaël Alamargot, Florent Cazeneuve, Jean-Baptiste de Gimel, Matisse Coelho-Mandes et Alexandra Cardinale (artiste invitée). Recorded at the Opéra de Marseille, on October 23 e& 24, 2020 TV Director, Patrick Lauze
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Wiener Philharmoniker, Herbert von Karajan (Conductor) Kathleen Battle (soprano) Johann Strauss II (1825 - 1899) Der Zigeunerbaron, Overture Josef Strauss (1827 - 1870) Sphären - Klänge (Walzer), op. 235 Johann Strauss II Annen-Polka, op. 117 Johann Strauss I (1804 - 1849) Delirien (Walzer), op. 212 Johann Strauss II Die Fledermaus, Overture Johann Strauss I Beliebte Annen - Polka, op. 137 Johann Strauss II Vergnügungszug (Polka schnell), op. 281 Pizzicato-Polka Kaiser-Walzer, op. 437 Perpetuum mobile, op. 257 Unter Donner und Blitz (Polka schnell), op. 324 Frühlingsstimmen, op. 410 Josef Strauss Ohne Sorgen (Polka schnell), op. 271 Johann Strauss II An der schönen blauen Donau (Walzer), op. 314 Johann Strauss I Radetzky-Marsch Recorded at the Musikverein, Vienne, in 1985 Directed by Humphrey Burton
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Juan Diego Flórez (tenor), Vincenzo Scalera (piano) Franz Schubert An die Musik, D. 547 Swansong, D. 957 Serenade Richard Strauss Devotion, op. 10 n°1 Cäcilie, op. 27 n°2 Vincenzo Bellini Largo e tema in F minor Six ariettes de chambre dédiées a Marianna Pollini Malinconia, ninfa Gentile - Per pieta, bell'idol mio La Ricordanza Gioachino Rossini La Pietra del Paragone Oh come il fosco impetuoso nembo Semiramide Ah, dov'e, dov'e il cimento? Péchés de vieillesse Allegretto moderato (Danse sibérienne) Gaetano Donizetti Dom Sébastien, roi de Portugal Seul sur la terre Salvatore Cardillo Core 'ngrato Elpidio Ramírez/Pedro Galindo Malaguena salerosa Gaetano Donizetti La Fille du Régiment L'ennemi s'avance Giacomo Puccini Turandot Nessun dorma Gstaad, Eglise de Saanen (Sommes Musicaux de Gstaad), 4 February 2022
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Kammerorchester Basel, Anne Katharina Schreiber (Conductor) Sandrine Piau (Soprano) Giuseppe Torelli (1658 - 1709) Concerto grosso in G minor op. 8 no 5 Leonardo Leo (1694 - 1744) Rendimi il figlio mio (from Ciro riconosciuto) Nicola Porpora (1686 - 1768) Mentre rendo a te la vita (from Angelica) Johann Adolph Hasse (1699 - 1783) Cleofide, Overture Faró ben io fra poco (from Ruggiero) Nicola Porpora La Festa d'Imeneo, Sinfonia (Parte II) Smanie d´affanno (from Poliferno) Giuseppe Torelli Concerto grosso in D major op. 8 no 12 Georg Friedrich Haendel (1685 - 1759) Sen vola lo sparvier (from Admeto) Ah! crudel (from Rinaldo) Recorded at the Eglise de Saanen, Sommets Musicaux de Gstaad, 25 January 2019 TV Director Olivier Simonnet
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Wiener Philharmoniker, Christian Thielemann (conductor) Ludwig van Beethoven (1770 - 1827) Symphony No.3 in E flat major op. 55 'Eroica' Recorded in 2008 at the Musikverein, Vienna Directed by Agnes Méth
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Titon et l'Aurore 'Pastorale héroique' in a prologue and three acts by Jean-Joseph Cassanéa de Mondonville (1711 - 1772) Libretto by Antoine Houdar de la Motte First performance in Paris, Académie Royale de Musique, 9 January 1753 Les Arts Florissants, William Christie (Conductor) Basil Twist (Stage Direction, sets, costumes, puppets) Daniel Brodie (Video Design), Jean Kalman (Lighting design) Reinoud Van Mechelen (Titon) Gwendoline Blondeel (L'Aurore) Emmanuelle de Negri (Pales) Marc Mauillon (Eole) Julie Roset (Amour) Renato Dolcini (Prométhée) Virginie Thomas, Maud Gnidzaz, Juliette Perret (Nymphes) Valentin Arnoux, Coline Fouilhé, David Girondin Moab, Cristina Iosif, Sylvain Menard, Diana-Elizabeth Neva Jaramillo, Candice Picaud, Philippe Rodriguez-Jorda (puppeteers) Recorded at the Opéra Comique, Paris, 19 January 2021
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Staatskapelle Dresden, Christian Thielemann (conductor) Maurizio Pollini (piano) Ferruccio Busoni Lustspiel-Ouvertüre op. 38 Johannes Brahms (1833 - 1897) Piano Concerto No.2 in B flat major, Op. 83 Symphony No.2 in D major, Op. 73 Directed by Henning Kasten
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Shabaka and the Ancestors Shabaka Akua Lumumba Kamau Hutchings (saxophone ténor) Mthunzi Mvubu (saxophone alto) Siyabonga Mthembu (voix) Ariel Zomonsky (Basse) Tumi Mogorosi (batterie) Gontse Makhene (Percussions) Playlist. Nguni (Shabaka Hutchings, Siyabonga Mthembu). The Sea (Shabaka Hutchings). The Observer (Shabaka Hutchings, Siyabonga Mthembu). Joyous ((Shabaka Hutchings). Natty (Shabaka Hutchings). Mzwandile (Shabaka Hutchings, Siyabonga Mthembu). Chik CHIkka (Lykaty Astatke) Refocusing jazz could be Shabaka Hutchings' mantra. The tenor saxophonist recently went to Johannesburg to soak up South African heritage and to surround himself with the country's best musicians. It led to a celebratory, spiritual sound on the vibrant Wisdom of Elders, recorded in just one day in Johannesburg. The music composed by the saxophonist is primitive, spontaneous, and unpredictable. It's infused with drummer Tumi Mogoros's polyrhythmic beats and the hypnotic sounds of singer Siyabonga Mthembu. British Shabaka Hutchings has Barbadian roots. He's been recognized as a key player on the London jazz scene for a few years now. He got noticed when he brought African and Caribbean sounds to Sons Of Kemet and by playing with the electro-cosmic sounds of The Comet Is Coming. Enregistré le 12 juillet 2017 au Montreux Jazz Festival (Montreux Jazz Club) Réalisation, Marc Schütrumpf
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Zhenya Strigalev's Never Group Zhenya Strigalev, alto sax & alto box Michael Janisch, electric bass / effects Marc Ayza, drums Recorded on November 10th 2017 at the London Milton Court, London Jazz Festival TV Director, Mathieu Mastin
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Michael Wollny, piano Vincent Peirani, accordion Emile Parisien, saxophone Andreas Schaerer, vocal Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival TV Director, Mathieu Mastin
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Directed By Cristopher Nupen Although he was still in his early thirties when this film was made, Itzhak Perlman's virtuosity was already something of a legend and he was soon to become one of the most popular figures on the international concert stage. This film played a major part in that success. His rare combination of astonishing technical virtuosity and lighthearted ebullience have since won him a particularly affectionate following, but he wears his success very easily and describes himself as basically a family man and his relationship with his family as the most important thing in his life. This film, which was shot over a period of three years, shows Itzhak Perlman at home in New York with his family, on tour in Europe with Pinchas Zukerman, playing Sarasate's 'Zigeunerweisen' with the Philharmonia Orchestra of London, conducted by Lawrence Foster, in the recording studios with Vladimir Ashkenazy, recording Beethoven sonatas, playing Scott Joplin in Wuppertal with Bruno Canino, solo Bach at a BBC Lunchtime Concert in St John's, Smith Square, London, a Beethoven Trio with Vladimir Ashkenazy and Lynn Harrell in concert at the Royal Opera House, Covent Garden and rehearsing, performing and teaching at the Aspen Music School in Colorado, where he goes regularly with his entire family. This film is an intimate portrait of this entertaining and many-faceted artist and it includes music by Bazzini, Sarasate, Beethoven, Scott Joplin, Bach and Vivaldi with a number of performances shot on stage in true concert conditions, where the artist is at his best and most revealing.
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This film is a rare personal portrait of Leonard Bernstein, who triumphed as composer, conductor, writer and teacher. The spontaneous joy of his Broadway hits, the bold, spiritual quest of his orchestral works, his intensity and vitality as conductor, made Bernstein one of the central figures in twentieth century music. Never before has there been such a personal portrait of Bernstein told through his own words. It brings a renewed appreciation of this gifted man and his far-reaching influence. 'Leonard Bernstein Reflections' takes viewers from the Leonard Bernstein Festival in Israel in 1977 to the stage of his famous debut at Carnegie Hall in New York and into the privacy of his home and studio. Honest and intimate, Bernstein himself reveals stories never heard before about his childhood and early years in Boston, his musical growth at Harvard and at the Curtis Institute, and the influence of great masters like Reiner, Mitropoulos, and Koussevitsky. Bernstein's eloquence and charm have marked his television appearances and are powerfully evident in this documentary: from the pioneering Omnibus programmes of the 1950s, and the CBS Young People's Concerts, to the provocative Norton lectures delivered at Harvard in the 1970s.
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Orchestra dell'Accademia di Santa Cecilia, Leonard Bernstein (Conductor) Claude Debussy (1862-1918) La Mer Recorded in 1989 at the Auditorio Pio, Rome Directed by Horant H. Hohlfeld
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Kinga Glyk Kinga Glyk (basse, saxophone) Arek Grygo (Keyboard) Pawel Toraszewski (Keyboard) Yoran Vroom (Drums) Recorded at the New Morning on January 23, 2020 TV Director, Patrick Savey
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In 2018 Yannick Nézet-Séguin ended his tenure with the Rotterdam Philharmonic for which he will stay Honorary Conductor to become Music Director of the Metropolitan Opera, New York. Yannick has worked with many leading European orchestras and enjoys close collaborations with the Berliner Philharmoniker, the Wiener Philharmoniker the Chamber Orchestra of Europe and many notable orchestras and festivals. Learn more about this fascinating young conductor, who seems to be taking the world by storm in this ambitious, witty and intimate portrait
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'Medusa' Felipe Cabrera (double bass, composition) Leonardo Monatana (piano) Lukmil Perez (drums) Judith Sánchez Ruiz (choreography, dance) The music of 'Medusa' was born in Havana, during a 110-day lock-down when Felipe Cabrera found himself alone in the country that saw him grow up. Pillar of the great Cuban jazz school, the double bassist based in Paris has decided to turn his accidental return to his native country into art in times of pandemic. While Cuba was completely closing in on itself to absorb the global disruption, he composed five superb musical pieces, which he created for Banlieues Bleues with his faithful trio and a distinguished guest, also from Cuba, the choreographer and dancer Judith Sanchez Ruiz. Recorded at the Salle Jacques-Brel (Pantin) on March 19, 2021, as part of the 38th Banlieues Bleues festival, Directed by Guillaume Dero
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Joao Bosco Recorded on July 5, 2018, at Montreux Jazz Club, at Montreux Jazz Festival TV Director, Julian Nicole Kay
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O stacji Mezzo
Telewizja Mezzo
Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.
Historia telewizji Mezzo
Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.
Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.
Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.
Gdzie można oglądać telewizję Mezzo?
Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.
Stacje telewizyjne powiązane z Mezzo
Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.
Więcej o telewizji Mezzo
Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.