MezzoProgram TV na Poniedziałek 28.11.2022

Poniedziałek 28.11
Od teraz
6:08
Jun Miyake (keyboards, trumpet), Sébastien Surel (1st violin), Elodie Michalakakos (2nd violin), Vlad Bogdanas (viola), Miwa Rosso (cello), Lisa Papineau (voice), Kyoko Katsunuma (voice), Vanya Moneva, Veselina Kurtyan, Diana Teneva and Anna Natskova (Bulgarian Cosmic voices), Dairo Miyamoto (saxophone), Ze Luis Nascimento (percussions), Manuel Marches (bass), Olivier Louvel (guitare, oud), Philippe Avril (sound)
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7:06
Lucky Peterson and the Organization Lucky Peterson vocal, Hammond organ B3, keyboard & guitar Timothy Waites bass Raul Valdes drums Shawn Kellerman guitar, vocal Rachid Guissous keyboard Play list Love Of Mine Shawn Kellerman Funky Broadway Lucky Peterson Love Me Lucky Peterson I Pity The Fool Lucky Peterson It Ain't Safe S. Carter/G. Jackson Locked Out Of Love/Cold Shot/Mary Had A Little Lamp Lucky Peterson Johnny B. Goode Charles Edward 'Chuck' Berry Voodoo Chile Jimi Hendrix I Believe I'll Dust My Broom Elmore James Them changes Buddy Miles Superstition Stevie Wonder Zugabe: Proud Mary/ Boogie-Woogie Blues Joint Party Recorded on March 30, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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8:08
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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9:00
Berliner Philharmoniker, Daniel Barenboim (direction) Wolfgang Amadeus Mozart (1756 - 1791) Concerto for piano no. 26 in D major K.537 Recorded in 1989 at the Siemens-Villa, Berlin Directed by George Moorse
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9:31
Daniel Barenboim (piano), Michael Barenboim (violin) Wolfgang Amadeus Mozart (1756 - 1791) Violin Sonata in B-flat major, K.454 Violin Sonata in E-flat major, K.481 Recorded at the Pierre Boulez Saal, Berlin, 13 April 2020
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10:21
Daniel Barenboim (piano), Staatskapelle Berlin String Quartet Robert Schumann (1810 - 1856) Fantasiestücke op. 12 (Des Abens - Warum? - Traumes Wirren) Piano Quintet Op. 44 Recorded at the Pierre Boulez Saal, Berlin, 24 April 2020
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11:02
INANNA Choreography by Carolyn Carlson Staged by Carolyn Carlson Sets by Euan Brunet-Smith (scénographie) Music by Armand Amar (original music), Bruce Springsteen, Tom Waits (added music) With Chinatsu Kosakatani, Isida Micani, Sara Orselli, Sonia Rocha, Cristina Santucci, Sara Simeoni et Alessandra Vigna In turn a warrior, a lover, a mother and a seductress, modern woman has many facets, and brings to mind Inanna, the Sumerian goddess: pure and free, dangerous and playful, awkward and precious, she stands her ground and invariably triumphs. Dance is the perfect medium for her animal strength and mysterious power. Carolyn Carlson inventively combines different styles to explore the inner world of women. The seven performers have unique expressive power and perfectly convey the charm and harmony of Carolyn Carlson's vision. An ode to Woman. Recorded on 2012 at the Théâtre national de Chaillot TV Director Charles Picq
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12:40
Bernard Haitink: It comes my way - Portrait of a conductor Together with Hans Haffmans, Dutch radio and television presenter, Bernard Haitink is reflecting on his long career. The film turns out to be a very moving portrait of a man who can't enjoy his great success. Haffmans visits Haitink and his wife Patricia at his residence in south-west France. Two days of intimate conversations, including studying the Mengelberg score of 'Das Lied von der Erde', and a relaxed stroll in the garden. The interview is intervowen with unique archival footage and photos: a very young Haitink struggling with the Concertgebouw Orchestra and with Mahler's Second Symphony, and an older and far more experienced Haitink working with the Berlin Philharmonic, a recording session for Philips in the 70's, a masterclass in Luzern... Directed by Joost Honselaar and Hans Haffmans
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13:29
Berliner Philharmoniker, Bernard Haitink (Conductor) Tölzer Knabenchor, Ernst Senff Chor Florence Quivar (alto) Gustav Mahler (1860 - 1911) Symphonie n° 3 en ré mineur Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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15:16
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16:00
Platée 'Comédie lyrique (ballet bouffon)' in a prologue and three acts by Jean-Philippe Rameau (1683-1764) Libretto by Adrien-Joseph Le Valois d'Orville First performance in Versailles, la Grande Ecurie, 31 March 1745 Orchestre des Musiciens du Louvre, Marc Minkowksi (Conductor) Cheurs de l'Opéra national de Paris, Ching-Lien Wu (Chorus Master) Laurent Pelly (Stage Director, Costumes) Chantal Thomas (Sets), Joël Adam (Lighting), Laura Scozzi (Choreography) Lawrence Brownlee (Platée) Julie Fuchs (Thalie la Folie) Nahuel di Pierro (Un satyre Cithéron) Marc Mauillon (Momus) Reinoud Van Mechelen (Mercure) Tamara Bounazou (L'amour Clarine) Jean Teitgen (Jupiter) Adriana Bignani-Lesca (Junon) Paris, Opéra National de Paris, Palais Garnier, 21 June 2022
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19:05
Berliner Philharmoniker, Bernard Haitink (conductor) Gustav Mahler (1860 - 1911) Symphony no 7 in E minor Berlin, Philharmonie, 1992 Directed by Barrie Gavin
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20:30
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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20:55
Directed by Christopher Nupen 1970 was the 200th anniversary of Ludwig van Beethoven's birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and Nupen as filmmaker, were on the cusp of long and illustrious careers in music. Much of the material they shot has never been broadcast and, until recently, the footage had lain dormant for half a century. Now the series has been resurrected in its original form. It was recorded when Daniel Barenboim was in his late twenties, full of talent, charisma and early authority. During the episodes, he talks and plays extracts at the piano, illustrating the defining characteristics of Beethoven's compositions and sharing his personal insight into the composer's mindset. Throughout, he addresses the camera directly as presenter, adding to the intensity of the narrative. For orchestral pieces, he conducts the New Philharmonia Orchestra or plays at the piano with Sir Adrian Boult taking the conductor's baton. 'Barenboim On Beethoven' is a musical journey charting Beethoven's progression in the context of his contemporaries such as Mozart and Haydn. Over twenty key compositions are performed and dissected, making this a unique body of work.
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21:33
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano concerto No.5 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
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22:17
Staatskapelle Berlin, Daniel Barenboim (conductor) Johannes Brahms (1833 - 1897) Symphony No.1 in C minor, op. 68 Un poco sostenuto - Allegro Andante sostenuto Un poco allegretto e grazioso Adagio - Allegro non troppo, ma con brio Symphony No.2 in D major, op. 73 Allegro non troppo Adagio non troppo Allegretto grazioso (quasi andantino) Allegro con spirito Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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0:10
Staatskapelle Berlin, Daniel Barenboim (conductor) Symphony No.3 in F major, op. 90 Symphony No. 4 in Mi minor, op. 98 Néstor Kirchner Cultural Center, Buenos Aires, 2018 Directed by Tilo Krause
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1:42
Kylie Eastwood (bass) Hugh Coltman (vocal) Camille Bertault (vocal) Andrew McCormack (piano) Quentin Collins (trumpet, bugle) Brandon Allen (saxophone) Chris Higginbottom (drums) Recorded on June 30th at Théâtre Antique, Jazz a Vienne
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2:45
Avishai Cohen Avishai Cohen (trumpet) Ziv Ravitz (drums) Yonatan Albalak (guitar) Aviv Cohen (drums) Uzi Ramirez (bass) Recorded at the New morning, on May 29, 2019 TV Director, Patrick Savey
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4:02
LBT - LEO BETZL TRIO Leo Betzl Piano Maximilian Hirning Bass Sebastian Wolfgruber drums Play list Circadian Dysrhythmia Maximilian Hirning Arpeggione Maximilian Hirning Way up in the blue Maximilian Hirning Tacete Maximilian Hirning Sober Maximilian Hirning So Mellow Maximilian Hirning The Riff Maximilian Hirning Plectral Comfort Zone Maximilian Hirning This is not the way to Vernazza Maximilian Hirning Zappa Maximilian Hirning Recorded on March 27, 2019 at the Burghausen Jazz Festival TV Director, Susanne Sammet
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5:11
Jokers Vincent Peirani: accordion, accordina Federico Casagrande: guitar Ziv Ravitz: drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty
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5:57
Brad Mehldau joue The Beatles Brad Mehldau is an exceptional pianist whose musical style extends far beyond jazz and frequently tends towards pop. A big fan of The Beatles, he revisits their lavish repertoire for these sparkling concert. Recorded on September 19 & 20, 2020, Salle Boulez, Philharmonie de Paris TV Director, Samuel Thibaut
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Lista stacji

O stacji Mezzo

Telewizja Mezzo

Mezzo to francuska stacja telewizyjna skupiająca się na światowej muzyce klasycznej, jazzie i tańcu. Promowana hasłem „Muzyka dla Twoich oczu”, łączy w sobie wrażenia płynące z doskonałego brzmienia i oglądanych występów. Mezzo przenosi widzów do najbardziej prestiżowych sal koncertowych, na deski scen operowych i baletowych oraz w świat znakomitych festiwali muzycznych. W ramówce kanału znajdują się zarówno krótkie klipy, jak i pełnometrażowe przedstawienia prezentujące twórczość legendarnych artystów i nowo odkrytych talentów. Pasmo uzupełniane jest muzycznymi programami i filmami dokumentalnymi. Telewizja Mezzo nadaje swój program przez całą dobę, siedem dni w tygodniu.

Historia telewizji Mezzo

Telewizja Mezzo została założona w 1992 roku przez francuską publiczną grupę mediową France Télévisions. Do roku 1998 nosiła nazwę France Supervision. W 2001 roku Mezzo połączyła się z francuskim kanałem muzycznym Muzzik, zachowując swoją nazwę. Logo stacji składa się z czerwonego napisu „mezzo” ze stylizowaną literą „m”. Siostrzaną stacją telewizji Mezzo jest Mezzo Live HD – kanał nadawany od kwietnia 2010 roku.

Oficjalna siedziba stacji znajduje się w Paryżu we Francji. Obecnym właścicielem jest francuska telewizja publiczna oraz francuska spółka mediowa Grupa Canal+. Aktualnie stacja dociera aż do blisko 60 milionowej widowni i jest dostępna w ponad 80 krajach na całym świecie – w tym w krajach Skandynawskich, w Portugalii, Rosji czy w Polsce.

Od samego początku telewizja Mezzo poświęcona była promocji muzyki klasycznej, jazzu i tańca wśród szerszej widowni. Zamysłem było dotarcie nie tylko do zaprawionych melomanów, ale także osób rozpoczynających przygodę z muzyką poważną. Oferta kanału składa się z programów w różnym formacie. Repertuar obejmuje różne gatunki i formy sztuki klasycznej – m.in. operę, balet, koncerty symfoniczne, jazzowe czy recitalie. Krótko- i pełnometrażowe występy nadawane są w blokach. Przeplatane są programem muzycznym „ InterMezzo ”.

Gdzie można oglądać telewizję Mezzo?

Telewizja Mezzo dostępna jest w Polsce w wybranych sieciach kablowych oraz na największych platformach – Polsat Box i Canal+.

Stacje telewizyjne powiązane z Mezzo

Od roku 2010 oferta nadawcy została rozszerzona o kanał Mezzo Live HD. Emitowane są na nim wyłącznie programy w jakości HD, w tym koncerty i spektakle na żywo z największych scen lirycznych, festiwali klasycznych i jazzowych oraz koncertów z całego świata.

Więcej o telewizji Mezzo

Telewizja Mezzo posiada własną stronę internetową www.mezzo.tv w francuskiej i angielskiej wersji językowej. Prezentowane są na niej nie tylko zapowiedzi transmitowanych spektakli i koncertów, ale też rekomendacje muzyczne, literackie, filmowe czy festiwalowe. Aktualności na temat ramówki i nadchodzących wydarzeń muzycznych umieszczane są na bieżąco również na social mediach stacji, takich jak Facebook, Twitter i Instagram.

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